From the author of How to See the World comes a new history of white supremacist ways of seeing—and a strategy for dismantling them. White supremacy is not only perpetuated by laws and police but also by visual culture and distinctive ways of seeing. Nicholas Mirzoeff argues that this form of “white sight” has a history. By understanding that it was not always a common practice, we can devise better ways to dismantle it. Spanning centuries across this wide-ranging text, Mirzoeff connects Renaissance innovations—from the invention of perspective and the erection of Apollo statues as monuments to (white) beauty and power to the rise of racial capitalism dependent on slave labor—with the ever-expanding surveillance technologies of the twenty-first century to show that white sight creates an oppressively racializing world, in which subjects who do not appear as white are under constant threat of violence. Analyzing recent events like the George Floyd protests and the Central Park birdwatching incident, Mirzoeff suggests that we are experiencing a general crisis of white supremacy that presents both opportunities and threats to social justice. If we do not seize this moment to dismantle white sight, then white supremacy might surge back stronger than ever. To that end, he highlights activist interventions to strike the power of the white heteropatriarchal gaze. White Sight is a vital handbook and call to action for anyone who refuses to live under white-dominated systems and is determined to find a just way to see the world.

Artificial Intelligence was meant to be the great social equalizer that helps promote fairness by removing human bias from the equation, but is this true? Given that the policing and judicial systems can display human bias, this book explores how the technology they use can also reflect these prejudices. From healthcare services to social scoring in exams, to applying for and getting loans, AI outcomes often restrict those most in need of these services. Through personal stories from an esteemed Black Data Scientist and AI expert, this book attempts to demystify the algorithmic black box. AI pervades all aspects of modern society and affects everyone within it, yet its internal biases are rarely confronted. This book advises readers on what they can do to fight against it, including the introduction of a proposed AI Bill of Rights, whilst also providing specific recommendations for AI developers and technologists. https://hiddeninwhitesight.com/

A Tibetan-set mystical adventure of treachery, martial arts, and spiritual redemption.

This thorough volume solves the problem of sight reading on the guitar by teaching it through single line playing.

Drawing upon two decades of mission experience, Leroy Barber exposes the racial divisions within Christian ministries and offers practical and comprehensive solutions for promoting diversity. RED, BROWN, YELLOW, BLACK AND WHITE highlights the historic patterns that have created racial discrepancies within missions. It joins the essential canon created by touchstone books like Divided by Faith by Michael Emerson and Christian Smith and the ever-popular Race Matters by Cornel West. With a no-blame attitude, powerful personal narratives from a dozen other black, Hispanic, Asian, Native American and white Christians, interactive histories of missions, and the writings of MLK and Howard Thurman (the entire "Letter From Birmingham Jail" and Howard Thurman's motivational speech "Sound of the Genuine"), Barber addresses this tough issue in a way that will inspire and motivate readers of all races toward change.

"A compelling and challenging work."—Frances K. Pohl, author of Framing America "Berger is unafraid to tackle the major issues, and this book shows it."—Bruce Robertson, author of Marsden Hartley and Reckoning with Winslow Homer "Berger, writing on topics as diverse as landscape photography and early film, pushes into fascinating issues of gender, race, and class with sensitivity, insight, and largely jargon-free analysis. Having made a mark as a key Eakins scholar, he promises to achieve a similar feat in Sight Unseen, getting us to rethink traditional material in a new light."—John Wilmerding, Christopher Binyon Sarofim Professor of American Art, Princeton University

NEW YORK TIMES BESTSELLER • “A revelation . . . a book in the Caro mold, using Lady Bird, along with tapes and transcripts of her entire White House diary, to tell the history of America during the Johnson years.”—The New York Times The inspiration for the documentary film The Lady Bird Diaries, premiering November 13 on Hulu Perhaps the most underestimated First Lady of the twentieth century, Lady Bird Johnson was also one of the most powerful. In Lady Bird Johnson: Hiding in Plain Sight, Julia Sweig reveals how indispensable the First Lady was to Lyndon Johnson’s administration—which Lady Bird called “our” presidency. In addition to advising him through critical moments, she took on her own policy initiatives, including the most ambitious national environmental effort since Theodore Roosevelt and a virtually unknown initiative to desegregate access to public recreation and national parks in Washington, D.C. Where no presidential biographer has understood Lady Bird’s full impact, Julia Sweig is the first to draw substantially on her White House diaries and to place her center stage. In doing so, Sweig reveals a woman ahead of her time—and an accomplished strategist and politician in her own right. Winner of the Texas Book Award • Longlisted for the PEN/Jacqueline Bogard Weld Award

Drawing upon two decades of mission experience, Leroy Barber exposes the racial divisions within Christian ministries and offers practical and comprehensive solutions for promoting diversity. Red, Brown, Yellow, Black and White highlights the historic patterns that have created racial discrepancies within missions. It joins the essential canon created by touchstone books like Divided by Faith by Michael Emerson and Christian Smith and the ever-popular Race Matters by Cornel West. With a no-blame attitude, powerful personal narratives from a dozen other black, Hispanic, Asian, Native American and white Christians, interactive histories of missions, and the writings of MLK and Howard Thurman (the entire "Letter From Birmingham Jail" and Howard Thurman's motivational speech "Sound of the Genuine"), Barber addresses this tough issue in a way that will inspire and motivate readers of all races toward change.

From the author of How to See the World comes a new history of white supremacist ways of seeing—and a strategy for dismantling them. White supremacy is not only perpetuated by laws and police but also by visual culture and distinctive ways of seeing. Nicholas Mirzoeff argues that this form of “white sight” has a history. By understanding that it was not always a common practice, we can devise better ways to dismantle it. Spanning centuries across this wide-ranging text, Mirzoeff connects Renaissance innovations—from the invention of perspective and the erection of Apollo statues as monuments to (white) beauty and power to the rise of racial capitalism dependent on slave labor—with the ever-expanding surveillance technologies of the twenty-first century to show that white sight creates an oppressively racializing world, in which subjects who do not appear as white are under constant threat of violence. Analyzing recent events like the George Floyd protests and the Central Park birdwatching incident, Mirzoeff suggests that we are experiencing a general crisis of white supremacy that presents both opportunities and threats to social justice. If we do not seize this moment to dismantle white sight, then white supremacy might surge back stronger than ever. To that end, he highlights activist interventions to strike the power of the white heteropatriarchal gaze. White Sight is a vital handbook and call to action for anyone who refuses to live under white-dominated systems and is determined to find a just way to see the world.