In his magnum opus, Process and Reality, Alfred North Whitehead claims a special affinity to Oxford philosopher Francis Herbert Bradley. McHenry clarifies exactly how much of Whitehead's metaphysics is influenced by and accords with the main principles of Bradley's "absolute idealism." He argues that many of Whitehead's doctrines cannot be understood without an adequate understanding of Bradley, in terms of both affinities and contrasts. He evaluates the arguments between them and explores several important connections with William James, Josiah Royce, George Santayana, Bertrand Russell, and Charles Hartshorne.

In his magnum opus, Process and Reality, Alfred North Whitehead claims a special affinity to Oxford philosopher Francis Herbert Bradley. McHenry clarifies exactly how much of Whitehead's metaphysics is influenced by and accords with the main principles of Bradley's "absolute idealism." He argues that many of Whitehead's doctrines cannot be understood without an adequate understanding of Bradley, in terms of both affinities and contrasts. He evaluates the arguments between them and explores several important connections with William James, Josiah Royce, George Santayana, Bertrand Russell, and Charles Hartshorne.

This book examines some of the central logical and epistemological doctrines of British idealist philosopher, F. H. Bradley. Through a detailed analysis of Bradley's doctrine of judgment and its relation to "feeling," Phillip Ferreira views as mistaken recent efforts to see Bradley as a writer in the tradition of anglo-empiricism. And, though the significance of Bradley's thought remains great, Ferreira contends that it stands at a considerable distance from mainstream philosophical analysis. Arguing against those who see Bradley as either a skeptic or a mystic, Bradley and the Structure of Knowledge places the thought of the nineteenth century Oxford philosopher where it was originally understood to belong—firmly in the tradition of rationalistic idealism.

Leemon McHenry argues that Whitehead's metaphysics provides a better basis for achieving a unification of physical theory than a traditional substance metaphysics. He investigates the influence of Maxwell's electromagnetic field, Einstein's theory of relativity and quantum mechanics on the development of the ontology of events and compares Whitehead's theory to his contemporaries, C. D. Broad and Bertrand Russell, as well as W. V. Quine. In this way, McHenry defends the naturalised and speculative approach to metaphysics as opposed to analytical and linguistic methods that arose in the 20th century.

A highly accessible reading of Whitehead's writings on education and their connection to his metaphysics.

In "Thinking with Whitehead, " Isabelle Stengers one of today s leading philosophers of science goes straight to the beating heart of Whitehead s thought. Both an erudite yet accessible introduction and a highly advanced commentary, it establishes the mathematician-philosopher as a daring thinker on par with Deleuze, Guattari, and Foucault.

Stephen David Ross presents an extensive, detailed, and critical interpretation of Whitehead's mature thought, emphasizing the fundamental role of perspective in Whitehead's cosmology, and tracing the conflicts and difficulties therein to tensions involving perspective in relation to other central features of Whitehead's thought. Ross isolates four principles as having a fundamental role in whitehead's metaphysics: perspective, cosmology, experience, and mechanical analysis. He argues that many of Whitehead's difficulties can be eliminated by raising the principle of perspective to prominence and by revising the other central features of Whitehead's theory accordingly. This book addresses key Whiteheadian texts and secondary interpretations of Whitehead. The discussion ranges over most of Whitehead's theory in Process and Reality, and offers a number of significant and, in some cases, novel views on different aspects of Whitehead's theory: perception, prehension, causation, objective immortality, self-causation, the extensive continuum, natural order, possiblity, concreteness, and God. Ross's concluding suggestions for modifying Whitehead's system promise to occasion much debate among process philosophers, theologians, and anyone concerned with Whitehead's thought.

This collection of essays -- the first of its kind -- analyses the impact of the thought of F. H. Bradley (1846-1924) on philosophy throughout the English-speaking world. The pre-eminent British philosopher of his generation, Bradley's rich and complex version of Absolute Idealism plays a key role not only in Idealist philosophy, politics and ethics, but also in the development of modern logic, of analytical philosophy, and of pragmatism, as well as in the thinking of figures such as R. G. Collingwood and A. N. Whitehead. The work of a group of Canadian philosophers writing from widely different standpoints, the essays in this volume define both the nature and scale of Bradley's influence and continuing significance in large areas of debate in twentieth-century philosophy. Topics covered include: the history of Idealism in the twentieth century; Bradley's relation to figures such as Bernard Bosanquet, C. A. Campbell, Brand Blanshard, John Watson, John Dewey, R. G. Collingwood and A. N. Whitehead; Bradley's influence on twentieth-century empiricism, modern logic, and analytical philosophy; and his significance for contemporary debates in epistemology and ethics.

Despite their enduring importance, the theoretical systems of James and Bradley are often badly misunderstood. Professor Sprigge freshly expounds and clarifies their arguments, demonstrating that it is wrong to think of James's pragmatism and Bradley's monistic idealism as opposite extremes. Their positions in fact display an intriguing mixture of affinities and contrasts.

Clementine Hunter (1887--1988) painted every day from the 1930s until several days before her death at age 101. As a cook and domestic servant at Louisiana's Melrose Plantation, she painted on hundreds of objects available around her -- glass snuff bottles, discarded roofing shingles, ironing boards -- as well as on canvas. She produced between five and ten thousand paintings, including her most ambitious work, the African House Murals. Scenes of cotton planting and harvesting, washdays, weddings, baptisms, funerals, Saturday night revelry, and zinnias depict experiences of everyday plantation life along the Cane River. More than a personal record of Hunter's life, her paintings also reflect the social, material, and cultural aspects of the area's larger African American community. Drawing on archival research, interviews, personal files, and a close relationship with the artist, Art Shiver and Tom Whitehead offer the first comprehensive biography of this self-taught painter, who attracted the attention of the world. Shiver and Whitehead trace Hunter's childhood, her encounters at Melrose with artists and writers, such as Alberta Kinsey and Lyle Saxon, and the role played by eccentric François Mignon, who encouraged and promoted her art. The authors include rare paintings and photographs to illustrate Hunter's creative process and discuss the evolution of her style. The book also highlights Hunter's impact on the modern art world and provides insight into a decades-long forgery operation that Tom Whitehead helped uncover. This recent attention reinforced the uniqueness of Hunter's art and confirmed her place in the international art community, which continues to be inspired by the life and work of Clementine Hunter.