Whistling Woman, Crowing Hen by Nicki Leggatt

Americans have a gift for coining proverbs. "A picture is worth a thousand words" was not, as you might imagine, the product of ancient Chinese wisdom -- it was actually minted by advertising executive Fred Barnard in a 1921 advertisement for Printer's Ink magazine. After all, Americans are first and foremost a practical people and proverbs can be loosely defined as pithy statements that are generally accepted as true and useful. The next logical step would be to gather all of this wisdom together for a truly American celebration of shrewd advice.A Dictionary of American Proverbs is the first major collection of proverbs in the English language based on oral sources rather than written ones. Listed alphabetically according to their most significant key word, it features over 15,000 entries including uniquely American proverbs that have never before been recorded, as well as thousands of traditional proverbs that have found their way into American speech from classical, biblical, British, continental European, and American literature. Based on the fieldwork conducted over thirty years by the American Dialect Society, this volume is complete with historical references to the earliest written sources, and supplies variants and recorded geographical distribution after each proverb.Many surprised await the reader in this vast treasure trove of wit and wisdom. Collected here are nuggets of popular wisdom on all aspects of American life: weather, agriculture, travel, money, business, food, neighbors, friends, manners, government, politics, law, health, education, religion, music, song, and dance. And, to further enhance browsing pleasure, the editors have provided a detailed guide to the use of the work. While it's true that many of our best known proverbs have been supplied by the ever-present "Anonymous," many more can be attributed to some very famous Americans, like Ernest Hemingway, Abraham Lincoln, Benjamin Franklin, Mark Twain, J. Pierpont Morgan, Thomas Alva Edison, Abigail Adams, and Ralph Waldo Emerson, to name but a few offered in this fascinating collection.Who wouldn't want to know the origin of "the opera ain't over till the fat lady sings?" This uniquely American proverb and many more are gathered together in A Dictionary of American Proverbs. A great resource for students and scholars of literature, psychology, folklore, linguistics, anthropology, and cultural history, this endlessly intriguing volume is also a delightful companion for anyone with an interest in American culture.

The dictionary gives explanations of the meanings and use of proverbs whenever these are obscure. By means of numerous illustrative quotations it also provides a documentary history of each proverb from its first recorded use in written English, and supplies details of earlier related forms in other languages.

Liberating today's chicken from cartoons, fast food, and other demeaning associations, The Chicken Book at once celebrates and explains this noble fowl. As it traces the rise and fall of Gallus domesticus from the jungles of ancient India to the assembly-line hatcheries sprawled across modern America, this original, frequently astounding book passes along a trove of knowledge and lore about everything from the chicken's biology and behavior to its place in legend and mythology. The book includes lively discussions of the chicken's role in literature and history, the cruel attractions of cockfighting, the medicinal uses of eggs and chicken parts, the details of the egg-laying process, the basics of the backyard coop, recipes, and much more. Entertaining and insightful, The Chicken Book will change the way we regard this too often underappreciated animal.

The Booker Prize-winning author of Possession delivers a brilliant and thought-provoking novel about the 1960s and how the psychology, science, religion, ethics, and radicalism of the times affected ordinary lives. “Rich, acerbic, wise.... [Byatt] tackles nothing less than what it means to be human.” —Vogue Frederica Potter, a smart, spirited 33-year-old single mother, lucks into a job hosting a groundbreaking television talk show based in London. Meanwhile, in her native Yorkshire where her lover is involved in academic research, the university is planning a prestigious conference on body and mind, and a group of students and agitators is establishing an “anti-university.” And nearby a therapeutic community is beginning to take the shape of a religious cult under the influence of its charismatic religious leader. A Whistling Woman portrays the antic, thrilling, and dangerous period of the late ‘60s as seen through the eyes of a woman whose life is forever changed by her times.

Frank C. Brown organized the North Carolina Folklore Society in 1913. Both Dr. Brown and the Society collected stores from individuals—Brown through his classes at Duke University and through his summer expeditions in the North Carolina mountains, and the Society by interviewing its members—and also levied on the previous collections made by friends and members of the Society. The result was a large mass of texts and notes assembled over a period of nearly forty years and covering every aspect of local tradition. members of the Society. The result was a large mass of texts and notes assembled over a period of nearly forty years and covering every aspect of local tradition.

The Beekeeper's Wife is inspired by Herbert Scott's poem of the same name. It is an attempt to imagine the life of the woman behind the poem. Shanda Hansma Blue's The Beekeeper's Wife is a brilliant poetic argument between nature and the reader, between the beekeeper's wife and the beekeeper, between where a woman exists in her small and large spaces and the woman. It is a powerful rendition of the woman's world, a world where only we can exist. We are the keeper of the day, rising at dawn, before the sunrises, as if the sun's rise solely depended on us or as if nature itself were in the same complex relationship the woman has with the beekeeper. I have always believed that the poet is a philosopher, and Shanda proves this well in her fresh use of language, where the beekeeper's wife "lives in the five percent zone/ of northern lights visibility./" Again, Hansma Blue shows us that the beekeeper's wife "thinks of this as her numerical data/ her location on the statistical/ halo of Earth's aurora latitudes." In one of her powerful poems, 'Bargain', Shanda tells us, "My grandfather always said of loud girls/ A whistling woman is like a crowing hen/." Indeed, Shanda Hansma Blue is "a crowing hen," where she juxtapositions the world of her speaker, the beekeeper's wife and that of the beekeeper. This is not a book of poetry about nature despite its attention to the many vivid details of the nature around the speaker; it is a story about womanhood alongside that of manhood. Here nature and woman collide, co-exist, argue, and survive, all in a relationship to the man in the story. Here, "the here and the now" come together or collide at times, and yet the constancy of nature keeps the beekeeper's wife grounded even though it is she who keeps the world of both her and the beekeeper grounded. Shanda Hansma Blue's debut book of poetry brings to us a captivating story that is relevant in our new world where nature and humankind are at war. This metaphoric telling of the story of the beekeeper's wife who keeps the beekeeper who keeps the bees will make you wonder and laugh at the same time. Hansma Blue's picturesque use of language will haunt you long after reading this book. -Patricia Jabbeh Wesley, author of Where the Road Turns-...

Proverbs supposedly contain the wisdom of the common folk—eternal truths to be passed down through the ages. They are short, often humorous, expressions that teach lessons or give practical advice, and they are perhaps the best indicators of attitudes and beliefs of any form of folklore. Not only reflecting culture, proverbs also perpetuate the cultural dictates of the past, including the fears, prejudices, and misconceptions of their predominately male authors. Because they are generalizations, proverbs sometimes impede accurate observation and analysis and stifle original thought. Like many other traditions and cultural practices, proverbs often promote misleading stereotypes of women. This reference book collects more than 800 American proverbs about women and analyzes their significance. The volume begins with introductory chapters that explore the relationship between proverbs and culture and the image of women presented in proverbs. The chapters that follow are devoted to particular categories, such as wives and 6~rriage, mothers and daughters, women as property, and old women and grandmothers. Each chapter includes a brief introductory overview and a listing of proverbs relating to the topic. The proverbs were gathered through an extensive review of journal articles, proverb dictionaries, and other literature. In addition to true proverbs, the volume includes some phrases, sayings, and proverbial comparisons. Not included are expressions that contain words like mother or daughter but do not really describe women or comment about them. The book then presents a concluding analysis of how American proverbs portray women, an alphabetical index of proverbs, and an extensive bibliography.

" . . . Dundes has produced a work which will be useful to both students and teachers who wish to broaden their understanding of modern folklore." —Center for Southern Folklore Magazine "It is impossible ever to remain unimpressed with [Dundes'] excursuses, however much one may be in disagreement (or not) with his conclusions." —Forum for Modern Language Studies Often controversial, Alan Dundes's scholarship is always provocative, perceptive, and intelligent. His concern here is to assess the material folklorists have so painstakingly amassed and classified, to interpret folklore, and to use folklore to increase our understanding of human nature and culture.