In White Lies and Black Markets, Fatah-Black offers a new account of the colonization of Suriname—one of the major European plantation colonies on the Guiana Coast—in the period between 1650-1800. While commonly portrayed as an isolated tropical outpost, this study places the colony in the context of its connections to the rest of the Atlantic world. These economic and migratory links assured the colony’s survival, but also created many incentives to evade the mercantilistically inclined metropolitan authorities. By combining the available data on Dutch and North American shipping with accounts of major political and economic developments, the author uncovers a hitherto hidden world of illicit dealings, and convincingly argues that these illegal practices were essential to the development and survival of the colony, and woven into the fabric of the colonial project itself.

PBS television commentator and syndicated radio talk-show host Tony Brown has been called an "out-of-the-box thinker" and, less delicately, and "equal opportunity ass kicker." Those who attempt to pigeonhole him do so at their own peril. This journalist, media commentator, self-help advocate, entrepreneur, public speaker, film director, and author is a hard man to pin a label on -- and an even more difficult man to fool. In Black Lies, White Lies, Tony Brown does what few high-profile African Americans have done before: He dares to challenge the lies of both Black and White leaders, and he dares to tell the truth. He attacks White racism and Black self-victimization with equal vehemence. He condemns integration as a disastrous policy, not for just Blacks but for the entire country. And he confronts the Black Talented Tenth, White liberals, conservatives, Democrats, Republicans, demagogues, and racists on all sides for their self-serving lies, their failures, and their lack of vision. But Tony Brown does not simply slash and burn. He also offers farsighted, workable solutions to America's problems. He provides a blueprint for American renewal bases on his belief that although we may not have come to this country on the same ship, we are all now in the same boat.

The World of Colonial America: An Atlantic Handbook offers a comprehensive and in-depth survey of cutting-edge research into the communities, cultures, and colonies that comprised colonial America, with a focus on the processes through which communities were created, destroyed, and recreated that were at the heart of the Atlantic experience. With contributions written by leading scholars from a variety of viewpoints, the book explores key topics such as -- The Spanish, French, and Dutch Atlantic empires -- The role of the indigenous people, as imperial allies, trade partners, and opponents of expansion -- Puritanism, Protestantism, Catholicism, and the role of religion in colonization -- The importance of slavery in the development of the colonial economies -- The evolution of core areas, and their relationship to frontier zones -- The emergence of the English imperial state as a hegemonic world power after 1688 -- Regional developments in colonial North America. Bringing together leading scholars in the field to explain the latest research on Colonial America and its place in the Atlantic World, this is an important reference for all advanced students, researchers, and professionals working in the field of early American history or the age of empires.

Mutiny on the Rising Sun is a deeply human history of smuggling that demonstrates how interconnected the future United States was with the wider world, how illegal trade created markets for exotic products like chocolate, and how slavery and smuggling were key factors in the development of American capitalism.

"The Dutch Atlantic during an era (following the imperial moment of the seventeenth century) in which Dutch military power declined and Dutch colonies began to chart a more autonomous path. A revisionist history of the eighteenth-century Atlantic world, a counterpoint to the more widely known British and French Atlantic histories"--

Harper lands a dream summer internship at a trendy teen magazine in New York City, working as their resident dating blogger, but there is only one problem--she has absolutely zero dating experience.

At Kingdom's Edge investigates how life in a conquered colony both revealed and shaped what it meant to be English outside of the British Isles. Considering the case of Jeronimy Clifford, who rose to become one of Suriname's richest planters, Jacob Selwood examines the mutual influence of race and subjecthood in the early modern world. Clifford was a child in Suriname when the Dutch, in 1667, wrested the South American colony from England soon after England seized control of New Netherland in North America. Across the arc of his life—from time in the tenuous English colony to prosperity as a slaveholding planter to a stint in debtors' prison in London—Clifford used all the tools at his disposal to elevate and secure his status. His English subjecthood, which he clung to as a wealthy planter in Dutch-controlled Suriname, was a ready means to exert political, legal, economic, and cultural authority. Clifford deployed it without hesitation, even when it failed to serve his interests. In 1695 Clifford left Suriname and, until his death, he tried to regain control over his abandoned plantation and its enslaved workers. His evocation of international treaties at times secured the support of the Crown. The English and Dutch governments' responses reveal competing definitions of belonging between and across empires, as well as the differing imperial political cultures with which claimants to rights and privileges had to contend. Clifford's case highlights the unresolved tensions about the meanings of colonial subjecthood, Anglo-Dutch relations, and the legacy of England's seventeenth-century empire.

First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

Forests of Refuge questions the effectiveness of market-based policies that govern forests in the interest of mitigating climate change. Yolanda Ariadne Collins interrogates the most ambitious global plan to incentivize people away from deforesting activities: the United Nations-endorsed Reducing Emissions from Deforestation and Forest Degradation (REDD+) initiative. Forests of Refuge explores REDD+ in Guyana and neighboring Suriname, two highly forested countries in the Amazonian Guiana Shield with low deforestation rates. Yet REDD+ implementation there has been fraught with challenges. Adopting a multisited ethnographic approach, Forests of Refuge takes readers into the halls of policymaking, into conservation development organizations, and into forest-dependent communities most affected by environmental policies and exploitative colonial histories. This book situates these challenges in the inattentiveness of global environmental policies to roughly five hundred years of colonial histories that positioned the forests as places of refuge and resistance. It advocates that the fruits of these oppressive histories be reckoned with through processes of decolonization.

In a city known for its never-ending parties, Miami socialite Leigh Anatole White hosts the most extravagant party of them all. Her annual Charity Ball, a star-studded benefit for troubled teens, is the most highly anticipated event of the season, and Leigh pulls out all the stops to ensure it doesn’t disappoint. This year—the tenth anniversary of the Ball—Leigh has decided to give Miami one last blowout before relinquishing her title as hostess. Suffice it to say, the pressure is on: this year’s Charity Ball simply must be the best yet. With help from her committee, a few close friends, a masterful personal assistant and her supportive husband, Leigh is poised to deliver. Even the dirty secrets and entanglements of her friends and pseudo-friends—the good-hearted, hard-drinking gossip queen Dixie Johnson; drag queen extraordinaire Diva Elaine Manchester; and bronzed, botoxed and backstabbing Katie Parker, to name a few—can’t slow her down. When an influential art dealer shows up, offering to provide high-end artwork for the Charity Ball’s auction, Leigh is thrilled. This is just what the gala needs to set it apart from previous years’, and after all of Leigh’s hard work, it looks as though the last Charity Ball may just live up to the hype. But as always in the world of Miami’s rich and shameless, a scandal is never far off...and this one hits everyone close to home.