This book is an overview of the many writers in the 20th century who were inspired by living in or spending long periods in New Orleans. It includes famous as well as lesser known authors and poets and gives brief biographical sketches of them. Also includes where they lived, where they hung out and what about the city influenced their work. Beautifully illustrated with a water color cover of Tennessee Williams' house and pen and ink drawings throughout. Cover flaps give the book a hand-crafted feel and look. This is a second edition. The book was first published in 2013 by Margaret Media, Inc.

A “lovely collection” of essays by the NPR commentator about his beloved adopted city, both before and after Hurricane Katrina (Publishers Weekly). NPR commentator Andrei Codrescu has long written about the unique city he calls home. How apt that a refugee born in Transylvania found his place where vampires roam the streets and voodoo queens live around the corner; where cemeteries are the most popular picnic spots; the ghosts of poets, prostitutes, and pirates are palpable; and in the French Quarter, no one ever sleeps. Codrescu’s essays have been called “satirical gems,” “subversive,” “funny,” “gonzo,” and “wittily poignant”—here is a writer who perfectly mirrors the wild, voluptuous character of New Orleans itself. This retrospective follows him from newcomer to near native: first seduced by the lush banana trees in his backyard and the sensual aroma of coffee at the café down the block, Codrescu soon becomes a Window Gang regular at the infamous bar Molly’s on Decatur; does a stint as King of Krewe de Vieux Carré at Mardi Gras; befriends artists, musicians, and eccentrics; and exposes the city’s underbelly of corruption, warning presciently about the lack of planning for floods in a city high on its own insouciance. Alas, as we all now know, Paradise is lost, but here Codrescu also writes about how the city’s heart still beats even after 2005’s devastating hurricane. New Orleans, Mon Amour is a portrait of an incomparable place, from a writer who “manages to be brilliant and insightful, tough and seductive about American culture” (The New York Times Book Review). “Finely honed portraits of a fabled city and its equally fabled inhabitants. The author, who has called the Big Easy home for two decades, shows how, like some gigantic bohemian magnet, New Orleans attracts some of the world’s most talented, self-indulgent freaks. Codrescu finds himself quite at home there. He expertly weaves pages of New Orleans history through his stories of personal discovery and debauchery. . . . Readers can’t help coming away from reading it without an abiding hope in the ability of ordinary people, under the worst circumstances, rising to whatever challenges they face.” —Publishers Weekly

The literary tradition of New Orleans spans centuries and touches every genre; its living heritage winds through storied neighborhoods and is celebrated at numerous festivals across the city. For booklovers, a visit to the Big Easy isn't complete without whiling away the hours in an antiquarian bookstore in the French Quarter or stepping out on a literary walking tour. Perhaps only among the oak-lined avenues, Creole town houses, and famed hotels of New Orleans can the lust of A Streetcar Named Desire, the zaniness of A Confederacy of Dunces, the chill of Interview with the Vampire, and the heartbreak of Walker Percy's Moviegoer begin to resonate. Susan Larson's revised and updated edition of The Booklover's Guide to New Orleans not only explores the legacy of Tennessee Williams and William Faulkner, but also visits the haunts of celebrated writers of today, including Anne Rice and James Lee Burke. This definitive guide provides a key to the books, authors, festivals, stores, and famed addresses that make the Crescent City a literary destination.

A selection of writings from the author who created America's notion of New Orleans as an exotic and mysterious place

In 1925 William Faulkner began his professional writing career in earnest while living in the French Quarter of New Orleans. He had published a volume of poetry (The Marble Faun), had written a few book reviews, and had contributed sketches to the University of Mississippi student newspaper. He had served a stint in the Royal Canadian Air Corps and while working in a New Haven bookstore had become acquainted with the wife of the writer Sherwood Anderson. In his first six months in New Orleans, where the Andersons were living, Faulkner made his initial foray into serious fiction writing. Here in one volume are the pieces he wrote while in the French Quarter. These were published locally in the Times-Picayune and in the Double Dealer. The pieces in New Orleans Sketches broadcast seeds that would take root in later works. In their themes and motifs these sketches and stories foreshadow the intense personal vision and style that would characterize Faulkner's mature fiction. As his sketches take on parallels with Christian liturgy and as they portray such characters as an idiot boy similar to Benjy Compson, they reveal evidence of his early literary sophistication. In praise of New Orleans Sketches, Alfred Kazin wrote in the New York Times Book Review that "the interesting thing for us now, who can see in this book the outline of the writer Faulkner was to become, is that before he had published his first novel he had already determined certain main themes in his work." In his trailblazing introduction, Carvel Collins often called "Faulkner's best-informed critic," illuminates the period when the sketches were written as the time that Faulkner was making the transition from poet to novelist. "For the reader of Faulkner," Paul Engle wrote in the Chicago Tribune, "the book is indispensable. Its brilliant introduction . . . is full both of helpful information . . . and of fine insights." "We gain something more than a glimpse of the mind of a young genius asserting his power against a partially indifferent environment," states the Book Exchange (London). "The long introduction . . . must rank as a major literary contribution to our knowledge of an outstanding writer: perhaps the greatest of our times."

Presents the stories of seven survivors of Hurricane Katrina who tried to evacuate, protect their possessions, and save loved ones before, during, and after the flood.

Faulkner's first novel, published in 1926, is one of the most memorable works to emerge from the First World War.

NEW YORK TIMES BESTSELLER • From the beloved author of the Vampire Chronicles, the first installation of her spellbinding Mayfair Chronicles—the inspiration for the hit television series! “Extraordinary . . . Anne Rice offers more than just a story; she creates myth.”—The Washington Post Book World Rowan Mayfair, a beautiful woman, a brilliant practitioner of neurosurgery—aware that she has special powers but unaware that she comes from an ancient line of witches—finds the drowned body of a man off the coast of California and brings him to life. He is Michael Curry, who was born in New Orleans and orphaned in childhood by fire on Christmas Eve, who pulled himself up from poverty, and who now, in his brief interval of death, has acquired a sensory power that mystifies and frightens him. As these two, fiercely drawn to each other, fall in love and—in passionate alliance—set out to solve the mystery of her past and his unwelcome gift, an intricate tale of evil unfolds. Moving through time from today’s New Orleans and San Francisco to long-ago Amsterdam and a château in the Louis XIV’s France, and from the coffee plantations of Port au Prince, where the great Mayfair fortune is made and the legacy of their dark power is almost destroyed, to Civil War New Orleans, The Witching Hour is a luminous, deeply enchanting novel. The magic of the Mayfairs continues: THE WITCHING HOUR • LASHER • TALTOS

A fascinating and insightful study of the development of New Orleans jazz and its effect on jazz history

"This book is rather like a Mardi Gras parade -- a series of impressions. Each chapter is like a decorated car which tells a story. Some of the stories are brave and courageous, others are informative, or amusing, or bizarre, or fantastic. or cruel; but they are all interlocking stories--a pageant of a city...I have not attempted to write history in its strict sense although the main events of the French, Spanish and American Dominations are outlined and several chapters on the new New Orleans have been added."-- from Introduction.