The ultimate resource for needlecrafters on using these traditional, timelessly appealing embroidery techniques. In whitework, the texture of the stitchery, whether it be delicate or bold, creates the beauty and interest. In this book, over 1,000 step-by-step photos illustrate the creation of this beautiful, traditional white-on-white embroidery that has inspired needlecrafters for centuries. Encompassing candlewicking, Mountmellick, cut work, appliqué, shadow work and net embroidery, this comprehensive guide in the popular A-Z series includes many useful tips and fascinating historical information.

Delve into elegant Frisian whitework with historical whitework with 11 varied projects and expert instruction for left and right handed stitchers alike. From Friesland in the Netherlands, this is a style of counted embroidery dating from the 1600s, traditionally used on men’s shirt collars, on household linen, and on samplers. The style is known as Frisian whitework, but there can be touches of color, and some samplers are worked fully in color. Alphabets, figurative motifs and geometric shapes are common, and they are interpreted in a wide variety of stitches, such as satin stitch, eyelets, whipped back stitch, and chain stitch; some also with cutwork and drawn thread work. Explore this beautiful style of embroidery using whitework specialist, Yvette Stanton’s clear instructions. The book features: A detailed introduction to Frisian whitework with historical and cultural information, including many photos of historical examples of Frisian whitework from the collection of the Fries Museum, helps to place the embroidery within its cultural context. Materials and equipment 11 varied projects with a range of contemporary applications, including two samplers, soft furnishings for the home, table linen, and small articles suitable to give as gifts. The left- and right-handed step-by-step stitch and technique instructions are easy to follow, making it easy to learn. Yvette Stanton’s expert instructions will help you on your way to making beautiful Frisian whitework embroidery.

This practical guide covers a wide range of whitework stitches and techniques, and provides inspiration for all embroiderers, whatever their level of experience. Along with explaining the many stitches included under the definition of whitework, it goes further and demonstrates how to combine the stitches to make intricate and stunning pieces of embroidery. Packed with practical advice and instruction, it is the essential handbook that embroiderers need to enjoy and discover one of the oldest and most beautiful forms of embroidery techniques. Introduction to fabric, threads and equipment, as well as framing up . A detailed guide to individual whitework techniques, including stitch patterns Practical advice on how to combine techniques and to design pieces of your own. Two complete projects with step-by-step instructions . Instruction on washing, mounting and caring for your pieces

Thorough guide to elegant form of contemporary embroidery, with illustrated instructions and patterns for 20 stitches, plus 188 embroidery patterns keyed to those stitches. Magnificent florals, borders, alphabets, and more.

A New York Times Best Art Book of 2019 “A riveting book . . . few stones are left unturned.”—Roberta Smith’s “Top Art Books of 2019,” The New York Times This fascinating and enlightening study of the tie-on pocket combines materiality and gender to provide new insight into the social history of women’s everyday lives—from duchesses and country gentry to prostitutes and washerwomen—and to explore their consumption practices, sociability, mobility, privacy, and identity. A wealth of evidence reveals unexpected facets of the past, bringing women’s stories into intimate focus. “What particularly interests Burman and Fennetaux is the way in which women of all classes have historically used these tie-on pockets as a supplementary body part to help them negotiate their way through a world that was not built to suit them.”—Kathryn Hughes, The Guardian “A brilliant book.”—Ulinka Rublack, Times Literary Supplement