As Horace walks home from school, his hands ensconced in a pair of new red mittens, boys from the neighbourhood entice him into a snowball fight. There’s just one problem—his mother has told him to come home straight away, and to keep his mittens dry. Horace retreats before a chorus of teasing, but he cannot quite bring himself to leave the scene of battle. “His New Mittens” is a heartwarming and hilarious story about mothers and sons and “all the traditions of boyhood.” HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.

In 'The Complete Short Stories of Stephen Crane', readers are offered a comprehensive collection of Crane's short fiction that delves into the complexities of human nature, society, and life's harsh realities. Crane's succinct and vivid prose, often highlighted by his use of naturalistic themes and stark imagery, captures the struggles and triumphs of characters facing adversity. Set against the backdrop of the late 19th century, Crane's stories stand as a testament to his keen observation of the human condition. Stephen Crane, known for his groundbreaking works in American literature, drew inspiration from his own experiences as a war correspondent and his exposure to the grittier aspects of urban life. His unique perspective and innovative narrative techniques have solidified his place as a influential figure in literary history. This collection is a must-read for fans of American realism and naturalism, as well as anyone interested in exploring the depths of human emotion and society. 'The Complete Short Stories of Stephen Crane' serves as a powerful reminder of the enduring relevance and impact of Crane's work in the realm of literature.

The first study of the synergies between postcolonialism and the genre of the short story composite, Unsettling Stories considers how the form of the interconnected short story collection is well suited to expressing thematic aspects of postcolonial writing on settler terrain. Unique for its comparative considerations of American, Canadian, and Australian literature within the purview of postcolonial studies, this is also a considered study of the difficult place of the postcolonial settler subject within academic debates and literature. Close readings of work by Tim Winton, Margaret Laurence, William Faulkner, Stephen Leacock, Sherwood Anderson, Olga Masters, Scott R. Sanders, Thea Astley, Tim O’Brien and Sandra Birdsell are positioned alongside critical discussions of postcolonial theory to show how awkward affiliations of individuals to place, home, nation, culture, and history expressed in short story composites can be usefully positioned within the broader context of settler colonialism and its aftermath.

This edition explores Crane's work from a fresh critical perspective and introduces new research on the imaginative relationship between Crane's novel and the Civil War. (Quelle: Buchdeckel verso).

"Whilomville Stories" by Stephen Crane is a collection of 13 short stories that center around a young boy growing up in a small town and all the whimsy, charm, and real-life magic that goes along with that. These adventures are told in the stories: The Angel Child, Lynx-Hunting, The Lover and the Telltale, Showin' Off, Making an Orator, Shame, The Carriage-Lamps, The Knife, The Stove, The Trial, Execution, and Burial of Homer Phelps, The Fight, The City Urchin and the Chaste Villagers, and A Little Pilgrimage.

The Monster is an 1898 novella by American author Stephen Crane (1871-1900). The story takes place in the small, fictional town of Whilomville, New York. An American-African coachman named Henry Johnson, who is employed by the town's physician, Dr. Trescott, becomes horribly disfigured after he saves Trescott's son from a fire. When Henry is branded a ""monster"" by the town's residents, Trescott vows to shelter and care for him, resulting in his family's exclusion from the community. The novella reflects upon the 19th-century social divide and ethnic tensions in America. The fictional town of Whilomville, which is used in 14 other Crane stories, was based on Port Jervis, New York, where Crane lived with his family for a few years during his youth. It is thought that he took inspiration from several local men who were similarly disfigured, although modern critics have made numerous connections between the story and the 1892 lynching in Port Jervis of a man of color named Robert Lewis.