Two years later might as well be two lifetimes. Sienna’s in college, working hard to achieve her dreams, and trying to love another boy—and halfway succeeding. She’d be totally happy with her life if she could just stop dreaming about him. Deni. The boy she left behind on the shores of Banda Aceh. When she gets word Deni’s coming to America, Sea’s world shifts. And when he arrives on her doorstep, she's shaken to the core. Sparks don’t just fly, they soar—and threaten to burn down the new life she’s so patiently, persistently, built. When they’re both invited to join a relief mission in Cambodia, they jump at the chance to help...and be together. As the time and distance between them melts away in the sticky Cambodian heat, Sienna knows her heart can’t take losing him again. And that’s exactly what might happen. Each title in the Sea series is best enjoyed in order: Series order: Book 1 - Where I Found You Book 2 - Where the Sea Takes Me

“The more I sit with these poems, the more they resonate with me and with universal patterns and themes—existential inquiries, loneliness, spiritual doubts.” —Green Mountains Review To Make Room for the Sea reckons with the notion that nothing in this world is permanent. Led by an introspective speaker, these poems examine a landscape that resists full focus, and conclude that “it’s easier to love what we don’t know.” “I hold this leaf I think / you should see, but I can’t quite / say why,” Adam Clay writes, as he navigates a variety of both personal and ecological fixations: disembodied bullfrog croaks, the growth of his child, a computer’s dreaded blue screen of death. The observations in To Make Room for the Sea convey both grief for the Anthropocene and hope for the future. The poems read like field notes from someone who knows the world and hopes to know it differently. On the precipice of great change and restructured perspective, Clay’s poems linger in “the second between taking in a vision and processing it,” in the moment when the world is less a familiar system and more a palette of colors and potential. To Make Room for the Sea delights as much as it mourns. It looks forward as much as it reflects. Deft and hopeful, the poems in this collection gently encourage us to take another look at a world “only some strange god might have thought up / in a drunken stumble.” “That’s the magic of this book—the way Adam Clay, line after line, enacts the mind on the page.” —Maggie Smith “Draws from an impressive repertoire of forms to tease out complex questions regarding time, epistemology, and memory.” —Publishers Weekly

When a spunky little girl finds that her parents are too busy to play, she decides to visit her favorite place on her own. The familiar path lightens her step and her heart. And along the way she discovers a wonderful surprise. Taltal Levi’s spare text and delicate pastel-hued illustrations celebrate courage, discovery, and the power of family. Praise for A Little Courage by Taltal Levi: ”A fun look at perspective, perfect for storytime sharing.” —School Library Journal

*NOW A NETFLIX LIMITED SERIES—from producer and director Shawn Levy (Stranger Things) starring Mark Ruffalo, Hugh Laurie, and newcomer Aria Mia Loberti* Winner of the Pulitzer Prize and National Book Award finalist, the beloved instant New York Times bestseller and New York Times Book Review Top 10 Book about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II. Marie-Laure lives with her father in Paris near the Museum of Natural History where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris, and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel. In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the Resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge. Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).

Towards the end of 1974, a stranger arrived in the small town of Sheerness on the Isle of Sheppey in Kent. He could often be found sitting at the bar in the Napier Tavern, drinking lager and smoking Gauloises while flicking through the pages of the Kent Evening Post. "Charles" was the name he offered to his new acquaintances. But this unexpected immigrant was actually Uwe Johnson, originally from the Baltic province of Mecklenburg in the GDR, and already famous as the leading author of a divided Germany. What caused him to abandon West Berlin and spend the last nine years of his life in Sheerness, where he eventually completed his great New York novel Anniversaries in a house overlooking the outer reaches of the Thames Estuary? And what did he mean by detecting a Òmoral utopiaÓ in a town that others, including his concerned friends, saw only as a busted slum on an island abandoned to ÒdeindustrialisationÓ and a stranded Liberty ship full of unexploded bombs? Patrick Wright, who himself abandoned north Kent for Canada a few months before Johnson arrived, returns to the Òisland that is all the worldÓ to uncover the story of the East German authorÕs English decade, and to understand why his closely observed Kentish writings continue to speak with such clairvoyance in the age of Brexit. Guided in his encounters and researches by clues left by Johnson in his own Òisland storiesÓ, the book is set in the 1970s, when North Sea oil and joining the European Economic Community seemed the last hope for bankrupt Britain. It opens out to provide an alternative version of modern British history: a history for the present, told through the rich and haunted landscapes of an often spurned downriver mudbank, with a brilliant German answer to Robinson Crusoe as its primary witness.

Crossing the Unknown Sea is about reuniting the imagination with our day to day lives. It shows how poetry and practicality, far from being mutually exclusive, reinforce each other to give every aspect of our lives meaning and direction. For anyone who wants to deepen their connection to their life’s work—or find out what their life’s work is—this book can help navigate the way. Whyte encourages readers to take risks at work that will enhance their personal growth, and shows how burnout can actually be beneficial and used to renew professional interest. He asserts that too many people blindly trudge through a mediocre work life because so many “busy” tasks prevent significant reflection and analysis of job satisfaction. People often turn to spiritual practice or religion to nurture their souls, but overlook how work can actually be our greatest opportunity for discovery and growth. Crossing the Unknown Sea combines poetry, gifted storytelling and Whyte’s personal experience to reveal work’s potential to fulfill us and bring us closer to ultimate freedom and happiness.

Longlisted for the National Book Award for Young People's Literature! From the New York Times and USA Today bestselling author of the Shatter Me series comes a powerful, heartrending contemporary novel about fear, first love, and the devastating impact of prejudice. It’s 2002, a year after 9/11. It’s an extremely turbulent time politically, but especially so for someone like Shirin, a sixteen-year-old Muslim girl who’s tired of being stereotyped. Shirin is never surprised by how horrible people can be. She’s tired of the rude stares, the degrading comments—even the physical violence—she endures as a result of her race, her religion, and the hijab she wears every day. So she’s built up protective walls and refuses to let anyone close enough to hurt her. Instead, she drowns her frustrations in music and spends her afternoons break-dancing with her brother. But then she meets Ocean James. He’s the first person in forever who really seems to want to get to know Shirin. It terrifies her—they seem to come from two irreconcilable worlds—and Shirin has had her guard up for so long that she’s not sure she’ll ever be able to let it down.

Ancient folklore and modern myth come together in these stories by author Craig Laurance Gidney. Here are found the struggles of a medieval Japanese monk, seduced by a mischievous fairy, and a young slave who finds mystery deep within the briar patch of an antebellum plantation. Gidney offers readers a gay teen obsessed with his patron saint, Lena Horne, and, in the title story, an ailing tourist seeking escape at a distant shore but never reckons on encountering an African sea god. Rich, poetic, dark and disturbing, these are tales not soon forgotten. A finalist for the Lambda Literary Award.

Decribes the author's passion for sailing on the wide open seas as diverse tales about various adventures are recalled.

“Ambitious and often captivatingly beautiful . . . an extended meditation on the prickly, necessary interrelationship of man and the natural world.” —Kirkus Reviews The first full-length novel by one of our finest fiction writers, Where the Sea Used to Be tells the story of a struggle between a father and his daughter for the souls of two men, Matthew and Wallis—his protégés, her lovers. Old Dudley is a Texan whose religion is oil, and in his fifty years of searching for it in Swan Valley he has destroyed a dozen geologists. Matthew is Dudley’s most recent victim, but Wallis begins to uncover the dark mystery of Dudley’s life. Each character, the wildlife, and the land itself are rendered with the vivid poetry that is that hallmark of Rick Bass’s writing. “Sometimes, reading this book, I wished I could step into its pages and physically inhabit the world Rick Bass creates. At its best, Where the Sea Used to Be is that powerful, that seductive.” —The Washington Post “In the beauty of his language and the grandeur of his story’s scope, Bass has created both powerful fiction and a parable for the situation in which the human race finds itself . . . Read it to discover anew the power good fiction can have.” —SFGate “One of the country’s premier sources of poetic, nature-oriented short fiction . . . The particular pleasure of reading a Rick Bass novel is the total immersion you feel in the hypnotic lyricism of his prose . . . a novel of inestimable beauty.” —The Austin Chronicle