Paralyzed from the neck down, Gordon Zahler rose from his deathbed to a fast-talking Hollywood entrepreneur/idea man who traveled the world, lived hard, and chased his dreams to create one of the largest independent post-production shops in Hollywood. This is also a tip of the hat to the man who turned his back on the notion of "I can't."

From its founding as a frontier outpost through its role as the birthplace of a new state during the Civil War and its evolution into a manufacturing center, Wheeling has been home to a fascinating array of personalities. The old legends feature Betty Zane's bold dash to save Fort Henry and Samuel McColloch's daring leap on horseback from Wheeling Hill. Businessmen like Henry Schmulbach and Michael Owens contributed to Wheeling's industrial rise, while Augustus Pollack and Walter Reuther earned fame as friends of labor. And even as notorious men like "Big Bill" Lias capitalized on Wheeling's wide-open ways, community leaders like James "Doc" White worked quietly for racial justice. On local ball fields built in the shadows of steel mills, Wheeling's gritty sports heroes, like Chuck Howley and Rose Gacioch, demonstrated their athletic prowess. Notoriety in the arts was earned through the music of Doc and Chickie Williams and opera star Eleanor Steber as well as the works of writers like Keith Maillard and Marc Harshman, the current West Virginia Poet Laureate.

Wheeling and Dealing is a vivid account of the world inhabited by "wholesale" illicit drug traffickers. Based on six years of participant observation, fieldwork, and extensive interviews in an elite Southern California community of dealers, the book gives a rare glimpse into the decadent yet fascinating "subculture of drug trafficking and unending partying, mixed with occasional cloak-and-dagger subterfuge." This second edition brings the story up to date by revealing the fate of several of Adler's key informants. By tracing their lives over a fifteen-year span, Adler offers a unique longitudinal perspective on deviant careers and the reintegration of dealers into conventional society. She also analyzes the unintended consequences of the federal government's war on drugs, tying it to the increasing violence and organizational sophistication of drug traffickers and the rise of international cartels.

Before his motorcycle accident, Travis saw himself becoming a pro football player. Now, paralyzed from the nipple down, he says, "At times it's a pain in the ass-literally and figuratively. But it allows me to not be as threatening to some people [the way I was when] I was still an athlete. Because a lot of times male interaction is done on the basis of pissing contests: I'm bigger, I'm tougher, I'm stronger, I'm smarter. When you're in a chair, they don't look at you like that." At the same time, Travis complains that many people are uncomfortable interacting with him because of his disability. "I would rather you make a mistake and deal with me than not deal with me at all." Meghan is a high-level quadriplegic, living alone, who uses a power wheelchair and requires daily attendant care. She laments, "There are so many people who think we're asexual, we're not pretty, and we're creeps and weirdoes." To dispel this myth, she envisions a fashion show of women in wheelchairs parading down a runway. Meghan has been involved in a number of sexual relationships since sustaining her injury. While she doesn't think her disability has diminished her sexual pleasure, she feels that it has affected her sexual performance: "Well, you can't move it. You can't, like, bump and grind." In 32 unusually frank in-depth interviews like these, the men and women in this book freely discuss their sex lives, their beliefs about God, how they want others to treat them, and whether they want to walk again. In each chapter the author presents their complex voices and comprehensive research about different facets of spinal cord injury (SCI). Wheeling and Dealing explores the extent to which people with spinal cord injury locate their challenges in their physical impairments or in the social environment. Some disagree with those disability activists who focus almost exclusively on the latter, but the author examines this issue in depth. Topics include: --Physical health from degrees of loss of function to problems like pressure sores, temperature regulation, and bladder control. --The stages of psychological adjustment and rehabilitation. --Obstacles to sexual intimacy, treatment of erectile dysfunction, and new sources of sexual pleasure and emotional intimacy. --Religion and spirituality. --Social and political beliefs, with those with SCI weighing in on everything from welfare services to embryonic stem cell research. --Dating, marriage, and parenting. --Friendship networks and social supports; concerns about transportation and accessibility; stigma. --Education, employment, and economic consequences. This book is the recipient of the 2004 Norman L. and Roselea J. Goldberg Prize from Vanderbilt University Press for the best project in the area of medicine.

In his tenth collection of poetry, Franz Wright gives us an exquisite book of reconciliation with the past and acceptance of what may come in the future. From his earliest years, he writes in “Will,” he had “the gift of impermanence / so I would be ready, / accompanied / by a rage to prove them wrong / . . . and that I too was worthy of love.” This rage comes coupled with the poet’s own brand of love, what he calls “one / strange alone / heart’s wish / to help all / hearts.” Poetry is indeed Wright’s help, and he delivers it to us with a wry sense of the daily in America: in his wonderfully local relationship to God (whom he encounters along with a catfish in the emerald shallows of Walden Pond); in the little West Virginia motel of the title poem, on the banks of the great Ohio River, where “Tammy Wynette’s on the marquee” and he is visited by the figure of Walt Whitman, “examining the tear on a dead face.” Here, in Wheeling Motel, Wright’s poetry continues to surprise us with its frank appraisal of our soul, and with his own combustible loneliness and unstoppable joy.

Ted Kooser sees a writerOCOs workbooks as the stepping-stones on which a poet makes his way across the stream of experience toward a poem. Because those wobbly stones are only inches above the quotidian rush, whatOCOs jotted there has an immediacy that is intimate and close to life. Kooser, winner of the Pultizer Prize and a former U.S. poet laureate, has filled scores of workbooks. "The Wheeling Year" offers a sequence of contemplative prose observations about nature, place, and time arranged according to the calendar year. Written by one of AmericaOCOs most beloved poets, this book is published in the year in which Kooser turns seventy-five, with sixty years of workbooks stretching behind him. a"

The history of Wheeling and Ohio County is both eclectic and engaging. Beginning in the colonial era when the legendary Betty Zane saved Fort Henry from an Indian attack by hiding gunpowder in her skirt, Wheeling eventually emerged as an important link between Eastern cities and the rest of the United States. The Wheeling Suspension Bridge, the Old National Road, and the B&O Railroad all passed through the bustling Ohio County. Over the years, Wheeling has been labeled everything from "Victorian Wheeling" to "Sintown USA," and these monikers represent the diverse qualities of a town molded and shaped by the steel, coal, tobacco, and transportation industries. Whether residents and visitors frequented the impressive Victorian mansions or Wheeling's infamous brothel district, they always had something to write home about. The incomparable collection showcased in this book spans five decades and was begun and continued by the Carney family.

Over the last five decades, the films of director Brian De Palma (b. 1940) have been among the biggest successes (The Untouchables; Mission: Impossible) and the most high-profile failures (The Bonfire of the Vanities) in Hollywood history. De Palma helped launch the careers of such prominent actors as Robert De Niro, John Travolta, and Sissy Spacek (who was nominated for an Academy Award as Best Actress in Carrie). Indeed, Quentin Tarantino named Blow Out as one of his top three favorite films, praising De Palma as the best living American director. Picketed by feminists protesting its depictions of violence against women, Dressed to Kill helped to create the erotic thriller genre. Scarface, with its over-the-top performance by Al Pacino, remains a cult favorite. In the twenty-first century, De Palma has continued to experiment, incorporating elements from videogames (Femme Fatale), tabloid journalism (The Black Dahlia), YouTube, and Skype (Redacted and Passion) into his latest works. What makes De Palma such a maverick even when he is making Hollywood genre films? Why do his movies often feature megalomaniacs and failed heroes? Is he merely a misogynist and an imitator of Alfred Hitchcock? To answer these questions, author Douglas Keesey takes a biographical approach to De Palma's cinema, showing how De Palma reworks events from his own life into his films. Written in an accessible style and including a chapter on every one of his films to date, this book is for anyone who wants to know more about De Palma's controversial films or who wants to better understand the man who made them.

The 60-acre campus of Wheeling Jesuit University is located in the eastern suburbs of Wheeling, West Virginia. Originally named Wheeling College, it is the youngest of the 28 Jesuit colleges and universities in the United States. John Swint, bishop of the Diocese of Wheeling-Charleston, and the Jesuits founded Wheeling College as a traditional, coeducational, liberal arts institution. In time, faculty and students became quite diverse, and programs of study proliferated. The institution added "Jesuit" to its name in 1988 to become Wheeling Jesuit College and, eight years later, became a university and modified its name accordingly. In 1994, the board of directors approved a mission statement that calls on Wheeling Jesuit University to educate men and women for life, leadership, and service with and among others.