The day her fiancé died suddenly of a heart attack, Katie Swenson retreated to "Bohemia," the third-floor loft that the couple had renovated in their home in Wellesley, Massachusetts, and began to write. A visceral account of grief and the profound kindness that resonates around it, this is also the story of her hundred-year-old house, named the "Scarab" after the Egyptian symbol for rebirth, and the two courageous women who built it a century earlier--Wellesley College professors Katharine Coman and her partner Katharine Lee Bates, author of "America the Beautiful." Parallel lives unfold in the magical third-floor loft, where Coman died, where Bates mourned, and where Swenson wrote and wrote through that first searing year, held up by their spirits. Told with rare emotional power, In Bohemia is a meditation on love, family, and community and inspires us to be our best selves.

From roaring nightlife to peaceful yoga retreats, Ibiza’s hippie-chic atmosphere is its hallmark. This quintessential Mediterranean hot spot has served as an escape for artists, creatives, and musicians alike for decades. It is a place to reinvent oneself, to walk the fine line between civilization and wilderness, and to discover bliss. Ibiza Bohemia explores the island’s scenic Balearic cliffs, its legendary cast of characters, and the archetypal interiors that define its signature style.

They ate garlic and didn't always bathe; they listened to Wagner and worshiped Diaghilev; they sent their children to coeducational schools, explored homosexuality and free love, vegetarianism and Post-impressionism. They were often drunk and broke, sometimes hungry, but they were of a rebellious spirit. Inhabiting the same England with Philistines and Puritans, this parallel minority of moral pioneers lived in a world of faulty fireplaces, bounced checks, blocked drains, whooping cough, and incontinent cats. They were the bohemians. Virginia Nicholson -- the granddaughter of painter Vanessa Bell and the great-niece of Virginia Woolf -- explores the subversive, eccentric, and flamboyant artistic community of the early twentieth century in this "wonderfully researched and colorful composite portrait of an enigmatic world whose members, because they lived by no rules, are difficult to characterize" (San Francisco Chronicle).

An intergalactic odyssey of love, ambition, and self-discovery. Orphaned as a boy, raised in the Czech countryside by his doting grandparents, Jakub Prochv°zka has risen from small-time scientist to become the country's first astronaut. When a dangerous solo mission to Venus offers him both the chance at heroism he's dreamt of, and a way to atone for his father's sins as a Communist informer, he ventures boldly into the vast unknown. But in so doing, he leaves behind his devoted wife, Lenka, whose love, he realizes too late, he has sacrificed on the altar of his ambitions. Alone in Deep Space, Jakub discovers a possibly imaginary giant alien spider, who becomes his unlikely companion. Over philosophical conversations about the nature of love, life and death, and the deliciousness of bacon, the pair form an intense and emotional bond. Will it be enough to see Jakub through a clash with secret Russian rivals and return him safely to Earth for a second chance with Lenka? Rich with warmth and suspense and surprise, Spaceman of Bohemia is an exuberant delight from start to finish. Very seldom has a novel this profound taken readers on a journey of such boundless entertainment and sheer fun. "A frenetically imaginative first effort, booming with vitality and originality . . . Kalfar's voice is distinct enough to leave tread marks."-Jennifer Senior, New York Times

In the years following World War I, the New Orleans French Quarter attracted artists and writers with its low rents, faded charm, and colorful street life. By the 1920s Jackson Square had become the center of a vibrant if short-lived bohemia. A young William Faulkner and his roommate William Spratling, an artist who taught at Tulane University, resided among the "artful and crafty ones of the French Quarter." In Dixie Bohemia John Shelton Reed introduces Faulkner's circle of friends -- ranging from the distinguished Sherwood Anderson to a gender-bending Mardi Gras costume designer -- and brings to life the people and places of New Orleans in the Jazz Age. Reed begins with Faulkner and Spratling's self-published homage to their fellow bohemians, "Sherwood Anderson and Other Famous Creoles." The book contained 43 sketches of New Orleans artists, by Spratling, with captions and a short introduction by Faulkner. The title served as a rather obscure joke: Sherwood was not a Creole and neither were most of the people featured. But with Reed's commentary, these profiles serve as an entry into the world of artists and writers that dined on Decatur Street, attended masked balls, and blatantly ignored the Prohibition Act. These men and women also helped to establish New Orleans institutions such as the Double Dealer literary magazine, the Arts and Crafts Club, and Le Petit Theatre. But unlike most bohemias, the one in New Orleans existed as a whites-only affair. Though some of the bohemians were relatively progressive, and many employed African American material in their own work, few of them knew or cared about what was going on across town among the city's black intellectuals and artists. The positive developments from this French Quarter renaissance, however, attracted attention and visitors, inspiring the historic preservation and commercial revitalization that turned the area into a tourist destination. Predictably, this gentrification drove out many of the working artists and writers who had helped revive the area. As Reed points out, one resident who identified herself as an "artist" on the 1920 federal census gave her occupation in 1930 as "saleslady, real estate," reflecting the decline of an active artistic class. A charming and insightful glimpse into an era, Dixie Bohemia describes the writers, artists, poseurs, and hangers-on in the New Orleans art scene of the 1920s and illuminates how this dazzling world faded as quickly as it began.

Berkeley Bohemia highlights the contributions of the eccentric residents of one of America's centers of cultural innovation, during a critical period in the development of the country's radical thought. These writers and artists included Ansel Adams, Jack London, Dorothea Lange, John Muir, Bernard Maybeck, Joaquin Miller, Ina Coolbrith, and Charles and Lousie Keeler and other colorful characters less well known today.Due to its vibrant setting as a crossroads of cultures, Berkeley continues as a fertile ground for individuality, eccentricity, and creative expression. The Berkeley legacy of scholars and visionaries has inspired three generations of men and women, who still make Berkeley a place where ordinary people can flourish creatively, and the extraordinary is welcomed.

"Though Einstein is undoubtedly one of the most important figures in the history of modern science, he was in many respects marginal. Despite being one of the creators of quantum theory, he remained skeptical of it, and his major research program while in Princeton -the quest for a unified field- ultimately failed. In this book, Michael Gordin explores this paradox in Einstein's life by concentrating on a brief and often overlooked interlude: his tenure as professor of physics in Prague, from April of 1911 to the summer of 1912. Though often dismissed by biographers and scholars, it was a crucial year for Einstein both personally and scientifically: his marriage deteriorated, he began thinking seriously about his Jewish identity for the first time, he attempted a new explanation for gravitation-which though it failed had a significant impact on his later work-and he met numerous individuals, including Max Brod, Hugo Bergmann, Philipp Frank, and Arnoést Kolman, who would continue to influence him. In a kind of double-biography of the figure and the city, this book links Prague and Einstein together. Like the man, the city exhibits the same paradox of being both central and marginal to the main contours of European history. It was to become the capital of the Czech Republic but it was always, compared to Vienna and Budapest, less central in the Habsburg Empire. Moreover, it was home to a lively Germanophone intellectual and artistic scene, thought the vast majority of its population spoke only Czech. By emphasizing the marginality and the centrality of both Einstein and Prague, Gordin sheds new light both on Einstein's life and career and on the intellectual and scientific life of the city in the early twentieth century"--

A former resident describes the transformation of Williamsburg, Brooklyn which went from a gritty industrial district, to an artist's colony, to housing members of the dot-com boom, to an area now known for hipster culture and real-estate development.

Bruce Cook of the Washington Post Book World has written that: Bohemia has become an acceptable, even desirable lifestyle all around America, and indeed the world over. But to understand how this happened, how an alternative lifestyle became so mainstream, and also to visit what many consider to be Bohemia's golden age, there is no better source than Gold.