"Ellen Waterston's new book is a slug of juniper air, a breath-taking view of a rough-edged land, as bracing and taut as October morningsùpart celebration, part elegy all love and the wisdom that grows from deep roots in basalt rock. Like Wallace Stegner and Ivan Doig, Waterston writes masterfully about what it meansùwhat it really means -to live in the West."-Kathleen Dean Moore, author of Wild Comfort There is an otherness to the high desert, something momentous and sacred in the purity of the silence. In this compelling collection of personal essays, award winning poet and author Ellen Waterston illuminates the people, places, and landscapes of central Oregon's vast high desert. In Where the Crooked River Rises, Waterston reveals the blessings and challenges of decades spent as a rancher and town resident in a place that has been, and remains, her touchstone and crucible. The high desert is Waterston's teacher, and she describes its lessons with grace and care, inviting readers to look at their own lives through a lens of wide-open spaces, sagebrush and juniper, pumice and rabbit blush.

Sophie was a brilliant child by anyone's definition: 4-H champion, accomplished athlete, recognized artist, and Western and English horsewoman. By the age of 16 she added one more achievement to her resume, this one ignominious: drug addict.

New Era is a graceful and literate collection of personal essays on the human and natural history of the Central Oregon high desert, focusing on what happened to the people and the land of this region during and after the homesteading era of 1900 to 1920. It is a book full of stories--about early Indian/Anglo connections, about the ghost town of Opal City, about homestead ranches and the families who struggled to make their lives there. Each chapter offers a new perspective on the interplay of human and natural history in a challenging time and place. Although Ramsey's focus is intensely local, he explores how these local details have larger Western and American meanings, too. In his introduction, Ramsey writes that the title of his book comes from the name of our little country school, and if it catches a sense of the indomitable optimism of the homesteaders who established it for their children, I also want it so suggest my concern ... with changes in the land, and with what can get thrown aside and lost in the name of newness and progress. The stories gathered in New Era capture these changing and changed lives and landscapes. Jarold Ramsey was born in Central Oregon and grew up on his family's ranch there. He left the ranch to attend college, and became an award-winning essayist and poet, as well as a published playwright and a respected authority on traditional American Indian literature. New Era will appeal to a wide range of readers beyond those interested in the Oregon high desert country, especially those who value story-telling and the literature of place.

From the acclaimed author of Floating in My Mother’s Palm and Children and Fire, a stunning story about ordinary people living in extraordinary times—“epic, daring, magnificent, the product of a defining and mesmerizing vision” (Los Angeles Times). Trudi Montag is a Zwerg—a dwarf—short, undesirable, different, the voice of anyone who has ever tried to fit in. Eventually she learns that being different is a secret that all humans share—from her mother who flees into madness, to her friend Georg whose parents pretend he’s a girl, to the Jews Trudi harbors in her cellar. Ursula Hegi brings us a timeless and unforgettable story in Trudi and a small town, weaving together a profound tapestry of emotional power, humanity, and truth.

Sixteen-Year-Old Celstia spends every summer with her family at the elite resort at Lake Conemaugh, a shimmering Allegheny Mountain reservoir held in place by an earthen dam. Tired of the society crowd, Celestia prefers to swim and fish with Peter, the hotel’s hired boy. It’s a friendship she must keep secret, and when companionship turns to romance, it’s a love that could get Celestia disowned. These affairs of the heart become all the more wrenching on a single, tragic day in May, 1889. After days of heavy rain, the dam fails, unleashing 20 million tons of water onto Johnstown, Pennsylvania, in the valley below. The town where Peter lives with his father. The town where Celestia has just arrived to join him. This searing novel in poems explores a cross-class romance—and a tragic event in U. S. history.

Winona LaDuke is a leader in cultural-based sustainable development strategies, renewable energy, sustainable food systems and Indigenous rights. Her new book, To Be a Water Protector: Rise of the Wiindigoo Slayers, is an expansive, provocative engagement with issues that have been central to her many years of activism. LaDuke honours Mother Earth and her teachings while detailing global, Indigenous-led opposition to the enslavement and exploitation of the land and water. She discusses several elements of a New Green Economy and outlines the lessons we can take from activists outside the US and Canada. In her unique way of storytelling, Winona LaDuke is inspiring, always a teacher and an utterly fearless activist, writer and speaker. Winona LaDuke is an Anishinaabekwe (Ojibwe) enrolled member of the Mississippi Band Anishinaabeg who lives and works on the White Earth Reservation in Northern Minnesota. She is executive director of Honor the Earth, a national Native advocacy and environmental organization. Her work at the White Earth Land Recovery Project spans thirty years of legal, policy and community development work, including the creation of one of the first tribal land trusts in the country. LaDuke has testified at the United Nations, US Congress and state hearings and is an expert witness on economics and the environment. She is the author of numerous acclaimed articles and books.

2019 Paterson Prize winner Skipping Stones Book Award Kirkus Reviews' Best YA Historical Fiction of 2018 A river runs through young Manny Maldonado Jr.’s life, heart and imagination. Sometimes at night it even shoots through his brain like a bullet. But this river isn’t water, it’s iron—the tracks and trains of the Southern Pacific railroad that pass along his tight-knit neighborhood in the San Gabriel valley just ten miles east of L.A. The iron river is everything to Man-on-Fire, Man for short to his friends, Little Man to his uncles and cousins. He watches it, he waits for it, he plays nears its tracks, he listens for the weight of its currents (strong currents flowing east pulling two hundred boxcars, light current going west with less than fifty cars), he whiles away long summer days throwing rocks and bricks at it with his friends Danny, Marco and Little. They line up cans and bottles in mock battles to try to throw it off track. But nothing derails the iron river, and nothing stops the stinking cop Turk from trying to pin a hobo’s murder on the four young boys.

Following in the footsteps of thousands of pilgrims, penitents, and seekers over centuries, in 2012 Ellen Waterston walked the sacred ground of Spain's Camino de Santiago in search of answers to "What's next?" questions, a quest prompted by stepping down after 11 years as founder/director of a literary arts nonprofit. The list of life questions Waterston was certain she would resolve was quickly supplanted by what the Camino had in mind. Upon her return to Oregon, sorting through mementos of the trip, she was struck by a map of the ten Camino routes that converge in Santiago. The image of a woman leaping rose from the map and Camino Woman was born. This fictional character is the embodiment of all holy women marginalized by patriarchal religions, and spawned other characters, including a fictionalized peregrina of a certain age," a stylized and profane Catholic church in Father Tomas, an omniscient third-person voice, the role of the hospitalero as wisdom keeper, and caricatures of others met along the way. The title of the book has its origins in the fact that the Camino is often referred to as the Via Lactea, a reference to the fact that the Milky Way is always overhead when walking the Camino. Via Lactea is a verse novel, with a storyline that threads through it. It includes many styles and forms of poetry including free verse, new forms, and traditional ones-such as the haibun, described as terse prose usually ending with a haiku. The haibun is often associated with travel writings. Another form, the tanka, is sometimes referred to as "short song." Its meter and shape on the page both mimicked the robotic action, day after day, of walk, eat, sleep, walk some more, and the isolation Waterston sometimes felt on the trail. Another form, the ghazal, is built of couplets and repetitions. For Waterston, its form mirrored the constant rain, day after day, while on the Camino.

Full of emotion and suspense, Crooked River is an inventive and atmospheric story about family and friendship, good and evil, secrets and lies, grief and forgiveness Where should I start? With Mom's funeral? Or a week earlier on the Fourth of July, the day she died? Or should I skip all that stuff and get straight to the part where Ollie and I just wanted to go swimming and pretend our lives were ordinary again, but when we got down to the river we found another dead woman instead? Still grieving over the sudden death of their mother, fifteen-year-old Sam McAlister and her ten-year-old sister, Ollie, move from the comforts of Eugene to rural Oregon to live in a meadow in a teepee under the stars with Bear, their reclusive beekeeper father. But soon after they arrive in Terrebone, a young woman is found dead floating in Crooked River and the police arrest their eccentric father for the murder. He is not evil. I am not good. We are the same: broken and put back together again. Sam knows that Bear is not a killer, even though the evidence points to his guilt—including information that she and Ollie have uncovered. Filled with remorse and refusing to accept that her father could have hurt anyone, Sam embarks on a desperate hunt to save him and keep her damaged family together. They had mysteriously lost Bear once before and Sam is terrified they will lose him again. Only this time they won't ever get him back. She needs Ollie to help her, but Ollie has not spoken a word since their mother's death. I see things no one else does. I see them there and wish I didn't. I want to tell and I can't. Ollie, too, knows that Bear is innocent. The Shimmering have told her so. One followed her home from her mom's funeral and continues to hover, a spectrum of colors—pink and rose red, sky blue and honey gold. Now another, coiled and hissing, is following Sam. Both spirits warn Ollie: the real killer is out there, waiting. Somehow, she must warn her sister. But Ollie worries that if she tries to speak—even to write—the Shimmering will slip inside her, take control, and never leave. Sam and Ollie must find the truth quickly—a search that will lead them to unexpected secrets and terrible lies—because the danger is closer to them than either girl knows. Told in Sam's and Ollie's vibrant voices, Crooked River is a family story, a coming-of-age story, a ghost story, and a psychological mystery as haunting as the best Southern gothic fiction that will touch your heart and grip you until the final page.

“A masterful debut” that follows four generations of Cherokee women across four decades—from the Plimpton Prize–winning author (Sarah Jessica Parker). It’s 1974 in the Cherokee Nation of Oklahoma and fifteen-year-old Justine grows up in a family of tough, complicated, and loyal women, presided over by her mother, Lula, and Granny. After Justine’s father abandoned the family, Lula became a devout member of the Holiness Church—a community that Justine at times finds stifling and terrifying. But Justine does her best as a devoted daughter, until an act of violence sends her on a different path forever. Crooked Hallelujah tells the stories of Justine—a mixed-blood Cherokee woman—and her daughter, Reney, as they move from Eastern Oklahoma’s Indian Country in the hopes of starting a new, more stable life in Texas amid the oil bust of the 1980s. However, life in Texas isn’t easy, and Reney feels unmoored from her family in Indian Country. Against the vivid backdrop of the Red River, we see their struggle to survive in a world—of unreliable men and near-Biblical natural forces, like wildfires and tornados—intent on stripping away their connections to one another and their very ideas of home. In lush and empathic prose, Kelli Jo Ford depicts what this family of proud, stubborn, Cherokee women sacrifices for those they love, amid larger forces of history, religion, class, and culture. This is a big-hearted and ambitious novel of the powerful bonds between mothers and daughters by an exquisite and rare new talent. “A compelling journey through the evolving terrain of multiple generations of women.” —The Washington Post