When a loved one dies, you don't get over it, but you can move forward. The bad news is that we never fully "get over" the loss of those we hold most dear; we bear those scars to the grave. The good news is that God is at work in us turning our loss and pain into something beautiful. God can take the scars and the mess and the heartache of our lives-- yours and mine--­ and use it to give new life, new life to us and new life to others. God is not in the business of zapping our loved ones and stealing them away from us. But in a world where death waits for every person, God stands ready. God stands ready to receive our beloved dead as they cross over; and God stands ready to guide us through the saddest days, to walk with us through our grief, and to take us into places we never could have imagined places of hope and renewal. If God could take a cross and broken body and make of them redemption, God can take your pain and heartache and fashion them into new life. This book is composed of the reflections that point to broader lessons that will help those who find themselves passing through grief, as well as the pastors, counselors, and friends whose job is to accompany the traveler.

Individuals gab about what it's preferred to get a separation, however, those discussions don't frequently reach out to what life after separation is like. Since, except if you've been separated, you don't exactly get what's genuinely going on with this next stage. The book begins where you are, as the writer records the experience of being left by his significant other. Then it bursts a way to help you through the course of isolation, revelation, and mending. The book is basic, clear, and loaded with weakness and trustworthiness. It skirts the presumptuous and deigning nature of numerous self-improvement guides and on second thought talks from the heart. Mr. Vineberg permeates the text with his entire being, sharing well-deserved shrewdness that stems from his thoughtfulness and languishing. Let Be to Learn is about adoration, regard, and personal connections. It offers fundamental bits of knowledge into the idea of human communications. It strengthens your soul and calms your grief. It is immediate and direct, and above all - it works!

"Smart and defiant. Rich with characters and anecdote and heart. A great success." --Anthony Swofford, New York Times Book Review Has the futureever more people with their houses, stores, roads, and sprawlbeen wrecking your past? Melissa Holbrook Pierson, with unalloyed insight, elucidates how it feels to lose that landscape of home. In the past twenty years, like countless towns it resembles, Akron, Ohio, has lost its singularity, and much of what native-daughter Pierson loves about it. She then moves to Hoboken, New Jersey, a forgotten appendage of New Yorkuntil stockbrokers discover it. Finally, she speaks of rural areas, telling of the thousands of upstate New Yorkers displaced by city reservoirs. A unique book uniquely of our moment: This is what it feels like to lose the place you love.

"A beautiful, haunting story of one family, spanning generations and continents, as they face life's inevitable losses, struggle with grief, and reach for redemption." —Shilpi Somaya Gowda, New York Times bestselling author of Secret Daughter and The Golden Son Haunted by visions of her recently departed mother... Simran is unable to move on. Grappling with the growing estrangement of her sister and daughter as well as the disintegration of her marriage, she wonders how her life has come to this. As the life she has carefully constructed unravels, she is forced to confront one of her most painful childhood memories--her parents sending her younger brother away from home. Woven throughout are memories of Simran's mother as a young woman in 1960s India. Her world had seemed beautiful and full of hope then. But when an unexpected event occurs, the results will have repercussions for generations to come. As the ghosts from the past clamour for attention, the only way to put them to rest may be for Simran to dig deeper into her family history and close the circle that was left open when her family was torn apart. Lyrical and heartbreaking, Someone You Love Is Gone is a mesmerizing tale of enduring love and family ties that defy time and space, weaving together the past and present, crossing continents and spanning generations.

Every day brings evidence of dramatic change upon the landscape. It's called progress. Melissa Holbrook Pierson, with unalloyed insight, elucidates how it feels to lose that landscape of home.

OF WHAT FUTURE ARE THESE THE WILD, EARLY DAYS? An exploration of the role that artists play in resisting authoritarianism with a sci-fi twist. In poetry, dialogue and visual art the book follows two wandering poets as they make their way from village to village, across a prison colony moon full of exiled rebels, robots, and storytellers. Part post-apocalyptic road journal, part alternate universe history of Hip Hop, and part “Letters to a Young Poet”-style toolkit for emerging poets and aspiring movement-builders, it's also a one-of-a-kind practitioners' take on poetry, power, and possibility. NOT A LOT OF REASONS TO SING is a: -post-apocalyptic road journal -alternate universe history of Hip Hop -“Letters to a Young Poet” -toolkit for emerging poets and aspiring movement-builders it's also a one-of-a-kind practitioners' take on poetry, power, and possibility.

The "New York Times" bestseller called "quietly gripping" by "USA Today" demonstrates how impulses can fracture even the most stable family. Despite her loving family and beautiful home, Jo Becker is restless. Then an old roommate reappears, bringing back Jo's memories of her early 20s. Jo's obsession with that period in her life--and the crime that ended it--draws her back to a horrible secret.

This fun, inclusive board book celebrates the one thing that makes every family a family . . . and that's LOVE. Love is baking a special cake. Love is lending a helping hand. Love is reading one more book. In this exuberant board book, many different families are shown in happy activity, from an early-morning wake-up to a kiss before bed. Whether a child has two moms, two dads, one parent, or one of each, this simple preschool read-aloud demonstrates that what's most important in each family's life is the love the family members share.

PUBLISHERS WEEKLY BESTSELLER • Our intrepid heroes are caught in the middle of an epic showdown between good and evil in the fourth and final novel in the beloved Wingfeather Saga, with more than one million copies sold! NOW AN ANIMATED SERIES • Based on Andrew Peterson’s epic fantasy novels—starring Jody Benson, Henry Ian Cusick, and Kevin McNally. Executive Producer J. Chris Wall with Shining Isle Productions, and distributed by Angel Studios. All winter long, people in the Green Hollows have prepared for a final battle with Gnag the Nameless and the Fangs of Dang. Janner, Kalmar, and Leeli are ready and willing to fight alongside the Hollowsfolk. But when the Fangs make the first move and invade Ban Rona, the children are separated. Janner is alone and lost in the hills; Leeli is fighting the Fangs from the rooftops of the city; and Kalmar, who carries a terrible secret, is on a course for the Deeps of Throg. Monsters and Fangs and villains lie between the children and their only hope of victory in the epic conclusion of The Wingfeather Saga. Full of characters rich in heart, smarts, and courage, The Warden and the Wolf King is a tale children of all ages will cherish, families can read aloud, and readers' groups are sure to enjoy discussing for its many layers of meaning. Extra features include new interior illustrations from Joe Sutphin, funny footnotes, a map of the fantastical world, inventive appendices, and fanciful line art in the tradition of the original Frank L. Baum Wizard of Oz storybooks. Can’t get enough of Aerwiar? Collect the whole set! ON THE EDGE OF THE DARK SEA OF DARKNESS • NORTH! OR BE EATEN • THE MONSTER IN THE HOLLOWS • THE WARDEN AND THE WOLF KING • WINGFEATHER TALES • PEMBRICK’S CREATUREPEDIA • A RANGER’S GUIDE TO GLIPWOOD FOREST

The Lost Words by composer James Burton takes its inspiration and text from the award-winning 'cultural phenomenon' and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children's dictionary. Both the book and Burton's 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or 'spell', magically brought to life in Burton's music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton's piece was co-commissioned by the Hallé Concerts Society for the Hallé Children's Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children's Choir, of which Burton is founder and director. The Hallé Children's Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic. Vocal Score Co-commission by Boston Symphony and Hallé Concerts Society for their respective Children's Choirs. Two versions - with orchestral or with piano accompaniment. The vocal score is the same for both versions. James Burton is a composer but also a conductor. He is conductor of the Tanglewood Festival Chorus and choral director of the Boston Symphony. The book The Lost Words, exquisitely designed, has won multiple awards and is an international best-seller. The vocal score includes Jackie Morris's beautiful imagery in its cover design.