An accurate, detailed and fascinating account of the life of a man whose story should have been told in this much detail long ago. Author Mark Wilkerson interviewed Townshend himself and several of Townshend's friends and associates for this biography.

Long acknowledged as one of rock music’s most intelligent and literary performers, Pete Townshend—guitarist, songwriter, singer and founding member of The Who—at last tells his wild story in this candid and immersive autobiography. Raised in west London by an eccentric grandmother, while his parents were off living the early post-war, rock ’n’ roll lifestyle, Townshend describes a frenetic childhood of displacement and abuse. Then, in high school, everything changed when he met Roger Daltrey and formed a band that would travel the world, earning fame, fortune and critical acclaim. In Who I Am, Townshend brings us from the inner sanctum of Eric Clapton’s drug-ridden hotel rooms to the feet of Jimi Hendrix and his electric kool-aid guitar; from the first trial performance of Townshend’s rock opera, Tommy, in a London bar to his infamous arrest (and acquittal) on child pornography charges. With his trademark eloquence, fierce intelligence and brutal honesty, Pete Townshend has created a work of literature that stands as a primary source for popular music’s greatest epoch. Readers will be confronted by a man laying bare who he is, an artist who has asked for nearly sixty years: who are you?

From Townshend's early childhood as the son of a sexually voracious mother to his devotion to the Indian mystic Meher Baba, this is the true story of a man looking back, forward, and in the mirror.

The Age of Anxiety is a great rock novel, but that is one of the less important things about it. The narrator is a brilliant creation - cultured, witty and unreliable. The novel captures the craziness of the music business and displays Pete Townshend's sly sense of humour and sharp ear for dialogue. First conceived as an opera, The Age of Anxiety deals with mythic and operatic themes including a maze, divine madness and long-lost children. Hallucinations and soundscapes haunt this novel, which on one level is an extended meditation on manic genius and the dark art of creativity.

The frontman of one of the greatest bands of all time tells the story of his rise from nothing to rock 'n' roll megastar, and his wild journey as the voice of The Who. “It’s taken me three years to unpack the events of my life, to remember who did what when and why, to separate the myths from the reality, to unravel what really happened at the Holiday Inn on Keith Moon’s 21st birthday,” says Roger Daltrey, the powerhouse vocalist of The Who. The result of this introspection is a remarkable memoir, instantly captivating, funny and frank, chock-full of well-earned wisdom and one-of-a-kind anecdotes from a raucous life that spans a tumultuous time of change in Britain and America. Born during the air bombing of London in 1944, Daltrey fought his way (literally) through school and poverty and began to assemble the band that would become The Who while working at a sheet metal factory in 1961. In Daltrey’s voice, the familiar stories—how they got into smashing up their kit, the infighting, Keith Moon’s antics—take on a new, intimate life. Also here is the creative journey through the unforgettable hits including My Generation, Substitute, Pinball Wizard, and the great albums, Who’s Next, Tommy, and Quadrophenia. Amidst all the music and mayhem, the drugs, the premature deaths, the ruined hotel rooms, Roger is our perfect narrator, remaining sober (relatively) and observant and determined to make The Who bigger and bigger. Not only his personal story, this is the definitive biography of The Who.

Townshend explores life's razor-edged pathways in this bold, impressionistic work of autobiographical fiction, with intriguing experimental writing packed with vivid imagery (Library Journal) that strikingly mirrors the musical compositions Tommy and Quadrophenia. As he recalls his childhood, the decadent indulgences of success, and a new discovery of life itself, Townshend re-creates in fiction a powerful personal odyssey from the inside out.

'A definitive tome for both Who fans and newcomers alike’ ***** Q Magazine Pete Townshend was once asked how he prepared himself for The Who’s violent live performances. His answer? ‘Pretend you’re in a war.’ For a band as prone to furious infighting as it was notorious for acts of ‘auto-destructive art’ this could have served as a motto. Between 1964 and 1969 The Who released some of the most dramatic and confrontational music of the decade, including ‘I Can’t Explain’, ‘My Generation’ and ‘I Can See For Miles’. This was a body of work driven by bitter rivalry, black humour and dark childhood secrets, but it also held up a mirror to a society in transition. Now, acclaimed rock biographer Mark Blake goes in search of its inspiration to present a unique perspective on both The Who and the sixties. From their breakthrough as Mod figureheads to the rise and fall of psychedelia, he reveals how The Who, in their explorations of sex, drugs, spirituality and class, refracted the growing turbulence of the time. He also lays bare the colourful but crucial role played by their managers, Kit Lambert and Chris Stamp. And – in the uneasy alliance between art-school experimentation and working-class ambition – he locates the motor of the Swinging Sixties. As the decade closed, with The Who performing Tommy in front of 500,000 people at the Woodstock Festival, the ‘rock opera’ was born. In retrospect, it was the crowning achievement of a band who had already embraced pop art and the concept album; who had pioneered the power chord and the guitar smash; and who had embodied – more so than any of their peers – the guiding spirit of the age: war.

LIFEHOUSE is an apocalyptic journey across the industrial wastes of Britain on the last day of the millennium. Disillusioned ex-TV executive Ray is on a desperate search for his daughter Mary, who has gone missing, presumed dead. He leaves his wife and rural hideaway and heads back to the city where he was born, magnetised by the voice of a pirate D.J. calling the like-minded and lost to the LIFEHOUSE - a subversive musical event. The play explores the power of music to transform and the potential for digital networking to draw together the young, the marginalised and the spiritually hungry.

Published to commemorate the influential band's twentieth anniversary, an illustrated portrait covers their achievements while sharing reproductions of rare archival memorabilia, personal photos, and tour notes.

'Hope I die before I get old', sang Roger Daltrey over forty years ago, but it didn't quite work out like that. The wild and passionate lead singer for supergroup The Who is still very much alive. The premature deaths of fellow group members Keith Moon and John Entwistle leaves Daltrey and Pete Townshend as the only survivors of the legendary band. Roger Daltrey's life is extraordinary from start to finish: he was expelled from school and written off as a violent thug - before he made his first guitar out of a block of wood, and music and The Who became his salvation. For many years he was the vouce of a generation, strutting bare-chested on stage, swinging the mic around like a lariat at The Who's dynamic concerts. Drawing on interviews with Daltrey himself, as well as his friends and fellow musicians, this is the most complete and revealing biography of one of rock's most powerful personalities.