Nothing is more unsettling in this world than a kid with a gun . . . On the streets of Medellín, Colombia, actions speak louder than words, and the rule of the bandidos is the only law worth listening to. Like most kids of their age, Shorty and Alberto work for their local cartel. They run cigarettes, offer protection . . . and occasionally assassinate someone. The work is tough, and dangerous, but the boys are commanding respect like they've never known, and the money's pretty good too. But then one day Alberto disappears. And Shorty realises that he is never coming back. A gangster's life is cheap, and when revenge can be bought for only a few pesos, everyone has their price . . .

The late nineteenth and early twentieth centuries were a revolutionary period in the lives of women, and the shifting perceptions of women and their role in society were equally apparent in the courtroom. Women Who Kill Men examines eighteen sensational cases of women on trial for murder from 1870 to 1958. The fascinating details of these murder trials, documented in court records and embellished newspaper coverage, mirrored the changing public image of women. Although murder was clearly outside the norm for standard female behavior, most women and their attorneys relied on gendered stereotypes and language to create their defense and sometimes to leverage their status in a patriarchal system. Those who could successfully dress and act the part of the victim were most often able to win the sympathies of the jury. Gender mattered. And though the norms shifted over time, the press, attorneys, and juries were all informed by contemporary gender stereotypes.

'Feminism Has Gone Too Far.' It's Literally Killing Men, Physically, Mentally and Spiritually! "Death by a thousand cuts," known as Lingchi, was a form of execution implemented by the Imperial Chinese to execute or torture its 'criminals.' Ken's book postulates that modern society is todays 'Lingchi' because when considered comprehensively over time, events and context, it marshals a crushing burden that only men must face, making them today's torturees. Undeniably, some cuts are obvious, but more worryingly, the majority are ordinarily insidious and it is often the "straw that breaks the camel's back." Make no mistake, when taken as a whole, they're crushingly affective. In the book, Ken descriptively breaks many of them down for you and takes you on a well documented journey that does well to explain and show the reader how feminists have hijacked nearly every facet of life that's important to boys and men. Did You Know: - That Men die from suicide, four to 16.5 times the rate women do - That boys and men are losing their self-esteem and purpose in life - That men are turning away from marriage - That Feminism and gynocentrism have a lot to answer for - That it's a Woman's World, yet women are more unhappy then they've ever been - That our education system discriminates against males at every level - That domestic abuse and domestic violence aren't gender specific - That double standards exist and do more harm than good to both sexes - That men and fathers have little worth in society and are considered disposable Find Out What is Happening to Males today and Why!

The title poem has been one of the most anthologized poems in England and the U.S. for thirty years. The unforgettable blend of the laconic and the serious is what became instantly recognizable as the Brock voice. He has published nine collections of poetry, a novel, and an autobiography in prose and poetry.

From the bestselling coauthor of Wittgenstein's Poker, a fascinating tour through the history of moral philosophy A runaway train is racing toward five men who are tied to the track. Unless the train is stopped, it will inevitably kill all five men. You are standing on a footbridge looking down on the unfolding disaster. However, a fat man, a stranger, is standing next to you: if you push him off the bridge, he will topple onto the line and, although he will die, his chunky body will stop the train, saving five lives. Would you kill the fat man? The question may seem bizarre. But it's one variation of a puzzle that has baffled moral philosophers for almost half a century and that more recently has come to preoccupy neuroscientists, psychologists, and other thinkers as well. In this book, David Edmonds, coauthor of the bestselling Wittgenstein's Poker, tells the riveting story of why and how philosophers have struggled with this ethical dilemma, sometimes called the trolley problem. In the process, he provides an entertaining and informative tour through the history of moral philosophy. Most people feel it's wrong to kill the fat man. But why? After all, in taking one life you could save five. As Edmonds shows, answering the question is far more complex—and important—than it first appears. In fact, how we answer it tells us a great deal about right and wrong.

A New York Times Notable Book A revised collection with thirteen essays, including six new to this edition and seven from the original edition, by the “star in the American literary firmament, with a voice that is courageous, honest, loving, and singularly beautiful” (NPR). Brilliant and uncompromising, piercing and funny, How to Slowly Kill Yourself and Others in America is essential reading. This new edition of award-winning author Kiese Laymon’s first work of nonfiction looks inward, drawing heavily on the author and his family’s experiences, while simultaneously examining the world—Mississippi, the South, the United States—that has shaped their lives. With subjects that range from an interview with his mother to reflections on Ole Miss football, Outkast, and the labor of Black women, these thirteen insightful essays highlight Laymon’s profound love of language and his artful rendering of experience, trumpeting why he is “simply one of the most talented writers in America” (New York magazine).

Now on Netflix, #5 most watched movie on the site in its first week: Speed Kills, the movie adaptation, screen-credited as based on the book Speed Kills, by Arthur J. Harris John Travolta plays Ben Aronoff, a fictionalized Don Aronow. Everybody liked and loved Don Aronow. He was powerboating's favorite, best-known, and most flamboyant racer and boat builder, the brilliant creator and designer of the famous Cigarette go-fast boats that broke speed records on the water. In everything he did, he consistently pushed the limits, always at full throttle, testing himself. In ocean races, in the worst of conditions, he was at his best. A competitor described him: "We'd be taking a terrible pounding and I'd be almost beaten down to my knees when Don would come alongside and grin from ear to ear, then take off. God, he was so demoralizing." That was what won him two world championships. It also carried over to his reputation of being not only a ladies' man, but whose girlfriends were often married. Don was the living sales pitch for his boats - he sold magic. For the price, you could be more than you could ever imagine yourself as. You could be Don Aronow. Who bought from him? Well-off businessmen in middle age crisis - and the CIA and the Israeli Mossad - kings, presidents-for-life - and George Bush. If you're thinking James Bond, so was he - he named one of his winning boats 007. He was also Miami incarnate - everything great and dark and impenetrable and fascinating about the place. He was Bond - except he played on both sides of the law. You probably never would have known about Cigarettes had dope smugglers not preferred them. Nobody could catch them in them. Then came the Reagan-era Drug War, and Bush got Don a high-publicity federal contract to build patrol boats that were faster than those he'd sold to the smugglers. They were named Blue Thunder. The Miami Herald wrote: The man who designed the roaring Cigarette speedboats, favorite vehicle of oceangoing drug smugglers, has built a better boat, one that will snuff the Cigarettes. Watch out dopers. A crack of Blue Thunder, faster than a shiver, stable as a platform, is about to become the state of the salt-watery art on the side of the law. What did the smugglers think? Because then Don quietly and bizarrely sold his company with the contract to the biggest pot smuggler on the East Coast, Ben Kramer. It was a quintessential Miami moment - maybe the Miami moment of all time. Why did he do that? At the time, the public didn't know what he did. Years later, NBC News broke the story. Said Tom Brokaw: By the time drug agents on the trail put it all together, the Kramers and the government were already partners. That's right, the boats the Customs Service uses to catch drug smugglers were built for Customs by convicted drug dealers who used laundered drug money to buy the boat company. And you thought you'd heard everything. Actually, the feds had found out and made Aronow undo the sale. But a year later a grand jury was poised to indict Kramer, and subpoenaed Don to testify. The day before he would have, he was murdered in broad daylight. Nobody saw the shots - but they heard them, and then the high-pitched whine of his shiny white Mercedes sports coupe, the gas pedal floored by his dead foot - full throttle. And they saw the shooter's black Lincoln Town Car get away. Somebody was afraid of what he was going to say. The cops concluded it was Kramer - and everyone who thought that was right. But actually, Kramer seemed the least affected by what Don probably would have testified to - and his absence didn't stop two grand juries from indicting Kramer, and two trial juries from convicting him. Were the waters deeper than that?

NATIONAL BESTSELLER • In April 1992 a young man from a well-to-do family hitchhiked to Alaska and walked alone into the wilderness north of Mt. McKinley. Four months later, his decomposed body was found by a moose hunter. This is the unforgettable story of how Christopher Johnson McCandless came to die. "It may be nonfiction, but Into the Wild is a mystery of the highest order." —Entertainment Weekly McCandess had given $25,000 in savings to charity, abandoned his car and most of his possessions, burned all the cash in his wallet, and invented a new life for himself. Not long after, he was dead. Into the Wild is the mesmerizing, heartbreaking tale of an enigmatic young man who goes missing in the wild and whose story captured the world’s attention. Immediately after graduating from college in 1991, McCandless had roamed through the West and Southwest on a vision quest like those made by his heroes Jack London and John Muir. In the Mojave Desert he abandoned his car, stripped it of its license plates, and burned all of his cash. He would give himself a new name, Alexander Supertramp, and, unencumbered by money and belongings, he would be free to wallow in the raw, unfiltered experiences that nature presented. Craving a blank spot on the map, McCandless simply threw the maps away. Leaving behind his desperate parents and sister, he vanished into the wild. Jon Krakauer constructs a clarifying prism through which he reassembles the disquieting facts of McCandless's short life. Admitting an interest that borders on obsession, he searches for the clues to the drives and desires that propelled McCandless. When McCandless's innocent mistakes turn out to be irreversible and fatal, he becomes the stuff of tabloid headlines and is dismissed for his naiveté, pretensions, and hubris. He is said to have had a death wish but wanting to die is a very different thing from being compelled to look over the edge. Krakauer brings McCandless's uncompromising pilgrimage out of the shadows, and the peril, adversity, and renunciation sought by this enigmatic young man are illuminated with a rare understanding—and not an ounce of sentimentality. Into the Wild is a tour de force. The power and luminosity of Jon Krakauer's stoytelling blaze through every page.

A controversial psychological examination of how soldiers’ willingness to kill has been encouraged and exploited to the detriment of contemporary civilian society. Psychologist and US Army Ranger Dave Grossman writes that the vast majority of soldiers are loath to pull the trigger in battle. Unfortunately, modern armies, using Pavlovian and operant conditioning, have developed sophisticated ways of overcoming this instinctive aversion. The mental cost for members of the military, as witnessed by the increase in post-traumatic stress, is devastating. The sociological cost for the rest of us is even worse: Contemporary civilian society, particularly the media, replicates the army’s conditioning techniques and, Grossman argues, is responsible for the rising rate of murder and violence, especially among the young. Drawing from interviews, personal accounts, and academic studies, On Killing is an important look at the techniques the military uses to overcome the powerful reluctance to kill, of how killing affects the soldier, and of the societal implications of escalating violence.

Thought to be an older man's disease, being diagnosed with prostate cancer at 53 years of age was a life changing event. In this book, I provide detailed insights of my experience in managing the disease and how I was able to regain my health by taking decisive action and committing myself to an optimal outcome. I cover the steps of my journey, from pre-diagnosis, testing, diet, treatment, recovery, and provide information about the disease I learned along the way.