Another storm is on the horizon for the Reynolds women. And the only way out is to go through it. Good things never happen in November—at least not for the Reynolds women. It was the month they lost their patriarch. And the month when fourteen-year-old Trinity went missing during a tropical storm. So Hope Reynolds isn’t surprised when it becomes the month she walks in on her boyfriend kissing another woman. Or when she receives a panicked call from her mother about a mistake that could cost the family their treasured beach house. Meanwhile, Faith Reynolds-Phillips is facing her own financial struggles. She’s also looking down the barrel of divorce and raising a daughter who reminds her so much of her younger sister, Trinity, that sometimes it physically hurts. The last place Hope and Faith want to be is in Hallelujah, South Carolina, during hurricane season. Going home will force them to confront the secrets that have torn their family apart. But if they can survive another storm, they’ll have a chance to rebuild on a new foundation—the truth. In the latest novel from prolific writer Vanessa Miller, three women must find the strength to endure the storm and the faith to believe in a miracle. “A heartwarming, page-turning, beautiful story about family secrets, mother-daughter relationships, forgiveness, and restored faith.” —Kimberla Lawson Roby, New York Times bestselling author Inspiring contemporary fiction Stand-alone novel Includes discussion questions for book clubs Other books by Vanessa Miller: Something Good

Praised as "brilliantly revelatory...a masterful work of critical journalism" (Kirkus Reviews, starred review), The Holy or the Broken is the fascinating account of one of the most-performed rock songs in history--Leonard Cohen's heartrending "Hallelujah." How did one obscure song become an international anthem for human triumph and tragedy, a song each successive generation seems to feel they have discovered and claimed as uniquely their own? Celebrated music journalist Alan Light follows the improbable journey of "Hallelujah" straight to the heart of popular culture.

Brings to life a passionate poet-turned-musician and what compels him and his work. Why is it that Leonard Cohen receives the sort of reverence we reserve for a precious few living artists? Why are his songs, three or four decades after their original release, suddenly gracing the charts, blockbuster movie sound tracks, and television singing competitions? And why is it that while most of his contemporaries are either long dead or engaged in uninspired nostalgia tours, Cohen is at the peak of his powers and popularity? These are the questions at the heart of A Broken Hallelujah, a meditation on the singer, his music, and the ideas and beliefs at its core. Granted extraordinary access to Cohen’s personal papers, Liel Leibovitz examines the intricacies of the man whose performing career began with a crippling bout of stage fright, yet who, only a few years later, tamed a rowdy crowd on the Isle of Wight, preventing further violence; the artist who had gone from a successful world tour and a movie star girlfriend to a long residency in a remote Zen retreat; and the rare spiritual seeker for whom the principles of traditional Judaism, the tenets of Zen Buddhism, and the iconography of Christianity all align. The portrait that emerges is that of an artist attuned to notions of justice, lust, longing, loneliness, and redemption, and possessing the sort of voice and vision commonly reserved only for the prophets. More than just an account of Cohen’s life, A Broken Hallelujah is an intimate look at the artist that is as emotionally astute as it is philosophically observant. Delving into the sources and meaning of Cohen’s work, Leibovitz beautifully illuminates what Cohen is telling us and why we listen so intensely.

“Anne Lamott is my Oprah.” —Chicago Tribune The New York Times bestseller from the author of Dusk, Night, Dawn, Almost Everything and Bird by Bird, a powerful exploration of mercy and how we can embrace it. "Mercy is radical kindness," Anne Lamott writes in her enthralling and heartening book, Hallelujah Anyway. It's the permission you give others—and yourself—to forgive a debt, to absolve the unabsolvable, to let go of the judgment and pain that make life so difficult. In Hallelujah Anyway: Rediscovering Mercy Lamott ventures to explore where to find meaning in life. We should begin, she suggests, by "facing a great big mess, especially the great big mess of ourselves." It's up to each of us to recognize the presence and importance of mercy everywhere—"within us and outside us, all around us"—and to use it to forge a deeper understanding of ourselves and more honest connections with each other. While that can be difficult to do, Lamott argues that it's crucial, as "kindness towards others, beginning with myself, buys us a shot at a warm and generous heart, the greatest prize of all." Full of Lamott’s trademark honesty, humor and forthrightness, Hallelujah Anyway is profound and caring, funny and wise—a hopeful book of hands-on spirituality.

When three women find their lives inextricably linked after a terrible mistake, they must work together to make the most of their futures. Alexis Marshall never meant to cause the accident that left Jon-Jon Robinson paralyzed—but though guilt plagues her, her husband hopes to put the past behind them. After all, he’s in the middle of selling a tech business—and if Alexis admits to texting while driving, the deal could collapse and cost them millions. Meanwhile, Alexis’s life is not as shiny and perfect as it may seem from the outside. She has secrets of her own. As she becomes consumed with thoughts of the young man she hit, can she reconcile her mistake with her husband’s expectations? Trish Robinson is just trying to hold it together after the accident that left Jon-Jon dependent and depressed. As the bills pile up, Trish and her husband, Dwayne, find themselves at odds. Trish wants to forgive and move on, but Dwayne is filled with rage toward the entitled woman who altered their lives forever. Trish can’t see how anything good can come from so much hate and strife, so she determines to pray until God intervenes. Then one afternoon Marquita Lewis rings their doorbell with a baby in her arms and changes everything. Vanessa Miller’s latest inspirational novel reminds readers that differences may separate us, but if we cling to each other, God can bring something good out of our very worst moments. Praise for Something Good: “This real-to-life story doesn't shy away from some hard issues of the modern world, but Miller is a master storyteller, who brings healing and redemption to her characters, and thus the reader, through the power of love and faith. I thoroughly enjoyed this book.” —Rachel Hauck, New York Times bestselling author Inspiring contemporary fiction Stand-alone novel Includes discussion questions for book clubs

If you had told Caryn Dahlstrand Rivadeneira while she was crying on the kitchen floor that she could find a way to praise God in this situation, she wouldn’t have believed you. In fact, she might have thrown something at you. Looking around at a life that was disappointingly different from what she’d dreamed, she couldn’t imagine honestly singing out a hallelujah. But then it occurred to her that, well, maybe she could manage to grumble one. Have you been there? During life’s lowest moments, it is so tempting to blame ourselves, our circumstances, or God. But what would happen if we turned to God and managed to praise him instead, in whatever way we could? Might he show up and help us find the things in our lives that he made to be loved? Grumble Hallelujah offers humor, candid stories, and solid scriptural backing that will help you see clearly just how your life is meant to be lived—and loved.

The New Edition of Hallelujah is the remarkable story of one of the greatest events in musical history, the creation of of George Frederic Handel's masterpiece, Messiah. Composed in just twenty-four days, Handel's "Grand Oratorio which rendered him immortal" was birthed in the darkest and most desperate hours of his life. His health was failing. Critics ridiculed him. Creditors hounded him. Friends betrayed him. Pride had nearly destroyed him. Yet, out of Handel's night emerged the dawn of Messiah. Anyone who has thrilled at hearing the Hallelujah Chorus will feel "profound attachment" to Handel's story of hope and redemption as timeless and poignant as the music itself.

“A masterful debut” that follows four generations of Cherokee women across four decades—from the Plimpton Prize–winning author (Sarah Jessica Parker). It’s 1974 in the Cherokee Nation of Oklahoma and fifteen-year-old Justine grows up in a family of tough, complicated, and loyal women, presided over by her mother, Lula, and Granny. After Justine’s father abandoned the family, Lula became a devout member of the Holiness Church—a community that Justine at times finds stifling and terrifying. But Justine does her best as a devoted daughter, until an act of violence sends her on a different path forever. Crooked Hallelujah tells the stories of Justine—a mixed-blood Cherokee woman—and her daughter, Reney, as they move from Eastern Oklahoma’s Indian Country in the hopes of starting a new, more stable life in Texas amid the oil bust of the 1980s. However, life in Texas isn’t easy, and Reney feels unmoored from her family in Indian Country. Against the vivid backdrop of the Red River, we see their struggle to survive in a world—of unreliable men and near-Biblical natural forces, like wildfires and tornados—intent on stripping away their connections to one another and their very ideas of home. In lush and empathic prose, Kelli Jo Ford depicts what this family of proud, stubborn, Cherokee women sacrifices for those they love, amid larger forces of history, religion, class, and culture. This is a big-hearted and ambitious novel of the powerful bonds between mothers and daughters by an exquisite and rare new talent. “A compelling journey through the evolving terrain of multiple generations of women.” —The Washington Post

In order for twenty-first century readers to properly understand Revelation, we have to look at it through first century eyes. Their understanding of the book frames our understanding. Start with the assumption that the last book of the Bible is exactly what it purports to be - a revelation, not a mystery. Add to that assumption the fact that it was written by a first century author and that it was originally read by first century readers who were expected to understand and obey the message contained in it. Take into consideration their first century frame-of-reference and the authors familiarity with the Old Testament. Wrap that all up in the popular apocalyptic literary genre of its day with its pervasive use of symbolism. That mixture of elements is what gave rise to the Book of Revelation.

On a sweltering September night, Long Beach Homicide Detective Danny Beckett is called to a grisly crime scene at the mouth of the Los Angeles River. A defenseless homeless man has been burned to death by three teenagers with gang ties. The suspects are already in custody, and the evidence is overwhelming--but when one suspect's brother is targeted for murder, Danny starts to think there may be more to this seemingly clear-cut case. Obsessed with discovering the true identity of the victim, a gentle vagrant who may have been hiding a tortured past, Danny and his team start to uncover a high-reaching conspiracy that puts them all at risk--and threatens to open new wounds that could cut even deeper than Danny's old ones.