From the brilliant mind of A Touch of Darkness's bestselling author Scarlett St. Clair comes a YA crossover in a darkly unique fantasy world. Anora Silby can see the dead and turn spirits into gold coins, two things she would prefer to keep secret as she tries to lead a normal life at her new school. After all, she didn't change her identity for nothing. Hiding her weirdness is just one of many challenges. By the end of her first day, she's claimed the soul of a dead girl on campus and lost the coin. Turns out, the coin gives others the ability to steal souls, and when a classmate ends up dead, there's no mistaking the murder weapon. Navigating the loss of her Poppa, the mistrust of her mother, the attention of gorgeous and enigmatic Shy, and Roundtable, an anonymous student gossip app threatening to expose her, are hard enough. Now she must find the person who stole her coin before more lives are lost, but that means making herself a target for the Order, an organization that governs the dead on Earth—and they want Anora and her powers for themselves.

A young boy asks his grandfather questions about life and nature, and gets some humorous answers.

Sharing the comfort & inspiration found in the Psalms, this delightful book contains active 4-color illustrations, simple poems inspired by the Psalms, & Bible verses. A fun way to learn more about God.

(Book). From its artful beginnings (Syd Barrett-era Pink Floyd, the Mothers of Invention, and those progressive forebearers, the Sgt. Pepper-era Beatles), through the towering guitar solos, monumental synthesizer banks, and mind-boggling special effects of the Golden Age of Prog (Rush, Pink Floyd, Yes, ELP, Genesis, Jethro Tull, King Crimson, UK), through the radio-friendly "pop era" (Asia, the Phil Collins-led Genesis, and a reformed Yes), and right up to the present state of the art (Marillion, Spock's Beard, and Mars Volta), this is a wickedly incisive tour of rock music at its most spectacular. This is indeed the book prog rock fans have been waiting for, the only one of its kind, as fantastic as the subjects it covers.

If he had been with me everything would have been different... I wasn't with Finn on that August night. But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial. So let me tell you...

A National Book Award Finalist, this remarkable graphic novel is about growing up in a refugee camp, as told by a former Somali refugee to the Newbery Honor-winning creator of Roller Girl. Omar and his younger brother, Hassan, have spent most of their lives in Dadaab, a refugee camp in Kenya. Life is hard there: never enough food, achingly dull, and without access to the medical care Omar knows his nonverbal brother needs. So when Omar has the opportunity to go to school, he knows it might be a chance to change their future . . . but it would also mean leaving his brother, the only family member he has left, every day. Heartbreak, hope, and gentle humor exist together in this graphic novel about a childhood spent waiting, and a young man who is able to create a sense of family and home in the most difficult of settings. It's an intimate, important, unforgettable look at the day-to-day life of a refugee, as told to New York Times Bestselling author/artist Victoria Jamieson by Omar Mohamed, the Somali man who lived the story.

An autobiography dealing with the author's career as a writer, her blindness, and her guide dog Zephyr.

The unrivaled master of crime’s first collection of noir stories. . . . “If you thought you knew all the places Elmore Leonard could take you, think again.”—Mike Lupica In more than 30 books spanning half a century, Elmore Leonard has captured the imagination of millions as few writers can. A literary icon praised by the New York Times Book Review as “the greatest crime writer of our time, perhaps ever, ” he has influenced many contemporary writers and is known for both the quality and accessibility of his writing. In this first collection of short pieces, including two novella-length works, since his western anthology Tonto Woman, Leonard demonstrates the superb characterization, dead-on dialogue, vivid atmosphere, and driving plotting that have made him a household name.

The peculiar and moving story of a Congolese boy's coming-of-age amid the political strife of postcolonial Congo His nickname is Matapari, which means "trouble." He is an African child of the '90s--brilliant, mischievous, postcolonial, postmodern-caught in the crossfire of a chaotically liberated African country. Matapari grows up in a world of talking drums, the Internet, and satellite TV, a world of dictators who remake themselves as democrats overnight. His uncle is a stooge for the dictator; his father is a scholarly recluse obsessed with proving that blacks played key roles in Western history. Matapari is a young man in the middle--but the shrewdness and wit with which he tells his often riotously funny story set him apart from his relatives and countrymen. Emmanuel Dongala uses the ingenious viewpoint of a child to show up the telltale world of adults--and to show how one preserves one's independence in a corrupt and violent society.

"Persephone is the Goddess of Spring in title only. Since she was a little girl, flowers have only shriveled at her touch. After moving to New Athens, she hoped to lead an unassuming life disguised as a mortal journalist. All of that changes when she sits down in a forbidden nightclub to play a hand of cards with a hypnotic and mysterious stranger. Hades, God of the Dead, has built a gambling empire in the mortal world and his favorite bets are rumored to be impossible. But nothing has ever intrigued him as much as the goddess offering him a bargain he can't resist. After her encounter with Hades, Persephone finds herself in a contract with the God of the Dead, and his terms are impossible: Persephone must create life in the Underworld or lose her freedom forever. The bet does more than expose Persephone's failure as a goddess, however. As she struggles to sow the seeds of her freedom, love for the God of the Dead grows-a love that is both captivating and forbidden"--