What the Water Gave Me contains fifty-two poems in the voice of the Mexican painter Frida Kahlo. Some of the poems are close interpretations of Kahlo's work, while others are parallels or version homages where Petit draws on her experience as a visual artist to create alternative 'paintings' with words. More than just a verse biography, this collection explores how Kahlo transformed trauma into art after the artist's near-fatal bus accident. Petit, with her vivid style, her feel for nature and her understanding of pain and redemption, fully inhabits Kahlo's world. Each poem is an evocation of 'how art works on the pain spectrum', laced with splashes of ferocious colour. 'Their apparent shared sensibility makes the ventriloquism of these poems entirely unforced, and while Kahlo's voice is subtly distinguished from Petit's own, both women have a way of taking painful, private experiences and transmuting them, through imagery, into something that has the power of folklore. They capture the unsettling spirit of Frida Kahlo and her work perfectly.' Poetry London 'No other British poet I am aware of can match the powerful mythic imagination of Pascale Petit.' Les Murray Times Literary Supplement

Shortlisted for the 2001 T.S. Eliot Prize, this unique collection centres on a daughter's fraught relationship with her dying father, a man whose legacy to her was violence and abandonment. Rich in the imagery of the Amazonian jungle (fire ants, shaman masks, hummingbirds, shrunken heads, jaguars) these poems at once ward off and redeem the father through myriad transformations. In contrast, 'The Vineyard' series is inspired by the author's mother and by "...the last piece of wild land, / left to me by accident, by dream" - a family vineyard in France. These intense, vibrant and fiercely felt poems are sure to evoke strong responses in readers. Refusing oblique irony, quotidian props, cant or any pretensions to urban hipness, Pascale Petit takes considerable risks. With fierce courage, she not only survives the brutal facts of her past, but transmutes them, through vivid imagination, into art. The Zoo Father is a Poetry Book Society Recommendation.

A love story told in the form of an auction catalog. Auction catalogs can tell you a lot about a person -- their passions and vanities, peccadilloes and aesthetics; their flush years and lean. Think of the collections of Jacqueline Kennedy Onassis, Truman Capote, the Duke and Duchess of Windsor. In Leanne Shapton's marvelously inventive and invented auction catalog, the 325 lots up for auction are what remain from the relationship between Lenore Doolan and Harold Morris (who aren't real people, but might as well be). Through photographs of the couple's personal effects -- the usual auction items (jewelry, fine art, and rare furniture) and the seemingly worthless (pajamas, Post-it notes, worn paperbacks) -- the story of a failed love affair vividly (and cleverly) emerges. From first meeting to final separation, the progress and rituals of intimacy are revealed through the couple's accumulated relics and memorabilia. And a love story, in all its tenderness and struggle, emerges from the evidence that has been left behind, laid out for us to appraise and appreciate. In an earlier work, Was She Pretty?, Shapton, a talented artist and illustrator, subtly explored the seemingly simple yet powerfully complicated nature of sexual jealousy. In Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris—a very different yet equally original book—she invites us to contemplate what is truly valuable, and to consider the art we make of our private lives.

Mama Amazonica is set in a psychiatric ward and in the Amazon rainforest, an asylum for animals on the brink of extinction. It reveals the story of Pascale Petit's mentally ill mother and the consequences of abuse. The mother transforms into a giant Victoria amazonica waterlily, and a bestiary of untameable creatures - a jaguar girl, a wolverine, a hummingbird - as she marries her rapist and gives birth to his children. From heartbreaking trauma, there emerge luxuriant and tender portraits of a woman battling for survival, in poems that echo the plight of others under duress, and of our companion species. Petit does not flinch from the violence but offers hope by celebrating the beauty of the wild, whether in the mind or the natural world. Mama Amazonica is Pascale Petit's seventh collection, and her first from Bloodaxe. Four of Pascale Petit's previous six collections have been shortlisted for the T.S. Eliot Prize. Mama Amazonica won the Royal Society of Literature's Ondaatje Prize 2018 - the first time a poetry book has won this prize for a work of fiction, non-fiction or poetry best evoking the spirit of a place, was shortlisted for the Roehampton Poetry Prize 2018, and was the Poetry Book Society Choice for autumn 2017.

Well known for the fierce confessional imagery of her first three books, The Treekeeper's Tale points towards another facet of the poet's gift, an intense feeling for the natural world, allied with a personal response to historical incidents and to other lands. The title section of this four-part collection adopts the giant coast redwood trees in California as a particular talisman. Lyrical, resonant, strange and imaginative, these poems echo in the mind and leave an indelible impression of the mysterious atmosphere of the redwood forests. The second section, 'Afterlives', takes us on journeys to the past, as in the burial of a Siberian priestess, and on trips to other places including China, Nepal and Kazakhstan. The colourful paintings of the German expressionist Franz Marc, such as the famous red and blue horses series, provide the key to the third section, War Horse, where dramatic imagery of the horses blends and contrasts with the tragic fate of Europe during World War One. The final part, 'The Chrysanthemum Lantern', features sensitive translations from Chinese originals.

One of Mexico’s most celebrated new novelists, F. G. Haghenbeck offers a beautifully written reimagining of Frida Kahlo’s fascinating life and loves. When several notebooks were recently discovered among Frida Kahlo’s belongings at her home in Coyoacán, Mexico City, acclaimed Mexican novelist F. G. Haghenbeck was inspired to write this beautifully wrought fictional account of her life. Haghenbeck imagines that, after Frida nearly died when a streetcar’s iron handrail pierced her abdomen during a traffic accident, she received one of the notebooks as a gift from her lover Tina Modotti. Frida called the notebook “The Hierba Santa Book” (The Sacred Herbs Book) and filled it with memories, ideas, and recipes. Haghenbeck takes readers on a magical ride through Frida’s passionate life: her long and tumultuous relationship with Diego Rivera, the development of her art, her complex personality, her hunger for experience, and her ardent feminism. This stunning narrative also details her remarkable relationships with Georgia O’Keeffe, Leon Trotsky, Nelson Rockefeller, Ernest Hemingway, John Dos Passos, Henry Miller, and Salvador Dalí. Combining rich, luscious prose with recipes from “The Hierba Santa Book,” Haghenbeck tells the extraordinary story of a woman whose life was as stunning a creation as her art.

The renowned poet and author of The Handmaid's Tale "brings a swift, powerful energy" to this "intimate and immediate" poetry collection (Publishers Weekly). These beautifully crafted poems -- by turns dark, playful, intensely moving, tender, and intimate -- make up Margaret Atwood's most accomplished and versatile gathering to date, setting foot on the middle ground / between body and word. Some draw on history, some on myth, both classical and popular. Others, more personal, concern themselves with love, with the fragility of the natural world, and with death, especially in the elegiac series of meditations on the death of a parent. But they also inhabit a contemporary landscape haunted by images of the past. Generous, searing, compassionate, and disturbing, this poetry rises out of human experience to seek a level between luminous memory and the realities of the everyday, between the capacity to inflict and the strength to forgive.

Lyrics and never-before-seen poetry and sketches from the iconic musician of Florence and the Machine Songs can be incredibly prophetic, like subconscious warnings or messages to myself, but I often don't know what I'm trying to say till years later. Or a prediction comes true and I couldn't do anything to stop it, so it seems like a kind of useless magic.

*'The Republic of Motherhood' Winner of the Forward Prize for Best Single Poem* ‘I crossed the border into the Republic of Motherhood and found it a queendom, a wild queendom.’ In this bold and resonant gathering of poems, Liz Berry turns her distinctive voice to the transformative experience of new motherhood. Her poems sing the body electric, from the joy and anguish of becoming a mother, through its darkest hours to its brightest days. With honesty and unabashed beauty, they bear witness to that most tender of times – when a new life arrives, and everything changes.

Art and Artists: Poems is a sumptuous collection of visions in verse—the work of centuries of poets who have used their own art form to illuminate art created by others. A wide variety of visual art forms have inspired great poetry, from painting, sculpture, and photography to tapestry, folk art, and calligraphy. Included here are poems that celebrate Leonardo da Vinci’s Mona Lisa, Claude Monet’s Water Lilies, and Grant Wood’s American Gothic. Here are such well-known poems as John Keats’s “Ode on a Grecian Urn” and W. H. Auden’s “Musée des Beaux Arts,” Homer’s immortal account of the forging of the shield of Achilles, and Federico García Lorca’s breathtaking ode to the surreal paintings of Salvador Dalí. Allen Ginsberg writes about Cezanne, Anne Sexton about van Gogh, Billy Collins about Hieronymus Bosch, and Kevin Young about Jean-Michel Basquiat. Here too are poems that take on the artists themselves, from Michelangelo and Rembrandt to Frida Kahlo and Georgia O’Keeffe. Altogether, this brilliantly curated anthology proves that a picture can be worth a thousand words—or a few very well-chosen ones.