A breathtaking vision of a utopian future on Mars by one of science fiction’s most renowned authors In the middle decades of the twenty-first century, the corporate powers on Earth have established a thriving colony on Mars as an alternative to life on the overpopulated, war-torn, ecologically ravaged home planet. But when the economy of EUPACUS—Earth’s collective industrialized nations—collapses, all contact between the two worlds abruptly ceases, and the Martian pioneers are left to fend for themselves. Led by Tom Jeffries, a philosopher and a visionary, the colonists now face a twofold challenge: No longer supported and subsidized by Earthbound interests, they must somehow form a working planetary alliance to create a new society based firmly in freedom and fairness for all while at the same time eliminating war, hunger, hatred, environmental abuse, and other former scourges of humanity. But first and foremost, they must survive. Brian W. Aldiss, a Hugo and Nebula Award–winning Grand Master of Science Fiction, presents a vision for the future that is startling, uplifting, and endlessly exciting. Written in collaboration with noted mathematician and physicist Roger Penrose—and with essential input from international law expert Laurence Lustgarten—Aldiss’s remarkable White Mars opens a window onto a relentlessly thrilling and gloriously possible tomorrow.

A 21st-Century Utopia Two of England's most distinguished thinkers have created a bold and startling vision of a new society escaping the ashes of the old. In the not-so-distant future, Man will have begun to colonize our planetary neighbor, Mars. Entrenched corporate and national interests have footed the bill, but a few visionary people attempt to keep Mars free of the hidebound ideologies that have plagued the Earth and turned it into a polluted wasteland of war and hunger. The colony has barely begun to take root in the Martian soil when all communication with EUPACUS--as the industrialized nations of Earth are known--is cut off completely. Environmental and economic stresses have finally spun out of control, and civilization as we know it has collapsed. With no hope of escape or support from Earth, the Martians must overcome the dire obstacles that face them and forge a new alliance for survival. Led by the brave Tom Jefferies, the colonists struggle to build a new way of living based on the search for knowledge, the improvement of human conditions, and the elimination of the hatreds and delusions that lead to misery in the past. Included in an appendix is the complete text of the Charter for an Independent Mars, written by Dr. Laurence Lustgarten, a renowned expert on international law.

As utopias question social ills and express human wants and unfulfilled dreams, they offer insights into the problems, desires and ideals of a certain time. This book uses this lens to examine cultural representations of ageing and old age in utopian writings from the Renaissance till today. The individual chapters offer detailed analyses and interpretations of numerous utopias from Thomas More’s Utopia (1516) to contemporary science fiction. Through close readings, the book explores age-related fears and ideals and investigates how perceptions of ageing and the life course as well as attitudes towards older people have developed over the centuries. Covering a large time span and a broad range of different utopias, the book identifies long-term developments and also puts certain dreams such as that of ever-lasting youth into a wider perspective. It thus enriches both our understanding of the cultural history of ageing and the history of utopian thought. The book will appeal to scholars and students from the fields of cultural gerontology and utopian studies, as well as literary studies and cultural history more generally.

Science fiction is a literary genre based on scientific speculation. Works of science fiction use the ideas and the vocabulary of all sciences to create valid narratives that explore the future effects of science on events and human beings. Science Fact and Science Fiction examines in one volume how science has propelled science-fiction and, to a lesser extent, how science fiction has influenced the sciences. Although coverage will discuss the science behind the fiction from the Classical Age to the present, focus is naturally on the 19th century to the present, when the Industrial Revolution and spectacular progress in science and technology triggered an influx of science-fiction works speculating on the future. As scientific developments alter expectations for the future, the literature absorbs, uses, and adapts such contextual visions. The goal of the Encyclopedia is not to present a catalog of sciences and their application in literary fiction, but rather to study the ongoing flow and counterflow of influences, including how fictional representations of science affect how we view its practice and disciplines. Although the main focus is on literature, other forms of science fiction, including film and video games, are explored and, because science is an international matter, works from non-English speaking countries are discussed as needed.

Mars in the human imagination from the invention of the telescope to the present For centuries, the planet Mars has captivated astronomers and inspired writers of all genres. Whether imagined as the symbol of the bloody god of war, the cradle of an alien species, or a possible new home for human civilization, our closest planetary neighbor has played a central role in how we think about ourselves in the universe. From Galileo to Kim Stanley Robinson, Robert Crossley traces the history of our fascination with the red planet as it has evolved in literature both fictional and scientific. Crossley focuses specifically on the interplay between scientific discovery and literary invention, exploring how writers throughout the ages have tried to assimilate or resist new planetary knowledge. Covering texts from the 1600s to the present, from the obscure to the classic, Crossley shows how writing about Mars has reflected the desires and social controversies of each era. This astute and elegant study is perfect for science fiction fans and readers of popular science.

This timely book investigates fiction that speculates about wars likely to break out in the near or distant future. Ranging widely across periods and conflicts real and imagined, Future Wars explores the interplay between politics, literature, science fiction, and war in a range of classic texts. Individual essays look at Reagan's infamous “Star Wars” project, nuclear fiction, Martian invasion, and the Pax Americana. The use of future war scenarios in military planning dates back to the nineteenth century, and Future Wars concludes with a US Army officer's assessment of the continuing usefulness of future wars fiction.

Who are the extraordinary individuals that will take us on the next great space race, the next great human endeavor, our exploration and colonization of the planet Mars? And more importantly, how are they doing it? Acclaimed science writer Oliver Morton explores the peculiar and fascinating world of the new generation of explorers: geologists, scientists, astrophysicists and dreamers. Morton shows us the complex and beguiling role that mapping will play in our understanding of the red planet, and more deeply, what it means for humans to envision such heroic landscapes. Charting a path from the 19th century visionaries to the spy-satellite pioneers to the science fiction writers and the arctic explorers -- till now, to the people are taking us there -- Morton unveils the central place that Mars has occupied in the human imagination, and what it will mean to realize these dreams. A pioneering work of journalism and drama, Mapping Mars gives us our first exciting glimpses of the world to come and the curious, bizarre, and amazing people who will take us there.

Colonists on Mars fight to prevent their own extinction in “a suspenseful genre-bending combination of straight SF and mystery” (Booklist, starred review). Doomed by overpopulation, irreversible environmental degradation, and never-ending war, Earth has become a fetid swamp. For many, Mars represents humankind’s last hope. In six tightly clustered towers on the red planet’s surface, the colonists who have escaped their dying home world are attempting to make a new life unencumbered by the corrupting influences of politics, art, and religion. Unable ever to return, these pioneers have chosen an unalterable path that winds through a landscape as terrible as it is beautiful, often forcing them to compromise their beliefs—and sometimes their humanity—in order to survive. But the gravest threat to the future is not the settlement’s total dependence on foodstuffs sent from a distant and increasingly uncaring Earth, or the events that occur in the aftermath of the miraculous discovery of native life on Mars—it is the fact that in the ten years since colonization began, every new human baby has been born dead, or so tragically deformed that death comes within hours. The great Brian W. Aldiss has delivered a dark and provocative yet ultimately hopeful magnum opus rich in imagination and bold ideas. A novel of philosophy as much as science fiction, Finches of Mars is an exploration of intellectual history, evolution, technology, and the future by one of speculative fiction’s undisputed masters.

For more than a century, Mars has been at the center of debates about humanity’s place in the cosmos. Focusing on perceptions of the red planet in scientific works and science fiction, Dying Planet analyzes the ways Mars has served as a screen onto which humankind has projected both its hopes for the future and its fears of ecological devastation on Earth. Robert Markley draws on planetary astronomy, the history and cultural study of science, science fiction, literary and cultural criticism, ecology, and astrobiology to offer a cross-disciplinary investigation of the cultural and scientific dynamics that have kept Mars on front pages since the 1800s. Markley interweaves chapters on science and science fiction, enabling him to illuminate each arena and to explore the ways their concerns overlap and influence one another. He tracks all the major scientific developments, from observations through primitive telescopes in the seventeenth century to data returned by the rovers that landed on Mars in 2004. Markley describes how major science fiction writers—H. G. Wells, Kim Stanley Robinson, Philip K. Dick, Edgar Rice Burroughs, Ray Bradbury, Robert Heinlein, and Judith Merril—responded to new theories and new controversies. He also considers representations of Mars in film, on the radio, and in the popular press. In its comprehensive study of both science and science fiction, Dying Planet reveals how changing conceptions of Mars have had crucial consequences for understanding ecology on Earth.