A collection of Gris Grimly's seldom seen personal and gallery art, including never-before-published work, and pieces that have only been available as fine art limited editions. Showcasing Grimly's skill in executing his macabre visions, this book delves far beneath the surface of Grimly's well-known illustration work, and uncovers a wealth of humorous, emotional, satirical and thought-provoking imagery. affordable and conveniently-sized

Spawn survives torture at the hands of his enemies while Sam & Twitch dig deep into a case that has far-reaching connections. Features iconic villains The Curse, Cy-Gor, and more! Collects Spawn issues #39-44, complete with a classic Spawn "Christmas" issue.

Bestselling author Katie McGarry’s trademark wrong-side-of-the-tracks romance is given a new twist in the gritty YA contemporary novel, Only a Breath Apart. They say your destiny is carved in stone. But some destinies are meant to be broken. The only curse Jesse Lachlin believes in is his grandmother’s will: in order to inherit his family farm he must win the approval of his childhood best friend, the girl he froze out his freshman year. A fortuneteller tells Scarlett she's psychic, but what is real is Scarlett’s father’s controlling attitude and the dark secrets at home. She may be able to escape, but only if she can rely on the one boy who broke her heart. Each midnight meeting pushes Jesse and Scarlett to confront their secrets and their feelings, but as love blooms, the curse rears its ugly head... "A gorgeous, heartfelt journey of redemption and love." —New York Times bestselling author Wendy Higgins "Gritty and real, Only a Breath Apart is a story of hope conjured from pain, strength drawn from innocence, and love earned from self-respect. Beautiful, poignant, and fierce.”—Kristen Simmons, critically acclaimed author of the Article 5 series At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

FOR THE FIRST TIME IN FULL COLOR! TODD McFARLANE unleashed his signature creation, SPAWN, in 1992. In doing so, he created the most successful independent comic book in history. Add in collaborations with industry giants ALAN MOORE, FRANK MILLER, TONY DANIEL, and GRANT MORRISON, and SPAWN’s future as a legend was sealed. Collected now in full color, McFARLANE’s hyper-detailed artwork comes to life like never before. Relive all the excitement of everyone’s favorite anti-hero with this new collection. Collects SPAWN #1-50

Shakespeare: A Life in Art brings together in a single volume Fraser's previously published two-volume biography (Young Shakespeare, 1988, and Shakespeare: The Later Years, 1992). This volume includes a new introduction, which looks back on the author's lifelong commitment to Shakespeare's work and seeks to find the pattern in his carpet.Fraser's approach places Shakespeare's work first but shows how the life and art interpenetrate, like the yolk and white of one shell. What Shakespeare was doing in Stratford and London underlies what he was writing, or more exactly, the two flow together. Most of the book is devoted to Shakespeare the man and artist, but it simultaneously throws light on his literary and personal relations with contemporaries such as Jonson, Marlowe, and others known as the University Wits. His experience as an actor and man of theater is absorbingly recounted here, as well as his relations to well-born patrons like the Earl of Southampton and Henry Carey, Lord Hunsdon (England's Lord Chamberlain). In 1603 when James I ascended the throne, the Chamberlain's Men became the King's Men, passing under the sovereign's protection. How Shakespeare responded to his ambiguous role--he was both servant to the great and their remorseless critic--is another of Fraser's subjects. In short, Fraser's principal purpose is to advance our understanding of Shakespeare, at the same time throwing light on the work of the man who of all modern, and perhaps ancient poets had the largest and most comprehensive soul. John Dryden, Shakespeare's first great critic, said that, and Fraser tries to estimate what he meant.

Collects New Mutants (1983) #13-31 and Annual #1. Don't call them X-babies anymore! Visionary artist Bill Sienkiewicz transforms the New Mutants, and the young heroes' lives will never be the same! New recruits Magma and Magik find their footing at the school - but when the team tries to rescue Kitty Pryde from Emma Frost, will they all end up as members of rival mutant team the Hellions? Then, the Demon Bear that haunts Dani Moonstar bares its teeth! Will the New Mutants survive the Bear's ferocious attack - and if so, can they make a new friend in the alien called Warlock? Plus: A cosmic caper introduces intergalactic rock star Lila Cheney! When Sunspot and Wolfsbane are in danger, only Cloak and Dagger can help! Professor X's son, Legion, makes his mind-bending debut! And an old friend/foe makes a shocking return!

Collects New Mutants (1983) #26-28, 44; Uncanny X-Men (1981) #253-255, 278-280; X-Factor (1986) #69-70. David Haller is no ordinary mutant. Son of Charles Xavier, founder of the X-Men, David’s incredible mental powers fractured his mind — and now, each of his personalities controls a different ability! And they’re not all friendly, as Xavier and the New Mutants find out the hard way! But as Legion struggles to control the chaos in his head, he attracts the attention of one of Xavier’s oldest and most malevolent foes: Amahl Farouk, the Shadow King, who’s secretly been stalking and manipulating the X-Men and their allies. When the Shadow King sinks his hooks deep into David’s mind, will two teams of X-Men be enough to defeat him — or will David be the key to the villain’s ultimate victory?

Now is an opportune moment to consider the shifts in youth and popular culture that are signalled by texts that are being read and viewed by young people. In a world seemingly compromised by climate change, political and religious upheavals and economic irresponsibility, and at a time of fundamental social change, young people are devouring fictional texts that focus on the edges of identity, the points of transition and rupture, and the assumption of new and hybrid identities. This book draws on a range of international texts to address these issues, and to examine the ways in which key popular genres in the contemporary market for young people are being re-defined and re-positioned in the light of urgent questions about the environment, identity, one’s place in the world, and the fragile nature of the world itself. The key questions are: • What are the shifts and changes in youth culture that are identified by the market and by what young people read and view? • How do these texts negotiate the addressing of significant questions relating to the world today? • Why are these texts so popular with young people? • What are the most popular genres in contemporary best-sellers and films? • Do these texts have a global appeal, and, if so, why? These over-arching themes and ideas are presented as a collection of inter-related essays exploring a rich variety of forms and styles from graphic novels to urban realism, from fantasy to dystopian writing, from epic narratives to television musicals. The subjects and themes discussed here reveal the quite remarkable diversity of issues that arise in youth fiction and the variety of fictional forms in which they are explored. Once seen as not as important as adult fiction, this book clearly demonstrates that youth fiction (and the popular appeal of this fiction) is complex, durable and far-reaching in its scope.