The increasing role of forensic science in solving murders is revealed in this collection of 16 true-crime stories that confounded authorities until forensic clues led investigators to shocking truths. Details of cases solved with DNA samples, blood spatters, microbes, and psychological profiling are also presented. Martin's Press.

This story unfolds like a mystery thriller...the action-packed, true, gripping account of the settleing down of planet Earth AFTER THE TOTAL WORLD WIPEOUT...and its effects upon human history. The Corpse Came Back! begins with the handful of refugees on board their survival vessel - the ship of Noah - and their journey into the unknown, new world. Of course, the skeptics will have their questions, such as: If the Ark floated above the mountains, however could they breathe in that high-altitude rarified atmosphere? How could the frail, timid platypus have migrated to Australia from Ararat? Surely marsupials must be an isolated evolutionary development - since their fossils are found nowhere else? Amazing scientific evidence that our biggest mountain ranges are barely 4,000+ years old. Was the Ice Age triggered by HEAT??? Why did civilization BEGIN in the mountains - instead of in the easily cultivated valleys and plains? Grand Canyon explorations - are there really ancient Egyptian remains in off-limits tunnels? The strange origin of the alphabet and much more!

A town historian is dead—and there may be ties to an old cold case—in this clever mystery starring a professional pet-treat baker. Kristan “Stan” Connor is thrilled to be invited to the Groundhog Day festivities in quirky Frog Ledge, Connecticut. Her organic, home-baked pet treats are a big hit at the annual celebration, though an important guest is curiously absent . . . When Helga Oliver, the town’s elderly historian, is found crumpled in the basement of the Historical Museum, the close-knit town is devastated. But after some tenacious digging, Stan discovers Helga was pushed down the stairs—and that this picture-perfect New England town may hide some dark secrets. Stan’s dogged determination reveals Helga’s ties to an unsolved death in 1948 . . . but how does that connect to Adrian Fox, who’s just arrived in town to shoot an episode of Celebrity Ghost Hunters? Stan is going to have to be very careful in chasing down the killer—if she wants to live to see another winter . . . Includes Gourmet Pet Food Recipes!

An NYRB Classics Original Winner of the 2014 PEN Translation Prize Winner of the 2014 Read Russia Prize The stakes are wildly high in Sigizmund Krzhizhanovsky’s fantastic and blackly comic philosophical fables, which abound in nested narratives and wild paradoxes. This new collection of eleven mind-bending and spellbinding tales includes some of Krzhizhanovsky’s most dazzling conceits: a provincial journalist who moves to Moscow finds his existence consumed by the autobiography of his room’s previous occupant; the fingers of a celebrated pianist’s right hand run away to spend a night alone on the city streets; a man’s lifelong quest to bite his own elbow inspires both a hugely popular circus act and a new refutation of Kant. Ordinary reality cracks open before our eyes in the pages of Autobiography of a Corpse, and the extraordinary spills out.

“Deliciously macabre and utterly decadent.” —Kerri Maniscalco, #1 New York Times bestselling author of Stalking Jack the Ripper In this dark and twisty feminist historical mystery, a teenage girl starts a new life as a grave robber but quickly becomes entangled in a murderer's plans. Soon after her best friend Kitty mysteriously dies, orphaned seventeen-year-old Molly Green is sent away to live with her "aunt." With no relations that she knows of, Molly assumes she has been sold as a maid for the price of an extra donation in the church orphanage's coffers. Such a thing is not unheard of. There are only so many options for an unmarried girl in 1850s Philadelphia. Only, when Molly arrives, she discovers her aunt is very much real, exceedingly wealthy, and with secrets of her own. Secrets and wealth she intends to share—for a price. Molly's estranged aunt Ava, has built her empire by robbing graves and selling the corpses to medical students who need bodies to practice surgical procedures. And she wants Molly to help her procure the corpses. As Molly learns her aunt's trade in the dead of night and explores the mansion by day, she is both horrified and deeply intrigued by the anatomy lessons held at the old church on her aunt's property. Enigmatic Doctor LaValle's lessons are a heady mixture of knowledge and power and Molly has never wanted anything more than to join his male-only group of students. But the cost of inclusion is steep and with a murderer loose in the city, the pursuit of power and opportunity becomes a deadly dance.

A macabre discovery in the All Saints' parish graveyard leads Superintendent Alan Markby and his friend, foreign office official Meredith Mitchell, to the dark secret behind the mysterious disappearance of a teenage girl twelve years earlier. The vicar of Bamford, Maurice Appleton, knew he was a dying man. When he discovered traces of a strange, unauthorized ritual in his church, he pleaded with parishioners to say nothing about the black-swathed candle and the flowers anonymously placed on the altar. For twelve years, the incident was forgotten. Then, one unseasonably chilly summer's day, a corpse is unearthed in the Gresham family plot. The remains are too shallowly buried to have been legitimately interred and too recent to be those of the last Gresham laid to rest. For Superintendent Markby, newly returned to his old haunts, the challenge of the unsolved crime proves irresistible. Suddenly, his plans for a long-awaited holiday with Meredith are in jeopardy. When the body is identified as that of a local teenager, Kimberley Oates, who was reported missing at the time of the mysterious burial, Markby's mind is made up. To Meredith's secret relief, the holiday is canceled. She finds herself with more time than usual for village chat - and for a dinner party with the local MP that reveals more than either he or his formidable mother would like about his connection to the dead girl.

Accidents happen. But so does murder... On the night of August 11, 1956, in a quiet East Hampton hamlet, Jackson Pollock crashed his car into a tree. The accident killed Pollock, the world-renowned abstract painter and notorious alcoholic, and his 25-year old passenger, Edith Metzger...or did it? Metzger's autopsy reveals that she was already dead before the crash. Was it murder? This shocking question draws vacationing Detective Juanita Diaz and her husband, Captain Brian Fitzgerald, of the NYPD into a homicide investigation that implicates famous members of East Hampton's art community—including Pollock himself. "Edifying and juicy."—Newsday

This compelling book brings together physicians, artists, and scholars of film, literature, philosophy, art, and politics to discuss the representation of the corpse in Western culture. Spanning a timeline from the Renaissance to the present, these essays introduce readers to a modern autopsy, a public execution and dissection in seventeenth-century England, the genre of postmortem photography, the corpse as artist's model, images of dead women in such popular films as Copycat and The Silence of the Lambs, and post-mortem scenes in the works of Flaubert, Balzac, Andres Serrano, and others.

The problem of antiblack racism has a long history in the world, with as long a history of thinkers writing and theorizing against it. Few philosophers have opposed institutionalized racialism as vehemently as Jean-Paul Sartre, both in his intellectual work and in his political action. This book argues that not only does a relationship exists between Sartre’s existentialist philosophy and antiracism but also, more profoundly, that it is precisely his existential ontology that informs his anti-racist social and political commitments. He sought to examine the complexity of our existence as conscious bodies and thus provides the ontological basis for understanding the situation of a black person in an antiblack world. This book is about how Sartre’s philosophy – especially his early writings – can be applied to address the problem of racism against black people. It argues that among the many concepts in Sartre’s work that are useful in understanding the problem of racism against black people, the philosophical notion of contingency is one of the most significant. Contingency in Sartre is the view that whatever exists, need not exist, and that therefore it can be changed; that the fact that one is born white or black without their choice, has no moral weight at all in treating others as though they are responsible for what they are. In this book Mabogo More contends that through Sartre’s philosophical notion of contingency, he provides us with the ammunition to understand and deal with racism broadly, and antiblack racism in particular.

Those convicted of homicide were hanged on the public gallows before being dissected under the Murder Act in Georgian England. Yet, from 1752, whether criminals actually died on the hanging tree or in the dissection room remained a medical mystery in early modern society. Dissecting the Criminal Corpse takes issue with the historical cliché of corpses dangling from the hangman’s rope in crime studies. Some convicted murderers did survive execution in early modern England. Establishing medical death in the heart-lungs-brain was a physical enigma. Criminals had large bull-necks, strong willpowers, and hearty survival instincts. Extreme hypothermia often disguised coma in a prisoner hanged in the winter cold. The youngest and fittest were capable of reviving on the dissection table. Many died under the lancet. Capital legislation disguised a complex medical choreography that surgeons staged. They broke the Hippocratic Oath by executing the Dangerous Dead across England from 1752 until 1832. This book is open access under a CC-BY license.