When Skies Are Grey: Super Frank, Chelsea and the coronavirus crisis every goal, every game and everything in between, the definitive account of the 2019-2020 season"You are my Chelsea, my only Chelsea. You make me happy when skies are grey. You'll never notice how much I love you, until you've taken my Chelsea away." A traditional anthem sung by Blues supporters for decades takes on true-to-life meaning during the 2019-2020 season when the deadly coronavirus pandemic brings Premier League football to a juddering halt."When Skies Are Grey" is a deep dive into an unprecedented campaign that delivers Hollywood-style drama from the minute Chelsea appoint Club legend and record goal scorer Frank Lampard as manager on 4 July 2019. It's Lampard's destiny to return to Stamford Bridge and despite having to cope with a transfer embargo Blues supporters are tingling with anticipation in the weeks building up to the big kick-off away at Manchester United. The match ends in a 4-0 defeat for the London club, a reality check for the new gaffer, players and fans alike.Undeterred, and increasingly putting his faith in the dazzling array of young talent that blossomed in Chelsea's Academy, Super Frank takes supporters on a gloriously unpredictable rollercoaster ride that gains momentum on 22 February 2020 when the league double over bitter rivals Tottenham Hotspur is completed and hits the buffers on 13 March when elite football in England is suspended because of the spread of coronavirus. 10 days later, with the COVID-19 death toll spiralling, the United Kingdom is placed on lockdown a situation that has far-reaching consequences for society.Helping lift the gloom and make supporters proud, Chelsea owner Roman Abramovich along with players and staff at the Club make a wide-range of thoughtful and generous gestures to provide support to National Health Service staff and key workers. Significant donations are also made to charities.Ultimately, the relentless pursuit of money by the game's power brokers dictates that the Premier League eventually returns on 17 June with all remaining fixtures crammed into six weeks and played behind closed doors. It's a scenario plenty of fans have serious misgivings about as the season resumes and accelerates to a suspense-filled conclusion.Set against a backdrop of fears of the unknown, incessant ITK (in the know) transfer rumours and spectacular social media fallouts, "When Skies Are Grey" provides a unique day-to-day insight into the mind-set of Chelsea supporters as they follow their team during the course of a campaign that will never be forgotten.

Like sharks, epidemic diseases always lurk just beneath the surface. This fast-paced history of their effect on mankind prompts questions about the limits of scientific knowledge, the dangers of medical hubris, and how we should prepare as epidemics become ever more frequent. Ever since the 1918 Spanish influenza pandemic, scientists have dreamed of preventing catastrophic outbreaks of infectious disease. Yet, despite a century of medical progress, viral and bacterial disasters continue to take us by surprise, inciting panic and dominating news cycles. From the Spanish flu and the 1924 outbreak of pneumonic plague in Los Angeles to the 1930 'parrot fever' pandemic and the more recent SARS, Ebola, and Zika epidemics, the last 100 years have been marked by a succession of unanticipated pandemic alarms. Like man-eating sharks, predatory pathogens are always present in nature, waiting to strike; when one is seemingly vanquished, others appear in its place. These pandemics remind us of the limits of scientific knowledge, as well as the role that human behaviour and technologies play in the emergence and spread of microbial diseases.

The paper begins with a retrospective of the debates on the origin of life: the virus or the cell? The virus needs a cell for replication, instead the cell is a more evolved form on the evolutionary scale of life. In addition, the study of viruses raises pressing conceptual and philosophical questions about their nature, their classification, and their place in the biological world. The subject of pandemics is approached starting from the existentialism of Albert Camus and Sartre, the replacement of the exclusion ritual with the disciplinary mechanism of Michel Foucault, and about the Gaia hypothesis, developed by James Lovelock and supported in the current pandemic by Bruno Latour. The social dimensions of pandemics, their connection to global warming, which has led to an increase in infectious diseases, and the deforestation of large areas, which have caused viruses to migrate from their native area (their "reservoir") are highlighted below. The ethics of pandemics is approached from several philosophical points of view, of which the most important in a crisis of such global dimensions is utilitarianism which involves maximizing benefits for society in direct conflict with the usual (Kantian) view of respect for people as individuals. After a retrospective of the COVID-19 virus that caused the current pandemic, its life cycle and its history, with an emphasis on the philosophy of death, the concept of biopower initially developed by Foucault is discussed, with reference to the practice of modern states of control of the populations and the debate generated by Giorgio Agamben who states that what is manifested in this pandemic is the growing tendency to use the state of emergency as a normal paradigm of government. An interesting and much debated approach is the one generated by the works of Slavoj Žižek, who states that the current pandemic has led to the bankruptcy of the current "barbaric" capitalism, wondering if the path that humanity will take is a neo-communism. Another important negative effect is desocialization, with the conclusion of some philosophers that we cannot exist independently of our relationships with others, that a person's humanity depends on the humanity of those around him. The last section is dedicated to forecasting what the world will look like after the pandemic, and there are already signs of a paradigm shift, including the sudden disappearance of the "wall" ideology: a cough was enough to make it suddenly impossible to avoid the responsibility that every individual has it towards all living beings for the simple fact that he is part of this world, and of the desire to be part of it. The whole is always involved in part, because everything is, in a sense, in everything and in nature there are no autonomous regions that are an exception. The COVID-19 pandemic seems to restore the supremacy that once belonged to politics. One of the virtues of the virus is its ability to generate a more sober idea of ​​freedom: to be free means to do what needs to be done in a specific situation. CONTENTS: Abstract Introduction 1 Viruses 1.1 Ontology 2 Pandemics 2.1 Social dimensions 2.2 Ethics 3 COVID-19 3.1 Biopolitics 3.2 Neocommunism 3.3 Desocialising 4 Forecasting Bibliography DOI: 10.13140/RG.2.2.31039.74405/1

A propulsive and chillingly prescient novel of suspense and terror from the Bram Stoker award–winning author of The Cabin at the End of the World and A Head Full of Ghosts. “Absolutely riveting.” — Stephen King In a matter of weeks, Massachusetts has been overrun by an insidious rabies-like virus that is spread by saliva. But unlike rabies, the disease has a terrifyingly short incubation period of an hour or less. Those infected quickly lose their minds and are driven to bite and infect as many others as they can before they inevitably succumb. Hospitals are inundated with the sick and dying, and hysteria has taken hold. To try to limit its spread, the commonwealth is under quarantine and curfew. But society is breaking down and the government's emergency protocols are faltering. Dr. Ramola "Rams" Sherman, a soft-spoken pediatrician in her mid-thirties, receives a frantic phone call from Natalie, a friend who is eight months pregnant. Natalie's husband has been killed—viciously attacked by an infected neighbor—and in a failed attempt to save him, Natalie, too, was bitten. Natalie's only chance of survival is to get to a hospital as quickly as possible to receive a rabies vaccine. The clock is ticking for her and for her unborn child. Natalie’s fight for life becomes a desperate odyssey as she and Rams make their way through a hostile landscape filled with dangers beyond their worst nightmares—terrifying, strange, and sometimes deadly challenges that push them to the brink. Paul Tremblay once again demonstrates his mastery in this chilling and all-too-plausible novel that will leave readers racing through the pages . . . and shake them to their core.

On the final day of the 2002 / 2003 football season Chelsea Football Club recorded a famous 2-1 victory over Liverpool, thereby qualifying to play in the following seasons European Champions League competition. Resigned to losing Gianfranco Zola, who had recently been voted the club's greatest ever player, and with no money available for Chelsea's charismatic coach Claudio Ranieri to strengthen the squad, the prospects for the coming season looked to be self-limiting. That had been the general consensus of Marco, Young Dave, Ugly John, Ossie and the rest of the Chelsea Gate 17 boys as they frittered away the summer months waiting for the new European campaign to begin. Enter Roman Abramovich. The billionaire Russian oligarch purchased the club and financed a spending spree unprecedented in the history of the game. 'Glorious unpredictability,' that's what Marco called it ...that Chelsea factor, you just never knew what was going to happen next. Whatever it was, the Gate 17 boys had no intention of missing any of it ...they'd even planned to make a spiritual pilgrimage to Sardinia to watch their hero Zola. Over Land and Sea re-writes the current trend in depressingly violent football literature.

"The fox knows many things, but the hedgehog knows one big thing." This ancient Greek aphorism, preserved in a fragment from the poet Archilochus, describes the central thesis of Isaiah Berlin's masterly essay on Leo Tolstoy and the philosophy of history, the subject of the epilogue to War and Peace. Although there have been many interpretations of the adage, Berlin uses it to mark a fundamental distinction between human beings who are fascinated by the infinite variety of things and those who relate everything to a central, all-embracing system. Applied to Tolstoy, the saying illuminates a paradox that helps explain his philosophy of history: Tolstoy was a fox, but believed in being a hedgehog. One of Berlin's most celebrated works, this extraordinary essay offers profound insights about Tolstoy, historical understanding, and human psychology. This new edition features a revised text that supplants all previous versions, English translations of the many passages in foreign languages, a new foreword in which Berlin biographer Michael Ignatieff explains the enduring appeal of Berlin's essay, and a new appendix that provides rich context, including excerpts from reviews and Berlin's letters, as well as a startling new interpretation of Archilochus's epigram.

3D Robotics co-founder and bestselling author Chris Anderson takes you to the front lines of a new industrial revolution as today’s entrepreneurs, using open source design and 3-D printing, bring manufacturing to the desktop. In an age of custom-fabricated, do-it-yourself product design and creation, the collective potential of a million garage tinkerers and enthusiasts is about to be unleashed, driving a resurgence of American manufacturing. A generation of “Makers” using the Web’s innovation model will help drive the next big wave in the global economy, as the new technologies of digital design and rapid prototyping gives everyone the power to invent--creating “the long tail of things”.

CHELSEA FC: THE OFFICIAL BIOGRAPHY goes to the heart of what gives the club its personality. The author has access to all the key characters, including Mourinho, Abramovich and the star players, plus legendary names of the past. He addresses all the controversies, including: the near suffocation through lack of cash in the 1970s and in 2002; the impact of Abramovich's money; the club and fans' response to racism; how the hooliganism which dogged Chelsea for years has been tackled. On the lighter side, Chelsea is regarded as the country's glamour club, and fashions, good and dreadful, will feature alongside celebrity fans and the worlds of art and music. And then there is the football at the core of it all, creating moments of huge tension and excitement.