Longlisted for the Center for Fiction’s 2021 First Novel Prize • A rich, bighearted debut that takes us from working-class Staten Island in the wake of the September 11th attacks to moneyed London a decade later, revealing a story of loss, motherhood, and love. As the Twin Towers collapse, Gigi Stanislawski flees her office building and escapes lower Manhattan on the Staten Island Ferry. Among the crying, ash-covered, and shoeless passengers, Gigi, unbelievably, finds someone she recognizes--Harry Harrison, a British man and a regular at her favorite coffee shop. Gigi brings Harry to her parents' house, where they watch the television replay the planes crashing for hours, and she waits for the phone call that will never come: the call from Frankie, her younger brother. Ten years later, Gigi, now a single mother consumed with bills and unfulfilled ambitions, meets Harry, again by chance, and they fall deeply, headlong in love. But their move to London and their new baby--which Gigi hoped would finally release her from the past--leave her feeling isolated, raw, and alone with her grief. As Gigi comes face-to-face with the anguish of her brother's death and her rage at the unspoken pain of motherhood, she must somehow find the light amid all the darkness. Startlingly honest and shot through with unexpected humor, When I Ran Away is an unforgettable first novel about love--for our partners, our children, our mothers, and ourselves--pushed to its outer limits.

In a funny, moving, and lyrical story, three boys learn a thing or two about the way a person relates to his fellow man, and along the way they grow up, just a little, despite their best efforts not to.

*LOSE YOURSELF THIS SUMMER IN THE NUMBER ONE BESTSELLER* 'One of my favourite authors' MARIAN KEYES Deira isn't the kind of woman to steal a car. Or drive to France alone with no plan. But then, Deira didn't expect to be single. Or to suddenly realise that the only way she can get the one thing she wants most is to start breaking every rule she lives by. Grace has been sent on a journey by her late husband, Ken. She doesn't really want to be on it but she's following his instructions, as always. She can only hope that the trip will help her to forgive him. And then - finally - she'll be able to let him go. Brought together by unexpected circumstances, Grace and Deira find that it's easier to share secrets with a stranger, especially in the shimmering sunny countryside of Spain and France. But they soon find that there's no escaping the truth, whether you're running away from it or racing towards it . . . *LOSE YOURSELF THIS SUMMER IN THE NUMBER ONE BESTSELLER* Praise for Sheila O'Flanagan's irresistible novels: 'Brilliantly written and with plot twists popping out like Prosecco corks' Woman and Home 'An exciting love story with a deliciously romantic denouement' Sunday Express 'A feel-good story told by a funny and down-to-earth heroine' Woman's Weekly 'If you're seeking an escape of your own, this sunny, evocative story is the perfect place to hide away' S Magazine A NO. 1 IRISH BESTSELLER (JULY 2020) A SUNDAY TIMES BESTSELLER (MARCH 2021)

Back when they were students Simon and his friend Ray had dreams to become rock stars. Fifteen years later, their mid-thirties are bearing down fast and they're having to accept a less glamorous life. Ray takes refuge from his responsibilities by living a virtual existence in online games. People say he needs to grow up, but everybody finds their own way of coping. But for Simon it's serial murder, mass slaughter and professional assassination.

One morning Jason wakes up to find his nose missing. Will he find his nose and convince it to get back on his face?

Tells the story of a writing desk that one day grabbed two pairs of shoes, ran downstairs, and took flight, escaping into the countryside with its owners in barefoot pursuit. Includes a note with historical information.

Charley feels unwanted by Aunt Emm who has come to stay during her parents' absence, so she runs away and lives outdoors.

As Davey and his fellow housemate Priss try to uncover the secrets of the house's inhabitants, both past and present, it becomes clear that the five strangers have all been drawn there by the events and the music of that long-ago summer.

A childhood in the 1950s and ‘60s among grifters, show girls, and mob enforcers who embraced the boy and made him who he is. “These stories make for one of the most important and moving American bildungsromans of all time.” —William Boyle, The Southwest Review Roy tells it the way he sees it, shuttled between Chicago to Key West and Tampa, Havana and Jackson MS, usually with his mother Kitty, often in the company of lip-sticked women and fast men. Roy is the muse of Gifford’s hardboiled style, a precocious child, watching the grown-ups try hard to save themselves, only to screw up again and again. He takes it all in, every waft of perfume and cigar smoke, every missed opportunity to do the right thing. And then there are the good things too. A fishing trip with Uncle Buck, a mother’s love, advice from Rudy, Roy’s father: “Roy means king. Be the king of your own country. Don’t depend on anyone to do your thinking for you.” The stories in The Boy Who Ran Away to Sea are together a love letter and a tribute to the childhood experiences that ground a life. In the Author’s note, Gifford writes, “I have often been asked if I were interested in writing my memoirs or an autobiography. Given that the Roy stories come as close as I care to come regarding certain circumstances, I remain comfortable with their verisimilitude. They all dwell within the boundary of fiction. As I have explained elsewhere, these are stories, I made them up. Roy ages from about five years old to late adolescence. After that, with the exception of a sighting in Veracruz, I have no idea what happened to him.” “The way Barry Gifford lets people talk articulates everything about their unfamiliar inner lives, and ours." —Boston Globe