From #1 bestselling author Lisa Scottoline comes a pulse-pounding new novel. Your family has been attacked. Now you have to choose between law... and justice. Jason Bennett is a suburban dad whose life takes a horrific turn. He is driving his family home when a pickup truck begins tailgating them. Suddenly two men jump from the pickup and pull guns on Jason, demanding the car. A horrific flash of violence changes his life forever. Later that awful night, Jason and his family receive a visit from the FBI. The agents tell them that the carjackers were members of a dangerous drug-trafficking organization — and now Jason and his family are in their crosshairs. The agents advise the Bennetts to enter the witness protection program. But WITSEC was not designed to protect law-abiding families. Trapped in an unfamiliar life, the Bennetts begin to fall apart at the seams. Then Jason learns a shocking truth and realizes that he has to take matters into his own hands. Sometimes justice is a one-man show.

Bestselling and award-winning author Lisa Scottoline reaches new heights with this riveting novel about how a single decision can undo a family, how our past can derail our present, and how not guilty doesn't always mean innocent. Allie Garvey is heading home to the funeral of a childhood friend. Allie is not only grief-stricken, she's full of dread. Because going home means seeing the other two people with whom she shares an unbearable secret. Twenty years earlier, a horrific incident shattered the lives of five teenagers, including Allie. Drinking and partying in the woods, they played a dangerous prank that went tragically wrong, turning deadly. The teenagers kept what happened a secret, believing that getting caught would be the worst thing that could happen. But time has taught Allie otherwise. Not getting caught was far worse. Allie has been haunted for two decades by what she and the others did, and by the fact that she never told a soul. The dark secret has eaten away at her, distancing her from everyone she loves, including her husband. Because she wasn't punished by the law, Allie has punished herself, and it's a life sentence. Now, Allie stands on the precipice of losing everything. She's ready for a reckoning, determined to learn how the prank went so horribly wrong. She digs to unearth the truth, but reaches a shocking conclusion that she never saw coming--and neither will the reader. A deeply emotional examination of family, marriage, and the true nature of justice, Someone Knows is Lisa Scottoline's most powerful novel to date. Startling, page-turning, and with an ending that's impossible to forget, this is a tour de force by a beloved author at the top of her game.

Detective Fred Bennett poses as a street bum in order to catch a psychopathic killer who slashes his indigent victims

Police officers shot . . . judges murdered . . . and Detective Michael Bennett is the killer's next target. Detective Michael Bennett arrests an infamous Mexican crime lord in a deadly chase that leaves Bennett's lifelong friend dead. From jail, the prisoner vows to rain epic violence down upon New York City-and to get revenge on Michael Bennett. To escape the chaos, Bennett takes his ten kids and their beautiful nanny, Mary Catherine, on a much-needed vacation to his family's cabin near Newburgh, New York. But instead of the calm and happy town he remembers from growing up, they step into a nightmare worse than they could have ever imagined. Newburgh is an inferno of warring gangs, and there's little the police-or Bennett-can do to keep the children safe. As violence overwhelms the state, Bennett is torn between protecting his hometown and saving New York City. A partner in his investigations, federal prosecutor Tara McLellan, brings him new weapons for the battle-and an attraction that endangers his relationship with Mary Catherine. A no-holds-barred, pedal-to-the-floor, action-packed novel, I, Michael Bennett is James Patterson at his most personal and most thrilling best.

Women are constantly being told that it's simply too difficult to balance work and family, so if they don't really "have to" work, it's better for their families if they stay home. Not only is this untrue, Leslie Bennetts says, but the arguments in favor of stay-at-home motherhood fail to consider the surprising benefits of work and the unexpected toll of giving it up. It's time, she says, to get the message across -- combining work and family really is the best choice for most women, and it's eminently doable. Bennetts and millions of other working women provide ample proof that there are many different ways to have kids, maintain a challenging career, and have a richly rewarding life as a result. Earning money and being successful not only make women feel great, but when women sacrifice their financial autonomy by quitting their jobs, they become vulnerable to divorce as well as the potential illness, death, or unemployment of their breadwinner husbands. Further, they forfeit the intellectual, emotional, psychological, and even medical benefits of self-sufficiency. The truth is that when women gamble on dependancy, most eventually end up on the wrong side of the odds. In riveting interviews with women from a wide range of backgrounds, Bennetts tells their dramatic stories -- some triumphant, others heartbreaking. The Feminine Mistake will inspire women to accept the challenge of figuring out who they are and what they want to do with their lives in addition to raising children. Not since Betty Friedan has anyone offered such an eye-opening and persuasive argument for why women can -- and should -- embrace the joyously complex lives they deserve.

A collection of Bennett’s diaries and essays, covering 2005 to 2015 Alan Bennett’s third collection of prose, Keeping On Keeping On, follows in the footsteps of the phenomenally successful Writing Home and Untold Stories. Bringing together the hilarious, revealing, and lucidly intelligent writing of one of England’s best-known literary figures, Keeping On Keeping On contains Bennett’s diaries from 2005 to 2015—with everything from his much celebrated essays to his irreverent comic pieces and reviews—reflecting on a decade that saw four major theater premieres and the films of The History Boys and The Lady in the Van. A chronicle of one of the most important literary careers of the twentieth century, Keeping On Keeping On is a classic history of a life in letters.

“A sharp, funny, and eccentric debut … Pond makes the case for Bennett as an innovative writer of real talent. … [It]reminds us that small things have great depths.”–New York Times Book Review "Dazzling…exquisitely written and daring ." –O, the Oprah Magazine Immediately upon its publication in Ireland, Claire-Louise Bennett’s debut began to attract attention well beyond the expectations of the tiny Irish press that published it. A deceptively slender volume, it captures with utterly mesmerizing virtuosity the interior reality of its unnamed protagonist, a young woman living a singular and mostly solitary existence on the outskirts of a small coastal village. Sidestepping the usual conventions of narrative, it focuses on the details of her daily experience—from the best way to eat porridge or bananas to an encounter with cows—rendered sometimes in story-length, story-like stretches of narrative, sometimes in fragments no longer than a page, but always suffused with the hypersaturated, almost synesthetic intensity of the physical world that we remember from childhood. The effect is of character refracted and ventriloquized by environment, catching as it bounces her longings, frustrations, and disappointments—the ending of an affair, or the ambivalent beginning with a new lover. As the narrator’s persona emerges in all its eccentricity, sometimes painfully and often hilariously, we cannot help but see mirrored there our own fraught desires and limitations, and our own fugitive desire, despite everything, to be known. Shimmering and unusual, Pond demands to be devoured in a single sitting that will linger long after the last page.

Riveting and disquieting, After Anna is a groundbreaking domestic thriller, as well as a novel of emotional justice and legal intrigue. New York Times bestselling author Lisa Scottoline keeps readers on their toes until the final shocking page. Nobody cuts deeper than family... Dr. Noah Alderman, a widower and single father, has remarried a wonderful woman, Maggie Ippolitti, and for the first time in a long time, he and his young son are happy. Despite her longing for the daughter she hasn’t seen since she was a baby, Maggie is happy too, and she’s even more overjoyed when she unexpectedly gets another chance to be a mother to the child she thought she'd lost forever, her only daughter Anna. Maggie and Noah know that having Anna around will change their lives, but they would never have guessed that everything would go wrong, and so quickly. Anna turns out to be a gorgeous seventeen-year-old who balks at living under their rules, though Maggie, ecstatic to have her daughter back, ignores the red flags that hint at the trouble brewing in a once-perfect marriage and home. Events take a heartbreaking turn when Anna is murdered and Noah is accused and tried for the heinous crime. Maggie must face not only the devastation of losing her daughter, but the realization that Anna's murder may have been at the hands of a husband she loves. In the wake of this tragedy, new information drives Maggie to search for the truth, leading her to discover something darker than she could have ever imagined. Praise for Lisa Scottoline: "A deliciously distracting thriller...Scottoline illuminat[es] the landing strip of revelations and truths in a deliciously slow and intense way." —The Washington Post on After Anna "Scottoline keeps the pace relentless as she drops a looming threat into the heart of an idyllic suburban community, causing readers to hold their breath in anticipation." —Booklist on One Perfect Lie "Readers can be assured that the author nails the high school milieu, from athletic rivalries to sexting...they're in for one thrilling ride." —Kirkus on One Perfect Lie "Entertaining...This fast-paced read culminates in a daring chase that would play well on the big screen." —Publishers Weekly

It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken beauty. Mourning her mother's recent suicide, she takes up with the local pastor's son. Luke Sheppard is twenty-one, a former football star whose injury has reduced him to waiting tables at a diner. It's not serious-- until the pregnancy. As years move by, Nadia, Luke, and her friend Aubrey are living in debt to the choices they made that one seaside summer, caught in a love triangle they must carefully maneuver, and dogged by the constant, nagging question: What if they had chosen differently?

NAMED A BEST BOOK OF THE YEAR BY THE NEW YORK TIMES, THE NEW YORKER, AND VOGUE “Bennett writes like no one else. She is a rare talent, and Checkout 19 is a masterful novel.” –Karl Ove Knausgaard From the author of the “dazzling. . . . and daring” Pond (O magazine), the adventures of a young woman discovering her own genius, through the people she meets–and dreams up–along the way. In a working-class town in a county west of London, a schoolgirl scribbles stories in the back pages of her exercise book, intoxicated by the first sparks of her imagination. As she grows, everything and everyone she encounters become fuel for a burning talent. The large Russian man in the ancient maroon car who careens around the grocery store where she works as a checkout clerk, and slips her a copy of Beyond Good and Evil. The growing heaps of other books in which she loses–and finds–herself. Even the derailing of a friendship, in a devastating violation. The thrill of learning to conjure characters and scenarios in her head is matched by the exhilaration of forging her own way in the world, the two kinds of ingenuity kindling to a brilliant conflagration. Exceeding the extraordinary promise of Bennett’s mold-shattering debut, Checkout 19 is a radical affirmation of the power of the imagination and the magic escape those who master it open to us all.