A collection of photographs of the Kurdish people. Caught in the middle of wars and conflicts in the oil-rich territory where the borders of Iran, Iraq, Syria and Turkey converge, exploited and betrayed by colonial nations and the Cold War superpowers, the Kurds have throughout history been classic victims of realpolitik, the most recent examples being the campaigns waged against them by Saddam Hussein. These 100 photographs were taken in locales ranging from Germany to Turkey, London to Syria, and Jerusalem to Iraq. We see mothers and children living in the bombed-out rubble of their homes; Kurdish expatriates in European cities preserving their culture in the face of sometimes violent xenophobia; Kurdish guerillas training for war; and victims of chemical warfare.

Where Borders Bleed is a keenly observed and anecdotal account of a factious landscape that has long engaged global attention the Indo Pak region. Covering almost seventy years of conflict, it chronicles the events leading up to Partition, reflects on the consequent strife and provides a fresh, discursive perspective on the figures who have shaped the story of this land from Lord Louis Mountbatten and Muhammad Ali Jinnah to Atal Bihari Vajpayee and Manmohan Singh. Covering historical, diplomatic and military perspectives, where borders bleed is intrepid, engaging with a range of contentious issues that have shaped Indo Pak relationsn water sharing, Kashmir and Article 370. Equally, it is speculative. It asks would terror have affected the world the way it has, if 'PakIndia' had been a benign single entity? What if India and Pakistan were to reunite, much like East and West Germany? As the now-largest nation in the world, would the mammoth PakIndia radically change the globe's geo political framework? These questions combined with the author's own diplomatic access to rare archival material and key leaders across borders make this a one of a kind book on the story of India and Pakistan.

These one hundred photographs, taken in such locales as Turkey, Iraq, Israel, Britain, and Germany, bring the Kurdish struggle for survival into sharp focus.

In Bleeding Borders, Kristen Tegtmeier Oertel offers a fresh, multifaceted interpretation of the quintessential sectional conflict in pre--Civil War Kansas. Instead of focusing on the white, male politicians and settlers who vied for control of the Kansas territorial legislature, Oertel explores the crucial roles Native Americans, African Americans, and white women played in the literal and rhetorical battle between proslavery and antislavery settlers in the region. She brings attention to the local debates and the diverse peoples who participated in them during that contentious period. Oertel begins by detailing the settlement of eastern Kansas by emigrant Indian tribes and explores their interaction with the growing number of white settlers in the region. She analyzes the attempts by southerners to plant slavery in Kansas and the ultimately successful resistance of slaves and abolitionists. Oertel then considers how crude frontier living conditions, Indian conflict, political upheaval, and sectional violence reshaped traditional Victorian gender roles in Kansas and explores women's participation in the political and physical conflicts between proslavery and antislavery settlers. Oertel goes on to examine northern and southern definitions of "true manhood" and how competing ideas of masculinity infused political and sectional tensions. She concludes with an analysis of miscegenation -- not only how racial mixing between Indians, slaves, and whites influenced events in territorial Kansas, but more importantly, how the fear of miscegenation fueled both proslavery and antislavery arguments about the need for civil war. As Oertel demonstrates, the players in Bleeding Kansas used weapons other than their Sharpes rifles and Bowie knives to wage war over the extension of slavery: they attacked each other's cultural values and struggled to assert their own political wills. They jealously guarded ideals of manhood, womanhood, and whiteness even as the presence of Indians and blacks and the debate over slavery raised serious questions about the efficacy of these principles. Oertel argues that, ultimately, many Native Americans, blacks, and women shaped the political and cultural terrain in ways that ensured the destruction of slavery, but they, along with their white male counterparts, failed to defeat the resilient power of white supremacy. Moving beyond a conventional political history of Bleeding Kansas, Bleeding Borders breaks new ground by revealing how the struggles of this highly diverse region contributed to the national move toward disunion and how the ideologies that governed race and gender relations were challenged as North, South, and West converged on the border between slavery and freedom.

This title was first published in 2001. Exploring issues of diversity and cross-cultural interaction and understanding, Maya Identities and the Violence of Place offers new perspectives on borderlands and identities, providing an important case study of people from Latin America on the move. Examining issues of indigeneity, diaspora, flights from physical violence and economic repression, and efforts to remain indigenous among a proud but beleaguered people, this book is replete with stories of movement and change that operate as means to maintain identity. Thompson examines how the Jacalteco Maya of Latin America form their identities as indigenous people, despite a long tradition of movement across the rigid constraints of borders of geography, history, race and ethnicity. Religion, language, fiestas, and stories of leaving and return, all serve to bond people to their particularity. Examining the indigenous identity formations and religious convictions among the Maya in places where brutality has dominated the landscape and where violence is commonplace, this book avoids dwelling on centers of culture and explains instead how Maya concepts of identity arise from travel, contact with others, and change. Thompson reveals the ironies of classifying as natives', aboriginal or indigenous the many individuals and families who have become refugees, and explores how Maya have transcended the erroneous image of Guatemalan Indians ensconced within borders of particular land, and how they have overstepped popular portrayals of native peoples clinging tenaciously to their sacred soil as their sole means of surviving culturally and spiritually. Showing bleeding borders to be more than a recent occurrence, Thompson argues that there has never been a time when Maya did not have to travel in order to remain who they are. Exploring ideas of human to land connections and how religion among the indigenous makes change and movement possible, this book offers invaluable insight

A course on comics creation offers lessons on lettering, story, structure, and panel layout, providing a solid introduction for people interested in making their own comics.

"Resisting his own urge to walk away, award-winning artist George Butler took his sketchbook and made, over the course of a decade, a series of remarkable pen-and-ink and watercolor portraits in war zones, refugee camps, and on the move. While he worked, his subjects--migrants and refugees in the Middle East, Europe, Africa, and Asia--shared their stories. Theirs are the human stories behind the headlines that tell of fleeing poverty, disaster, and war, and of venturing into the unknown in search of jobs, education, and security. Whether sketching by the hospital bed of a ten-year-old Syrian boy who survived an airstrike, drawing the doll of a little Palestinian girl with big questions, or talking with a Masai herdsman forced to abandon his rural Kenyan home for the Kibera slums, George Butler turns reflective art and sensitive reportage into an eloquent cry for understanding and empathy."--

Johnny Rico is back. After risking his life as an Afghanistan stop-loss soldier, an experience he described in the cult phenomenon Blood Makes the Grass Grow Green, he now dares to embed himself on both sides of America’s most dangerous domestic conflict–the war for and against illegal immigration–in an exhilarating new exercise in immersion journalism. The gonzo author–part Hunter Thompson, part George Plimpton–explores a seemingly insoluble issue by getting his hands dirty and his boots on the ground. As a “typically spoiled American” who doesn’t speak a lick of Spanish, he takes it upon himself to try to cross the Mexican border into the United States illegally. Eager to tell the story from all sides–or simply to get good material for his book–Rico also travels treacherously with the Border Patrol, meets extreme immigrant advocates who publish maps for illegals, visits a modern-day “underground railroad” in Texas, and hunts for miscreants with angry vigilantes. In such hot spots as the Tecate Line, a forty-five-mile stretch of hills on California’s southern fringe, and Arizona’s Amnesty Trail, the single busiest part of the U.S. border, Rico encounters Los Zetas, the paramilitatry group that has taken over Mexico’s drug cartels, interviews the volunteer Minutemen, who believe in an imminent and apocalyptic Mexican invasion, and tries to recruit coyotes (human smugglers, usually fortified by meth and cocaine). In his heedless and openly opportunistic style, Rico unearths more truths about this explosive subject than most traditional reporters could ever hope to. Border Crosser is another knockout from this new-generation journalist, at once a concerned citizen, courageous spy, and unparalleled author.

"This multi-faceted study gives readers a more nuanced and comprehensive understanding of the violence that erupted--long before the first shot was fired at Fort Sumter--along the Missouri-Kansas border by blending the political and military with the social and intellectual history of the populace. The fifteen essays together explain why the divisiveness was so bitter and persisted so long, still influencing attitudes 150 years later"--