Max is sent to bed without supper and imagines sailing away to the land of Wild Things,where he is made king. Winner, 1964 Caldecott Medal Notable Children's Books of 1940–1970 (ALA) 1981 Boston Globe–Horn Book Award for Illustration 1963, 1982 Fanfare Honor List (The Horn Book) Best Illustrated Children's Books of 1963, 1982 (NYT) A Reading Rainbow Selection 1964 Lewis Carroll Shelf Award Children's Books of 1981 (Library of Congress) 1981 Children's Books (NY Public Library) 100 Books for Reading and Sharing 1988 (NY Public Library)

Bedtime means brushing your teeth, putting on pajamas, snuggling, and kissing your family goodnight. For monsters, bedtime looks a little different. They brush their teeth, but not with a toothbrush. They get dressed for bed, but not in slippers and nightcaps. They snuggle, but not with a blankie or a teddy bear. Monsters Go Night-Night takes readers through the bedtime rituals of seven friendly monsters while making each step of the routine a guessing game. Getting ready for bed has never been so much fun!

There is the myth of the West Memphis 3 -- innocent teenagers railroaded by malicious police and prosecutors into murder convictions because of the way they dressed and the music they listened to, there being no evidence against them except the prejudices of Southern white Christians. And then there is the reality --- three criminally inclined young thugs involved in occultism who gleefully tortured three 8-year-old boys and then brought the justice system down upon them based on multiple factors, including a series of confessions, failed lie detector tests, failed alibis, eyewitness sightings and a history of violence. The second volume in this series, following -Blood on Black, - continues to examine the evidence against Jessie Misskelley Jr., Jason Baldwin and Damien Echols in the murders of Christopher Byers, Michael Moore and Stevie Branch on May 5, 1993. Misskelley, Baldwin and Echols met up that afternoon just outside Lakeshore Estates Trailer Park, according to the multiple confessions of Misskelley. Echols and Baldwin were drinking beer. The plan was to go to West Memphis and beat up some boys. They walked about two miles into woods known as Robin Hood or Robin Hood Hills. Echols knew the woods well, having lived in the nearby Mayfair Apartments, frequently walking through the area as a shortcut between his home in West Memphis and his friends in the trailer parks and having been spotted in the woods recently by an acquaintance. Michael, Stevie and Christopher Byers, all second graders at Weaver Elementary School, lived south of the woods and visited the woods frequently to play. That afternoon they were spotted heading toward Robin Hood around 6, close to the time their killers entered from the north. When Echols heard the children approaching, he began making sounds to lure them in, while Misskelley and Baldwin hid. Then, according to the confessions of Misskelley, and indicated by the blood patterns at the scene and other evidence, the teens jumped the 8-year-olds, beat them viciously, stripped them of their clothes, mutilated Stevie's face, castrated Christopher, sexually molested them, hogtied them and dumped them in a muddy ditch, where Michael and Stevie drowned. Christopher already had bled out from his wounds. Misskelley quickly left the scene, which was scrupulously cleaned up. Echols was spotted walking along the service road near the crime scene later that evening in muddy clothes. After frantic parents sparked an extensive search for the missing children, their bodies were discovered the next afternoon by law enforcement officers. Tales of strange rituals held in the woods by mysterious strangers spread quickly among the crowd gathered near the crime scene. As detectives and other officers gathered information and talked to witnesses or potential suspects, Echols quickly drew the scrutiny of officers. Besides the talk among the boys' neighbors, the ritualistic aspects of the murder -- including the way the boys were bound, and timing possibly influenced by setting, proximity to a pagan holiday and celestial events -- furthered suggested occultism as an impetus for the killings. Local officers were familiar with Echols as a dangerous, mentally ill teenager immersed in witchcraft. Among the many tips coming into police were reports that Echols had been seen near the crime scene that night and that he was heavily involved in a cult. A series of police interviews with an all-too-knowing Echols did nothing but deepen suspicions. Echols failed a lie detector test, thereafter refusing to talk. Police heard that Echols had been telling friends about his involvement in the murders. Vicki Hutcheson, an acquaintance of Misskelley, decided to -play detective.- Soon police brought in Misskelley for routine questioning. After he, too, failed a lie detector test, he gave the first of a number of confessions. The case was solved, but the questions continue.

How do monsters get where they’re going? In a silly showcase of vehicles, Daisy Hirst offers a fresh spin on a favorite toddler subject. There’s more than one way for a little monster to travel! Skeeter speeds by on a scooter, and Willa likes to walk. Beatrice and Bobby take the bus, and there goes Rodney riding a rabbit! Kieran has high hopes of getting there by kite, and then there’s Catya, being carried by a cat. Every vehicle-loving toddler who likes a good giggle—and what toddler doesn’t?—will come running for Daisy Hirst’s charming and colorful ode to things that go.

They did it. The West Memphis 3 are guilty. They are guilty despite what the documentaries, books and news stories have said over and over. Guilty beyond a reasonable doubt. Damien Echols, Jason Baldwin and Jessie Misskelley Jr. killed three 8-year-olds, Christopher Byers, Michael Moore and Stevie Branch, on May 5, 1993, in a wooded area in West Memphis, Ark. The murders were thrill kills, according to Echols himself. But they were much more than that. Police were struck by the ritualistic aspects. Local dabblers in the occult immediately came under suspicion. Under questioning, Echols, already acknowledged as a witch, flaunted his knowledge of the occult, his theories of how the killings could have "magickal" implications and his insights into how the killer would think and feel. He demonstrated special knowledge about the case beyond the little publicly known. He gave out signals that he was a prime suspect; a series of witnesses further implicated him. A confession broke open the case. The widely accepted WM3 storyline is that inept police and prosecutors, with a howling mob of religious fanatics to placate, somewhat arbitrarily picked out three innocent boys to blame for horrific murders because Damien and his best pal Jason wore black T-shirts, listened to heavy metal music and had funny haircuts and because the third boy, Little Jessie, was practically retarded and thus easily manipulated. Almost every element in that storyline has little relation to reality. The weirdness that drew the attention of authorities stemmed from bad choices by the suspects rather than clothing, haircuts or rocking out to Megadeth. The West Memphis police did their duty in a diligent if imperfect manner. The investigation was professional and painstaking. Detectives took many statements, followed strange and unpromising leads and administered the polygraph dozens of times. All three of the teens from the trailer parks were convicted. The convictions held up on appeal. Eventually, thanks to Hollywood celebrities and misleading documentaries that left out crucial evidence, the killers who became the West Memphis 3 walked free. No exonerating evidence, despite many years of investigation and a defense fund in the millions of dollars, has been produced. None of the three has a credible alibi. The mainstream media bought into the premise that "those boys were innocent." By putting the focus on mullet-headed rednecks, drawling overweight cops and righteously angry Christians, the media played upon the most egregious stereotypes of Southern whites, while positioning a murdering sociopath as a hip kid who was just too cool for the uptight hometown idiots. The West Memphis 3 myth was made to order for the familiar narrative of the perceptive young outsider that every hipster and aspiring artist imagines himself to have been. Among the sensitive souls who found a doppelganger of their teen selves in Echols were professional outsiders - such as Johnny Depp and Henry Rollins. In Aleister Crowley's "magickal" system, which Echols embraced in his preteen years, orgasm and ecstasy are equated with death and sacrifice and the sexual fluids are often represented as blood or water. Echols felt he was in transition to a state of being a god, something other than human; he believed that drinking blood invested him with spiritual energy. Echols and "blood brother" Jason formed a pathological dyad, cultivating elaborate violent fantasies. Via the ritual torture, killing and eating of dogs, cats and other animals, they educated themselves in the curriculum of occult murder. The lurking allure of a "thrill kill" finally became irresistible when the killing time coincided with sunset, the rise of a full moon and the pagan holiday of Beltane.

Are your kids too afraid of monsters to fall asleep at night? This whimsical book and its magical no-more-monsters patch could solve ALL of their problems! This charmingly illustrated picture book will have little ones giggling all the way to bedtime! Kids and adults alike will love the goofy, adorable, not-too-spooky monsters, and the socially positive messages about sharing and conquering your fears--even if you need the help of a little magic to do it! And best of all--every book comes with a FREE interactive no-more-monsters patch that kids can attach to their own pajamas and use to scare off their monsters, too.

Billy hates swimming. It's cold and wet and horrible. And just when Billy thinks things can't get any worse, his pet Mini Monsters turn up at his swimming lesson and make one very big SPLASH... Part of the popular 'Billy and the Mini Monsters' series, now being re-launched in paperback. The first book in the series was nominated in the 'Sheffield Children's Book Award' Early Readers category in 2018. A book in the series has been chosen three years in a row as part of the Reading Agency's Summer Reading Challenge.

“A humorous—and richly illustrated—book full of quirky monsters. SanCartier’s creatures are somehow both cute and terrifying.” —USA Today Meet the world’s most unusual monsters in this darkly funny collection of creatures and cryptids from folkloric history. Illustrator Emma SanCartier captures the bizarre and hilarious elements of seventeen monsters from around the world in a light, tongue-in-cheek tone, from the Japanese dream-eater Baku and the Persian carnivorous unicorn Shadhavar to the Eastern European Shurale, a literal tickle monster. Illustrated in lush watercolor, Monsters You Should Know is a perfect primer for the many strange, frightening, and compelling things that go bump in the night. “An important book on monsters you should know about, mostly because it turns out they’re really cute.” —Buzzfeed

“A stunning book...a brand new take on the monster story.” —Eoin Colfer, international bestselling author of the Artemis Fowl series From award-winning author Pádraig Kenny comes an action-packed middle grade fantasy about a family of monsters, perfect for fans of Jonathan Auxier and Victoria Schwab. Mirabelle is part of a very unusual family. Between Uncle Bertram transforming into a ferocious grizzly bear and Aunt Eliza’s body being made entirely of spiders, it’s safe to say they are an extraordinary lot. To the human residents of Rookhaven Village, the family is a threat. So long ago, a treaty was reached between them—in return for sundries and supplies, the monsters won’t eat the townspeople—and an invisible glamour was set around the perimeter of the Manor to keep strangers out. But the glamour serves a second purpose: to keep Mirabelle and her family hidden from those who would do them harm. When two orphans—siblings Jem and Tom—stumble upon a tear in the magical field and open a door that was meant to stay locked, Mirabelle and her family are put in grave danger. A very real monster has locked onto their scent, and he has a hunger for their kind. At turns chilling and thought-provoking, and stunningly illustrated by Edward Bettison, Pádraig Kenny’s The Monsters of Rookhaven explores difference and empathy through the eyes of characters you won’t soon forget.

Do you have monsters inside you? Jack does. They always want to come out whenever he gets angry or upset. What can Jack do to stop his monsters from ruining his day? Featuring rhyming verse and fantastic illustrations, The Monsters Inside will help your little monsters to manage their big feelings. A Beautifully Illustrated, thirty-two page, Children's Picture Book, for children aged 2- 7 years. The Monsters Inside follows a day in the life of a little boy named Jack as he explores and develops a technique, to help him rid of the monsters that make him sad, mad, annoyed and frustrated. The breathing technique that is offered throughout the story, is one that we use as adults to manage these same emotions. The rhythmic value of the book, makes it easy for children to read along and remember what to do when these situations arise; throughout their early childhood development. The story is delivered through a relatable and strong rhythmic text and is very easy for children to comprehend. A must read for all children.