This is a groundbreaking study of our culture's obsession with weddings. By examining popular films, commercials, magazines, advertising, television sitcoms and even children's toys, this book shows the pervasive influence of weddings in our culture and the important role they play in maintaining the romance of heterosexuality, the myth of white supremacy and the insatiable appetite of consumer capitalism. It examines how the economics and marketing of weddings have replaced the religious and moral view of marriage. This second edition includes many new and updated features including: full coverage of the wedding industrial complex; gay marriage and its relationship to white weddings and heterosexuality and demographics shifts as to who is marrying whom and why, nationally and internationally.

From the Sunday Times bestselling author ‘The feeling you get when you read a Milly Johnson book should be bottled and made available on the NHS’ Debbie Johnson It's the day they've always dreamed about. But will it turn out to be a nightmare? Bel is in the midst of planning her perfect wedding when disaster strikes and everything she thought she knew is turned on its head. Can she hold it all together and, with the help of her friends, and a mysterious man she meets unexpectedly, turn disaster into triumph? Bel's friend, ice-cream parlour owner Violet, is engaged to Glyn, who is besotted by her although Violet fell out of love with him long ago. But however trapped she feels in the relationship, she can't quite say the words, 'I don't want to marry you anymore.' Then, just when she's about to give up and resign herself to married life, she finds love in the most surprising of places. Will duty rule her heart or will she allow herself to be swept off her feet? Max was planning a quick registry office do with her fiancé Stuart until she sees a TV programme about traveller brides and becomes determined to have the most extravagantly glitzy wedding ever. But in all the excitement has she lost sight of what's really important? Does she want the wedding more than she wants the groom? And as all three friends find the dress of their dreams at the White Wedding bridal shop, its owner, the lovely Freya, guarantees that her gowns will bring them happiness - though maybe not quite in the way they expected … Praise for Milly Johnson: 'Every time you discover a new Milly book, it’s like finding a pot of gold' heat 'A glorious, heartfelt novel' Rowan Coleman ‘Absolutely loved it. Milly's writing is like getting a big hug with just the right amount of bite underneath. I was rooting for Bonnie from the start' Jane Fallon ‘Bursting with warmth and joie de vivre’ Jill Mansell ‘Warm, optimistic and romantic’ Katie Fforde

Seeing Daniel Ramsey struggle with fatherhood makes memories of Freya's past come flooding back. Freya was a wild child, but on the inside she always dreamed of happy ever afters and white weddings. It was a way to escape the troubles of home. Now she's grown up, stunning and successful, and she knows she can help Daniel and his daughter. But Freya's afraid of getting too close.… She still has her secrets, locked up tight. Could it be that after all these years, she's met the man who has the ability to see straight into her heart?

An exquisite collection of nearly 400 iconic, inspirational wedding photographs of royalty, models, artists, actors, musicians and designers who have appeared in Vogue through the magazine’s 120 year history. Showcasing the work of legendary photographers such as Cecil Beaton, Patrick Demarchelier, Jonathan Becker, Norma Jean Roy, Mario Testino, Irving Penn, Arthur Elgort, Richard Avedon, Helmut Newton, and Annie Leibovitz, Vogue Weddings will transport you to a myriad of romantic settings around the world, from storied castles, palaces, and cathedrals, to weddings by the sea or in the countryside. Here are the Duke and Duchess of Cambridge in London; Sofia Coppola and Thomas Mars in Italy; Kate Moss and Jamie Hince in the Cotswolds; Lauren Bush and David Lauren at the RRL Ranch in Colorado; Marina Rust and Ian Connor in Maine; Lauren Davis and Andrés Santo Domingo in Cartagena, Colombia as well as such iconic photos as Bianca and Mick Jagger in the car after their wedding in St. Tropez. A chapter on models’ weddings includes portraits of Natalia Vodianova, Coco Rocha, Maggie Rizer, Stella Tennant, Lara Stone and Cindy Crawford among others in their own wedding dress choices. Vogue Weddings also features behind-the-scenes details from Hamish Bowles; personal wedding stories from Mario Testino, Plum Sykes, Marina Rust and Sarah Mower; and fashion portfolios created by the magazine’s editors of bridal photo shoots, many including couture.

The West stolen Africas wealth and invested it in the IMF, World Bank and European Bank. Through the colonization of Africa, the West not only managed to impoverish the African continent but it managed to build its own world class infrastructure through ill-gotten wealth from Africa. Africa is the richest continent on the face of the world as far as mineral resources is concern, but, Africans are the poorest people on the face of the world. Its an open secret that the majority of skyscrapers in the US were built by African slaves who were bought from Gore Island in Senegal at the cheapest price and transported to the US. From the Dark Age until to the information age, the African continent is the only continent where there is no perennial political peace. Africans have been on the run from their civil wars for quite a long period of time, to the point that some Africans have emigrated from the African continent to live in the West where they are not even welcomed and accepted. African mineral resources are sufficient enough to the point that if they were equally and fairly utilized in the interest of the Africa people, Africa was going to be a poverty-free continent. Unfortunately opposite is the case, the African mineral resources continue to enrich the Westerners at the expense of the African people. Africans are political free but remain economically in prison, which they cant see, smell, touch or feel.The west destabilizes the African continent by pouring military weapons to the African continent to ensure that bloodshed does not cease.

This ground-breaking edited collection draws together Australian historical scholarship on Chinese women, their gendered migrations, and their mobile lives between China and Australia. It considers different aspects of women’s lives, both as individuals and as the wives and daughters of immigrant men. While the number of Chinese women in Australia before 1950 was relatively small, their presence was significant and often subject to public scrutiny. Moving beyond traditional representations of women as hidden and silent, this book demonstrates that Chinese Australian women in the twentieth century expressed themselves in the public eye, whether through writings, in photographs, or in political and cultural life. Their remarkable stories are often inspiring and sometimes tragic and serve to demonstrate the complexities of navigating female lives in the face of racial politics and imposed categories of gender, culture, and class. Historians of transnational Chinese migration have come to recognize Australia as a crucial site within the ‘Cantonese Pacific’, and this collection provides a new layer of gendered comparison, connecting women’s experiences in Australia with those in Canada, the United States, and New Zealand. ‘Locating Chinese Women is a path-breaking book. By exploring the experiences of Chinese Australian women during the nineteenth and early twentieth centuries, the authors have opened new and compelling avenues of inquiry about the history of Chinese Australian women. In this landmark work, they have brilliantly recast the history of Chinese Australia.’ —Joy Damousi, Australian Catholic University ‘Locating Chinese Women breaks new ground in Australian and transnational Chinese women’s history by making the lives of remarkable Chinese Australian women visible. Photographs, testimonies, Chinese-language newspapers, and digitized archives help document the women’s agency and activities as they navigate public lives between and within Australia and China during the nineteenth and early twentieth centuries.’ —Shirley Hune, University of California, Los Angeles, and University of Washington

DIVA queer literary and cultural studies examination of the wedding ceremony (rather than the resulting marriages) which finds it to be a space of more open possibilities than might normally be supposed./div

This book examines myths of the Caribbean as paradise. These myths are used as a backdrop to market destination white weddings. The book is interdisciplinary and uses historical and contemporary visual texts to examine the way in which middle class white womanhood assumes a decorative, privileged, and elevated position within contemporary images of destination weddings in the Caribbean. To facilitate the notion of the Caribbean as paradise, the book argues that this production of luxury is highly dependent on the positioning of blackness as servitude. To this end, tourism marketing appropriates the Caribbean’s history of slavery; transforming the region into a site where whiteness can consume black labor as luxury.

Bollywood Weddings examines how second-generation Indian-American Hindus of the middle and upper classes negotiate courtship and wedding rituals. Kavita Ramdya integrates the stories of twenty couples, showing the ways and means by which a subcommunity falls in love and expresses their identity. She provides readers with a window into these Indian-American couples who are navigating identities through a major rite of passage in their lives-marriage. She affirms that this community flaunts all things Indian as a way to assert their American identity. Many of these couples are occasional Hindus, displaying their Hindu religious background only on important occasions. Instead of choosing either India or America, or arriving at a compromise between the two, this community embraces both cultures simultaneously.

“This book shows just how modern and fun a very traditional day can be.” —Darcy Miller, celebrations expert, editorial director of Martha Stewart Weddings In this guide, Vané Broussard (founder of the uber-popular blog Brooklyn Bride) and Minhee Cho (of the covetable paper company Paper+Cup) team up to present hundreds of entirely modern style ideas for every aspect of a wedding, in eight eye-catching and vibrant color palettes. From pretty floral crowns to die-cut invitations, altars made from balloons, and so much more, these ideas are anything but traditional. Simple DIYs will spark creativity while interviews with industry experts provide important insider info. Lusciously designed and bursting with vivid photography, Weddings in Color has everything brides need to design a stunningly colorful affair. “From elegant touches to subtle details, Weddings in Color doesn’t miss a beat. It’s filled with fun and inventive ideas and even manages to make white look like a bold color choice, perfect for the contemporary bride!” —David Stark, event planner and designer, David Stark Design “Broussard and Cho have a fantastic talent for style, and their emphasis on the modern offers brides-to-be chic ideas in a sophisticated package.” —Library Journal “Weddings in Color is the best wedding idea book I’ve ever seen. Well curated and beautiful to look at, it is the perfect gift for anyone planning a wedding.” —Jordan Ferney, founder of Oh Happy Day! “In this clever book, Vané Broussard and Minhee Cho offer a simple and modern approach to beginning the wedding planning process. The book, organized by color, will enable couples to dive in without fear.” —Marcy Blum, event and wedding producer, Marcy Blum Associates