Influential assassination researcher Harold Weisberg revolves the third installment in his Whitewash series around the photographic evidence available to government officials investigating the death of John F. Kennedy. Given the materials and photographs available to the Warren Commission, Weisberg shows that in numerous cases the government either ignored the evidence it had in front of it or intentionally misrepresented evidence. Using the photographs themselves to show the inadequacies of the government’s research techniques, as well as the impossible conclusions at which the government arrived, Weisberg’s most damning argument is that the government twisted the evidence to make it fit preconceived theories and explanations for the assassination of the president. In the years since its original publication in 1974, the books in Weisberg’s Whitewash series have become classics of assassination literature and have established the author as one of the premier investigators and researchers in his field. Decades later, the shocking revelations painstakingly detailed in his work have lost none of their impact, and the information uncovered beneath the government’s whitewash is crucial to understanding the assassination of John F. Kennedy.

Harold Weisberg’s Whitewash was originally self-published in 1965, at a time when few publishing houses would consider a book challenging the Warren Report. Written in Harold’s fiercely passionate yet scrupulously honest style, and relying on the government’s own evidence and documentation, Whitewash destroys the Warren Commission’s claims about Oswald and shows that the Commission knowingly engaged in a cover-up. Weisberg diligently researched the government’s unpublished evidence and played a major role in forcing disclosures via the Freedom of Information Act. A watershed publication and one that established the author as one of the premier JFK assassination researchers, Whitewash (as well as the subsequent books in the Whitewash series) has become of the essential assassination publications, and nearly five decades later his work has lost none of its bite.

Weisberg’s first volume in the Whitewash series dissected the Warren Report and its failure to confront evidence of conspiracy in the JFK assassination. In this sequel he shows how the agencies of the investigation—the FBI, the Secret Service, the Dallas police, and the lawyers who worked for the Commission—made this possible by often corrupting evidence and consistently avoiding pursuit of clear and critical evidence pointing to and defining a conspiracy. The author demonstrates that their failure was rooted not only in institutional inability but also in a deliberately twisted investigative structure. In the years since its original publication in 1974, the books in Weisberg’s Whitewash series have become classics of assassination literature and have established the author as one of the premier investigators and researchers in his field. Decades later, the shocking revelations painstakingly detailed in his work have lost none of their impact, and the information uncovered beneath the government’s whitewash is crucial to understanding the assassination of John F. Kennedy.

This book is a reconsideration of the practice of whitewashing church interiors during the Protestant Reformation in the sixteenth and seventeenth centuries. It is the first detailed study of its kind which challenges the view that whitewash was always only a 'cheap coat of paint'. Victoria George pulls together several histories: of the colour white from the biblical period to the present, and ideas about the colour white in philosophy, theology, art, and architecture from antiquity to the present. She links them to case studies of the ways in which reformers Huldrych Zwingli and John Calvin thought about colour in a careful analysis of the role of colour-thinking in their theological writings. The social meanings embodied in the word, 'whitewash' as it entered the printed media in the 17th century is explored as part of a chapter on the history of whitewashing itself. The long-term symbolic and aesthetic implications of the practice of whitewashing are examined in the larger context of material culture; in terms of their value as a metaphor, for both the Reformed Protestant and the Catholic in opposition to them; and for the uses to which whitewash has been put over time. George proposes that the practice was not only visually transformative but held importance for religious aesthetics as an agent of change, and for an aesthetics of minimalism generally, especially evident in the twentieth and twenty-first centuries. Victoria George received an MFA from the Royal College of Art (London), an MA from The Architectural Association, and a Ph.D. from Cambridge. She has taught religion and the arts at the University of Richmond in Virginia.

Argues that the liberal media has systematically downplayed Clinton's personal, political, and financial shortcomings in order to help build her political career and pave her way for a presidential campaign.

For 60 years Qumran research has been focused on epigraphy, exegesis, and the historical sources of the Dead Sea Scrolls. The manuscripts are now published and accessible, and research is turning in a positive way to the archaeology of the site and its context. The time has come to provide researchers with a complete documentation. The excavator, Roland de Vaux, had given preliminary reports and a valuable interpretation made in the immediate aftermath of the excavations. Since considerable progress has been made in the archeology of Hellenistic and Roman Palestine, however, Qumran has to be reassessed and the interpretation objectively verified.Volume IIIA presents an up-to-date archaeological reconsideration: a shorter and more precise chronology, in which the earthquake of 31 BC is deleted; the concept of an Essene community is challenged, owing to the lack of a suitable infrastructure; the cemetery itself is connected with a Jewish diaspora scattered around the Dead Sea. Other facilities strengthen the Jewish character of the site, however. The function of Qumran fits better with the rites of a pilgrimage on the occasion of the festivals of Passover and Pentecost.In the second part, the peripheral Essene facilities, expanded around an earlier Hellenistic center, are analyzed and described. The essay seeks to outline their internal consistency and to determine their function. The restoration of a stratigraphy, by cross-checking the excavation archives, leads to a redistribution of pottery in four levels in a more precise chronology.The reconsideration makes use of anthropology, which opens up the archaeological field and throws additional light on the manuscripts.