In What the Single Eye Sees: Faith, Hope, Charity & the Pursuit of Discipleship, Dr. Joseph Q. Jarvis draws on a lifetime of leadership, service, and scripture study to reveal spiritual insights we've never considered before--teaching us how to explore what Christ's call to discipleship really means and how following that call deepens our relationship with the Savior. If you are searching for answers, peace, and communion with the divine, then digging deep into your discipleship is key. In What the Single Eye Sees, you'll - Explore the power of faith, hope, and charity - Examine the energy involved in true consecration - Discover how to obtain the influence of the Spirit Within these pages, Dr. Jarvis illustrates how developing Christlike traits with an eye single to God's glory elevates us and brings us to really know our Lord, who truly understands the confusion, suffering, unfairness, and essential aloneness of mortality. Indeed, the Savior is ideally situated to strengthen, enlighten, and preserve the best in us. When He tells us His "grace is sufficient" (2 Corinthians 12:9), we know that through Him we can have peace and purpose in this life, and ultimately, life everlasting. Begin your journey toward a deepened spiritual experience today: start reading and discover how to turn your eye to the Lord and partake of His glory and grace.

Eyes were one of the very first body parts to evolve more than 500 million years ago, and their structure has remained virtually unchanged through most of evolutionary history. But eyes alone were never enough for Homo sapiens. From the mastery of fire a million years ago to the smartphone today, humans have repeatedly invented new ways to see their surroundings, each other and themselves. Artificial light, art, mirrors, writing, lenses, printing, photography, film, television, smartphones – these tools didn't just add to our visual repertoire, they shaped cultures around the world and made us who we are. Drawing on sources from anthropology to zoology, neuroscience to Netflix, As Far As the Eye Can See traces the history of seeing from the first evolutionary stirrings of sight and discovers that each time we changed how or what we see, we changed ourselves and the world around us. Along the way, it finds, sight slowly eclipsed our other senses. Are we now at 'peak seeing', the author asks. Can our eyes keep up with technology? Have we gone as far as the eye can see?

Originally published: The Buddhist Society, 1961.

In these linked stories Jewel navigates the stage of life between 25 and 45, from the day she finds a body on a wild California beach to crossroads encounters with mystics, lovers, beggars, surgeons, and sailors on the shores of Maui and streets of San Miguel de Allende, Lisbon, Larkspur, Mill Valley, and Barcelona. Falling in love, whether with the one she marries, her newborn babies, total strangers, or the places she goes, calls forth conflicting sensations: ease/excitement, pleasure/danger, attachment/release. One eye sees and the other is blind as Jewel learns to love and grieve by staying in motion, finding and losing her way in the crowds and landscapes, heart cracked open.

The end of the eighteenth century saw the start of a new craze in Europe: tiny portraits of single eyes that were exchanged by lovers or family members. Worn as brooches or pendants, these minuscule eyes served the same emotional need as more conventional mementoes, such as lockets containing a coil of a loved one’s hair. The fashion lasted only a few decades, and by the early 1800s eye miniatures had faded into oblivion. Unearthing these portraits in Treasuring the Gaze, Hanneke Grootenboer proposes that the rage for eye miniatures—and their abrupt disappearance—reveals a knot in the unfolding of the history of vision. Drawing on Alois Riegl, Jean-Luc Nancy, Marcia Pointon, Melanie Klein, and others, Grootenboer unravels this knot, discovering previously unseen patterns of looking and strategies for showing. She shows that eye miniatures portray the subject’s gaze rather than his or her eye, making the recipient of the keepsake an exclusive beholder who is perpetually watched. These treasured portraits always return the looks they receive and, as such, they create a reciprocal mode of viewing that Grootenboer calls intimate vision. Recounting stories about eye miniatures—including the role one played in the scandalous affair of Mrs. Fitzherbert and the Prince of Wales, a portrait of the mesmerizing eye of Lord Byron, and the loss and longing incorporated in crying eye miniatures—Grootenboer shows that intimate vision brings the gaze of another deep into the heart of private experience. With a host of fascinating imagery from this eccentric and mostly forgotten yet deeply private keepsake, Treasuring the Gaze provides new insights into the art of miniature painting and the genre of portraiture.

After a terrifying stunt gone wrong leaves her plummeting into the tops of forest trees, a shaken Darcy Lott is dispatched by her Zen master to a remote monastery in California's redwood forest to face her worst fear — but also to deliver a message. This monastery has its own secrets. A student has disappeared and is feared dead. The leader of the monastery, Leo, Garson-roshi, is soon to leave under mysterious circumstances, and Darcy fears that trusting the likeable Leo will lead her into further danger. Yet, as Darcy struggles with her phobia, she becomes drawn further into this mystery, one she learns she must solve it in order to get out alive.

Eye Was There is created specifically for any person who is considering having an eye surgically removed or is coping with the loss of an eye. It is also created for that persons caretakers, family members and friends. There are limited sources of information, outside of a doctors office, from which a patient can learn about what to expect before, during, and after the surgery to remove an eye. The doctor or the doctors staff might not have the time to handle the variety of questions that are commonly asked. Many of the questions arise after the patient has left the doctors office. Eye Was There is intended to serve as a source of information regarding the preoperative, surgical and postoperative options surrounding the loss of an eye. It explains the most common surgical procedures performed to remove an eye and the potential complications that can occur after surgery. It details some of the medical conditions leading up to the removal of an eye. It describes the emotional and psychological steps that are experienced when dealing with the loss of an eye. It contains historic and current information on the manufacturing and fabrication of artificial eyes and orbital prostheses. It provides instruction and advice regarding the care and handling of the artificial eyes and orbital prostheses that are worn after surgery. The book is meant to give a positive perspective of dealing with life after the loss of an eye.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

How do women writers cope with changes and juggle the demands in their already full lives to make time for their lives as artists? In this anthology, noted female novelists, journalists, essayists, poets, and nonfiction writers address the old and new challenges of "doing it all" that face women writers as the twenty-first century approaches. With eloquence, sensitivity, and more than a touch of wry humor, Sleeping with One Eye Open relates positive stories from women who lead effective lives as artists, emphasizing how sources of inspiration, discipline, resourcefulness, and determination help them succeed despite the obstacle of "no time." The title essay, Judith Ortiz Cofer's "The Woman Who Slept with One Eye Open," defines the collection. Cofer relates the ways in which a mythological story from her Puerto Rican culture gave her confidence and courage, encouraging her creative success and emphasizing the rewards of "women's power" and personal strength. Denise Levertov's "The Vital Necessity" urges poets to make time for daydreams--essential, empowering creative food. Tillie Olsen offers a frank discussion of the pressures of work and expectations that too often sap creative energy. Tess Gallagher connects her mother's creative gardening with her own inspiration as a poet and the need for growth in her writing. Marilyn Kallet's interview with Lucille Clifton relates the personal strength that helped Clifton raise six children and publish her first book at the same time. This affirming collection offers a wealth of writing advice, given through honest accounts of perseverance and accomplishment.