At last, help for writers who can admit they have a problem. Do you get a lift by dangling a participle? Has your punctuation ever caused difficulties at home or at work? Do you consider yourself just a "social misspeller?" These are just a few of the warning signs that you might have an addiction to bad writing. But fear not. This practical guide to eliminating bad writing habits will put you on the path to recovery. Filled with accessible advice and examples, this "powerful 12-step program" identifies the most common writing mistakes and offers simple ways to correct them. Here, you can learn to overcome wordiness, formality, incompleteness, and other problems that stand in the way of clear communication. And as you learn to eliminate ineffective sentences, you'll be "writing off" jargon, mixed metaphors, clichés, and more. The advice in this ingenious and useful book has helped Tom G., Martha D., and Cathy W.* write more clearly, confidently, and persuasively. It can do the same for you - whether you write for school, work, or pleasure. If you've tried other programs, only to fall back on bad habits, let Standard English be your guide. This book will show you how. Get ready to improve your writing skills - one sentence at a time. *their real names

Ben Yagoda's How to Not Write Bad illustrates how we can all write better, more clearly, and for a wider readership. He offers advice on what he calls "not-writing-badly," which consists of the ability, first, to craft sentences that are correct in terms of spelling, diction (word choice), punctuation, and grammar, and that also display clarity, precision, and grace. Then he focuses on crafting whole paragraphs—with attention to cadence, consistency of tone, sentence transitions, and paragraph length. In a fun, comprehensive guide, Yagoda lays out the simple steps we can all take to make our writing more effective, more interesting—and just plain better.

This is not a hoax. Jim Theis was a real person, who wrote The Eye of Argon in all seriousness as a teenager, and published it in a fanzine, Osfan in 1970. But the story did not pass into the oblivion that awaits most amateur fiction. Instead, a miracle happened, and transcribed and photocopied texts began to circulate in science fiction circles, gaining a wide and incredulous audience among both professionals and fans. It became the ultimate samizdat, an underground classic, and for more than thirty years it has been the subject of midnight readings at conventions, as thousands have come to appreciate the negative genius of this amazing Ed Wood of prose.

WULF'S SAGA BEGINS Evil from the dawn of time is on the verge of domination—but Wulf von Dunstig figured none of that mattered to him. What could he do about it? After all, he was basically nobody—the sixteen-year-old third son of a duke destined for an uneventful life as a ranger. But when destiny comes calling, it turns out there is only Wulf to answer. After a devastating invasion of his native land, Wulf must rally the peaceful valley of Shenandoah. He must free his family and his land from the grip of intruders controlled by vampiric evil. It’s time to grow up. It’s time to fight for what is right. It’s time to wield the Dragon Hammer. At the publisher's request, this title is sold without DRM (Digital Rights Management). Lexile Score: 680 About The Dragon Hammer: “A fun and fast-paced adeventure of a young man coming of age in a well-realized Tolkienesque world. The emphasis is on wonder—and courage—though there's plenty of magic also.”—David Drake, author of best-selling Lord of the Isles fantasy series About Tony Daniel: “[D]azzling stuff.”—New York Times Book Review “Remember his name, and keep watching for whatever he does.”—Roger Zelazny “Daniel proves that the Golden Age of science fiction is right here and now.”—Greg Bear About Guardian of Night by Tony Daniel: “[A] large cast of utterly graspable humans . . . .Following in the footsteps of Poul Anderson and Greg Bear, Tony Daniel makes a triumphant return.”—Asimov’s Science Fiction Magazine “. . .an unparalleled success and could easily become a classic in military science fiction. . .Daniel creates. . .believable aliens as well as humans who are all striving for the same goal: capture the Guardian of Night. I was surprised and delighted by the depth of characterization in this book and recommend it to you heartily.”—Galaxy’s Edge About Metaplanetary, by Tony Daniel “[A] panoramic tale of men and women engaged in a war that spans both virtual and normal realities and that calls into question the nature of human intelligence and the price of freedom.”—Library Journal "The best science fiction novel I've read in five years.”—Lucius Shepard About Superluminal, by Tony Daniel “Daniel renders his 31st-century battles and human dilemmas utterly fascinating.”—Washington Post Book World “[T]eems with vivid characters and surprising action.”—Publishers Weekly (starred review) “[B]rilliantly realized. . . the story remains gripping throughout.”—Booklist

"It is said that a Dragon breathes fire. This is a Myth. A Dragon IS Fire and his Whole Life is the Story of his Burning - Page by Blistering Page." Stormfall is a dragon born with a coat the colour of a starry night. When a violent storm strikes his island aerie, he is carried on hurricane winds into the complicated and cruel world of men. There, his journey takes him from fisher dragon to farmer, pit-fighting dragon to warrior, each step leading him closer to a remarkable destiny. But war is coming to Remus and with it, a crossroads for the Night Dragon and the young soul-boy he allows on his back. How far is Stormfall willing to go in a war that is not his own?

In Advice to Writers, Jon Winokur, author of the bestselling The Portable Curmudgeon, gathers the counsel of more than four hundred celebrated authors in a treasury on the world of writing. Here are literary lions on everything from the passive voice to promotion and publicity: James Baldwin on the practiced illusion of effortless prose, Isaac Asimov on the despotic tendencies of editors, John Cheever on the perils of drink, Ivan Turgenev on matrimony and the Muse. Here, too, are the secrets behind the sleight-of-hand practiced by artists from Aristotle to Rita Mae Brown. Sagacious, inspiring, and entertaining, Advice to Writers is an essential volume for the writer in every reader.

In this wickedly humorous manual, language columnist June Casagrande uses grammar and syntax to show exactly what makes some sentences great—and other sentences suck. Great writing isn’t born, it’s built—sentence by sentence. But too many writers—and writing guides—overlook this most important unit. The result? Manuscripts that will never be published and writing careers that will never begin. With chapters on “Conjunctions That Kill” and “Words Gone Wild,” this lighthearted guide is perfect for anyone who’s dead serious about writing, from aspiring novelists to nonfiction writers, conscientious students to cheeky literati. So roll up your sleeves and prepare to craft one bold, effective sentence after another. Your readers will thank you.

NATIONAL BESTSELLER • Soon to be a Hulu Original series • The internationally acclaimed author of Wild collects the best of The Rumpus's Dear Sugar advice columns plus never-before-published pieces. Rich with humor and insight—and absolute honesty—this "wise and compassionate" (New York Times Book Review) book is a balm for everything life throws our way. Life can be hard: your lover cheats on you; you lose a family member; you can’t pay the bills—and it can be great: you’ve had the hottest sex of your life; you get that plum job; you muster the courage to write your novel. Sugar—the once-anonymous online columnist at The Rumpus, now revealed as Cheryl Strayed, author of the bestselling memoir Wild—is the person thousands turn to for advice.

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

Sent into the world of Tiers by a well-meaning doctor in the mental hospital where he is incarcerated, teenage troublemaker Jim Grimson finds himself in a world of fantasy and danger. Philip José Farmer returns to his towering World of Tiers, where immortal Lords fight bloody wars over a host of pocket universes.