Fox Street means everything to Mo Wren, who is nearly eleven, and so she is very upset when a land developer offers to buy her father's house, especially since she has not yet found the fox she is sure lives in the nearby ravine.

Rodgers, Growing Up on Fox Street Page 22 of 179 Growing Up on Fox Street is full of warm and uplifting stories from an era gone by. Informative, nostalgic, and engaging at its core, it is written from the viewpoint of a little girl enjoying carefree youthful days with her brothers, cousins, and friends in a small American town during the 1960s. It was a time when moms stayed home and parents allowed their children to play freely in the neighborhood. There was only one car in the driveway, and family mealtimes meant eating home-cooked meals together around the kitchen table. There were bikes to ride, ball games to play, creeks to swim in, forts to build, and neighborhood quarrels to settle. Families went to church on Sundays and Vacation Bible School in the summer. The boys played Little League Baseball as the parents cheered them on from the bleachers. They watched parades every year in town and anticipated Santa's visit and Christmas festivities each December. Even though the times are different today, for the Fox Street kids (and all kids everywhere), the idea of growing up seemed so far away. Their personalities were shaped by their families and friends and the world around them. It is their childhood memories that now seem far away. Growing Up on Fox Street features charming illustrations by the author and helpful annotations for the younger reader. The reflection questions for each chapter will help the reader tell their own story and stimulate meaningful conversations with family members about their childhood recollections.

“You can’t help but see people die when you live on Fox Street,” says the protagonist of the novella Fox Street. The worst was when there was nothing you could do, like when a kid was hit by a car, and she and her friends stood around and watched him die. The police drew a chalk mark around his body, and when he was taken away, they “could still see the shape of that kid, marked out in chalk and filled with dried blood.” In this poignant and often humorous account of growing up in the Bronx in the 1950s, Yolanda Gallardo’s mischievous young character vividly recalls her childhood as the neighborhood changed from Jewish to Latino. She and her siblings swam in the East River, despite the rats and garbage; watched police beat up local kids; and got involved in gangs, like the Royals and Young Sinners. Their family was financially impoverished, but there were many happy times as they watched their parents dance to “hick Spanish records,” helped their mom cook pasteles and learned to dance the mambo and cha-cha. Although set in a specific time and place, the novella and ten stories in this collection depict universal experiences, from girls and women having to prove themselves equal to the boys and men around them to the loss of a child.

This is the story of what happened after Fox Street. Mo Wren knew that eventually she, her dad, and her sister, Wild Child Dottie, would have to move from beloved Fox Street. She just never expected it to happen so soon. At the Wrens’ new place, things are very different. The name of the street—East 213th—has absolutely zero magic. And there’s no Mrs. Petrone to cut her hair, no Pi Baggott to teach her how to skateboard, no Green Kingdom to explore. She’s having trouble fitting in at her new school and spending a lot of time using the corner bus shelter for her Thinking Spot. Worst of all, Mo discovers that the ramshackle restaurant Mr. Wren bought is cursed. Only Dottie, with her new friends and pet lizard, Handsome, is doing the dance of joy. For the first time in her life, Mo feels lost and out of place. It’s going to take a boy who tells whoppers, a Laundromat with a mysterious owner, a freak blizzard, and some courage to help her find her way home for good.

"One of America’s most experienced and exemplary journalists has written an unsparing analysis of the dreadful consequences -- for journalism and the nation -- of ‘how the news lost a race to the bottom with itself.’” -- George F. Will In this national bestseller, Chris Stirewalt, a former Fox News political editor, takes readers inside America’s broken newsrooms that have succumbed to the temptation of “rage revenue.” One of America’s sharpest political analysts, Stirewalt employs his trademark wit and insight to reveal how these media organizations slant coverage – and why that drives political division and rewards outrageous conduct. The New York Times wrote that Stirewalt’s book "is an often candid reflection on the state of political journalism and his time at Fox News, where such post-mortem assessments are not common..." Broken News is a fascinating, deeply researched, conversation-provoking study of how the news is made and how it must be repaired. Stirewalt goes deep inside the history of the industry to explain how today’s media divides America for profit. And he offers practical advice for how readers, listeners, and viewers can (and should) become better news consumers for the sake of the republic.

In this gripping and heart-wrenching story, you will meet Sean. He was raised by a hustling, well-connected mother and was taught early about street survival. When his mother is brutally murdered, Sean is thrust into a cold world all alone. An old friend of his mother takes Sean under his wing and introduces him to a life of drug dealing at its highest level. Sean becomes "King Sean" and rises up the drug game's totem pole. King Sean makes a solid name for himself in the street game. The only weakness he has ever had is a childhood friend and also the love of his life—a beauty named Sunny. Sunny has a struggle with drugs, and along her road to recovery, Sean falls victim to the vice as well. His life is slowly headed on a downward spiral, and his decline from street fame is filled with murder, lies, backstabbing, and a struggle to survive. Walk on the journey with Sunny and Sean as they hit rock bottom and steal, lie, and deceive in their struggle with addiction. Someone dies . . . but not until the end is the truth unveiled. New York Times bestseller JaQuavis Coleman pens an intricate, fast-paced street thriller that tells a bold story of true love, addiction, and murder. Read about The Day the Streets Stood Still.

A wide range of bestselling and acclaimed writers—from masters of noir to literary lights—explore the milieu of drug culture in this “eye-opening series” (New York Journal of Books). From Lee Child to William T. Vollmann, Joyce Carol Oates to Sherman Alexie, Eric Bogosian to actor James Franco, many of the finest contemporary writers of fiction weigh in on the lure and destruction of drug use, society’s ambiguous relationship to drug culture, and criminal behavior with short stories that are alternately harrowing, funny, sad, or scary—but always original and gripping. The Cocaine Chronicles edited by Gary Phillips and Jervey Tervalon Contributors include Lee Child, Laura Lippman, Ken Bruen, and Susan Straight “Urban, gritty, and raw noir.” —Harlan Coben The Speed Chronicles edited by Joseph Mattson Contributors include William T. Vollmann, Sherman Alexie, James Franco, and Megan Abbott “Deserves great praise for the audacity of the topic, the depth of the discussion, the diversity of voices, and plain, old, good storytelling.” —New York Journal of Books The Heroin Chronicles edited by Jerry Stahl Contributors include Eric Bogosian, Lydia Lunch, Ava Stander, and Gary Phillips “[An] impressive array of writers . . . these tales of chasing the dragon, with corollaries often violent and savage, will satisfy devotees of noir fiction and outsider are alike.” —Publishers Weekly The Marijuana Chronicles edited by Jonathan Santlofer Contributors include Joyce Carol Oates, Lee Child, Raymond Mungo, and Rachel Shteir “Joyce Carol Oates is in a rare class of her own . . . So, too, are other contributors to this collection, including Lee Child and the always enjoyable Raymond Mungo.” —Kirkus Reviews

“A gem” of a collection of marijuana stories, poems and artwork by Joyce Carol Oates, Lee Child, Linda Yablonsky, Cheryl Lu-Lien Tan, and others (New York Journal of Books). It’s known by many names: Pot. Grass. Hash. Hemp. Reefer. Ganja. Dope. Weed. Smoke. Spliff. Mary Jane. Tea. Blunt. And it has played just as many parts in the mind of the public, from Reefer Madness to medical marijuana. Here is a collection of new works as diverse and provocative as the drug itself. From Joyce Carol Oates’s “High” to Dean Haspiel’s “Cannibal Sativa”; from Maggie Estep’s “Zombie Hookers of Hudson” to Philip Spitzer’s “Tips for the Pot-Smoking Traveler,” this collection explores the drug in its many forms and varietals. In prose, pictures, stories, and poems, you can delve into the folklore and the facts, rich cultural history, and dramas personal, political, spiritual, and legal. Like Dave Chappelle says: “Hey, hey, hey. Smoke weed every day.”

Phoebe enjoys playing with her new digger while her mother is busy with the new baby, until a bigger girl grabs the toy at the park.