'Addictive and suspenseful ... Sarah Bailey's writing is both keenly insightful and wholly engrossing, weaving intriguing and multi-layered plots combined with complicated and compelling characters.' The Booktopian A fifteen-year-old girl has gone missing after a party in the middle of the night. The following morning her boyfriend is found brutally murdered in his home. Was the girl responsible for the murder, or is she also a victim of the killer? But who would want two teenagers dead? The aftermath of a personal tragedy finds police detective Gemma Woodstock in the coastal town of Fairhaven with her son Ben in tow. Now she finds herself at the heart of a complex and unnerving murder investigation. Gemma searches for answers, while navigating her son's grief and trying to overcome the hostility of her new colleagues. As the mystery deepens and old tensions and secrets come to light, Gemma is increasingly haunted by a similar missing persons case she worked on not long before. A case that ended in tragedy and made her question her instincts as a cop. Can she trust herself again?

There are monsters in this world. And they used to be us. Now it's time to euthanize to survive in a hospice where Emily, a woman haunted by her past, only wants to do her job and be the best mother possible. Euthanize to survive Post-infection Chicago. Christmas. Inside The Hospice, Emily and her fellow nurses do their rounds. Here, men and women live out their final days in comfort, segregated from society, and are then humanely terminated before fate turns them into marrow-craving monsters known as 'Smilers.' Outside these imposing walls, rabid protesters swarm with signs, caught up in the heat of their hatred. Emily, a woman haunted by her past, only wants to do her job and be the best mother possible. But in a world where mortality means nothing, where guns are drawn in fear and nobody seems safe anymore - at what cost will this pursuit come? And through it all, the soon to be dead remain silent, ever smiling. Such is their curse. This emotional, political novel comes from two of horror's freshest voices, and puts a new spin on an eternal topic: the undead. In the spirit of George A Romero meets Jack Ketchum, Where the Dead Go to Die it is an unforgettable epilogue to the zombie genre, one that will leave you shaken and questioning right from wrong...even when it's the only right left. It won't be long before that snow-speckled ground will be salted by blood.

This book creates a scripture-by-scripture model that addresses a very important topic and answers questions many of us have regarding what happens when we die. Where do we go at the time of our death? The process begins when we depart from this earth and takes us to a waiting place called, Sheol or Hades. From there we go on to judgement and then to our final abode of either Heaven or Hell. Along the spiritual journey the book will cover some commonly held misconceptions many may have had about what happens when we die.

From Kevin Brockmeier, one of this generation's most inventive young writers, comes a striking new novel about death, life, and the mysterious place in between. The City is inhabited by those who have departed Earth but are still remembered by the living. They will reside in this afterlife until they are completely forgotten. But the City is shrinking, and the residents clearing out. Some of the holdouts, like Luka Sims, who produces the City’s only newspaper, are wondering what exactly is going on. Others, like Coleman Kinzler, believe it is the beginning of the end. Meanwhile, Laura Byrd is trapped in an Antarctic research station, her supplies are running low, her radio finds only static, and the power is failing. With little choice, Laura sets out across the ice to look for help, but time is running out. Kevin Brockmeier alternates these two storylines to create a lyrical and haunting story about love, loss and the power of memory.

Businessman Mark Ireland’s father was Richard Ireland, a deeply spiritual minister and renowned psychic and medium who counted Mae West among his famous clients. While he loved his father, Mark followed a more conventional path in pursuit of mainstream success—until the wrenching death of his youngest son. This unexpected tragedy plunges Mark into the spiritual world of psychics and mediums in a frantic attempt to communicate with the dead. His defenses and pragmatic mindset begin to fade as he remembers premonitions on the day of his son’s death. He consults a number of well-known mediums and is struck by the remarkably accurate information their readings provide. Mark first meets with Allison Dubois, the subject of NBC’s hit show Medium, and later participates in a single-blind lab experiment with medium Laurie Campbell, filmed for a Discovery Channel feature. He then enters a new dimension of personal paranormal experience, as his own psychic awareness begins to unfold. This dramatic story of a father’s unbearable loss and his discovery of life after death offers hope to the bereaved and compelling evidence that death may not be the end.

On an Alaskan island beset by climate change, a Native seeks to preserve history: “An enthralling, engaging, mind-bending, time-bending story collection.” —Garth Stein, New York Times–bestselling author of The Art of Racing in the Rain Tova Agard’s world is literally falling apart: she’s just been disowned by her father in a violent confrontation over her sexuality, and climate change is about to wreak havoc on the world around her. In the midst of catastrophe, Tova meets Smithsonian Institute ethnologist John Swanton on an Alaskan-ferry time machine, trapping Swanton on Tova’s small hometown of Wrangell Island. Tova convinces Swanton that the island’s contemporary stories are worth collecting despite their strangeness: in Tova's oral traditions, a woman becomes a bear, a man marries trees, a UFO hunts deer, and the dead go to Seattle. These forty-three linked tales in the story-cycle are not stories that the Smithsonian intended to collect, but by the time all the tales are told, their reconstruction of history will make a greater impact on the world around them then either Tova or Swanton could have ever imagined. “Cleverly framed, these stories capture a rich island community that is steeped in oral traditions . . . a collection that rewards rereading and rumination.” ―Foreword Reviews

Life is the most important possession we have. Without it, there is nothing. Only by the resurrection at the second coming of Christ will anyone have life after death. After the resurrection, the fate of those who are in Christ: [1] Eternal life [Romans 6:23] [2]"Shall inherit eternal life" [Matthew 19:29] [3] After the judgment they "shall go away into eternal life" [Matthew 25:46] [4] Will "have eternal life" [John 3:5] [5] Christ will raise them up on the last day [John 6:40] [6] Will be immortal after the resurrection [1 Corinthians 15:5156] [7] Will have incorruption [1 Corinthians 15:42] [8] Will have glory [1 Corinthians 15:43] [9] Will be like Christ "We shall be like him; for we shall see him even as he is" [1 John 3:2] [10] Are "heirs according to the hope of eternal life" [Titus 3:7] [11] Will have a spiritual body [1 Corinthians 15:44] [12] "And as we have borne the image of the earthly (The earthly flesh and blood body of Adam was made to live on this earth but it "cannot inherit the kingdom of God" 1 Corinthians 15:50), we shall also bear the image of the heavenly" (Shall be like the spiritual body of Christ for life in Heaven) [1 Corinthians 15:4756] [13] "Will never perish" [John 10:28] [14] Forever with the Lord [1 Thessalonians 4:17] [15] Many mansions in my father's house: "In my Father's house (Who is in Heaven, Matthew 5:16; 5:45; 5:48; 6:1; 6:9; 7:21; 10:3233) are many mansions...I go to prepare a place for you."

The sweeping untold history of the American psychedelic underground, the Grateful Dead, and beyond... With 32 pages of photos

McCrum pens a lighthearted and informative guide to everything from first meeting to last rites. Subjects covered include the opening contact between strangers; greetings, gestures, handshakes, and getting names right; as well as more complex traditions and how to behave abroad.

This text is the first volume of a comprehensive anthology of Californian literature. It is divided into four parts and contains material ranging from Native American origin myths to Hollywood novels dissecting the American dream.