Herein are printed stories and poems I have written over the years in my own way of telling my story. Rather than an autobiography I thought this may be a better way of presenting one’s life rather than in one mundane book. I began with a book and then I found I like to present my life this way. These are truthful works and not fiction. Some had memory “holes” that needed filling, who said what, or who I gave credit to but nothing that would take away from the story. It’s just the way I tell my life. After all, my life has been a series of short stories and poems not one continuous biography or even one long story. I tried to keep them truthful at all times. My poetry is not the deep thinking style but happenings in poetry form. I hope you enjoy it. The Chapter numbers are assigned to the places I lived when the stories happened, not necessarily in the order that they happened. You will find the stories and poems are not numbered. I began writing short stories and poems before I started my book. Then after a few stories, I figured it would be a good way to write a book. So this is it, for good or ill and I am not an author with an extensive vocabulary by any stretch of the imagination, I hope you’ll forgive that. They, so I’m told, are quite interesting and easy reading. Take them like vitamins, one or two a day. I hope you will laugh and cry and enjoy! The stories, poems, musings and thoughts in this book, are the product of but not limited to, a lifetime of memories, love, life, pain and laughter. It is a labor of love in an effort to sing the praises of those that deserve it the most, and not for the writer. For it was the people that this work was dedicated to that I have to thank for almost all the memories. If it weren’t for the people, there would be absolutely no need for writing this book.

The Beatles' final album made London's Abbey Road recording studios forever famous. But from their 1931 opening, the studios had exerted a unique appeal for almost everyone who recorded there. This revised and updated edition includes previously unseen pictures.

This revelatory biography shows how both the facts and fictions about John Wayne illuminate his singular life.

For the first time, music legend and humanitarian activist Dionne Warwick reflects on 50 years in showbusiness and the lessons she has learned from being an artist, a mother and a global icon. From her rise to superstardom to raising millions of dollars for AIDS research, she gives readers a glimpse into her dazzling, inspiring life. 'If you think you can do it, you can do it' was the advice she got from her grandfather as a young girl - words she has never forgotten. Like her music and humanitarian work, her story is guaranteed to give hope and inspiration to people across the world.

One of art's purest challenges is to translate a human being into words. The New Yorker has met this challenge more successfully and more originally than any other modern American journal. It has indelibly shaped the genre known as the Profile. Starting with light-fantastic evocations of glamorous and idiosyncratic figures of the twenties and thirties, such as Henry Luce and Isadora Duncan, and continuing to the present, with complex pictures of such contemporaries as Mikhail Baryshnikov and Richard Pryor, this collection of New Yorker Profiles presents readers with a portrait gallery of some of the most prominent figures of the twentieth century. These Profiles are literary-journalistic investigations into character and accomplishment, motive and madness, beauty and ugliness, and are unrivalled in their range, their variety of style, and their embrace of humanity. Including these twenty-eight profiles: “Mr. Hunter’s Grave” by Joseph Mitchell “Secrets of the Magus” by Mark Singer “Isadora” by Janet Flanner “The Soloist” by Joan Acocella “Time . . . Fortune . . . Life . . . Luce” by Walcott Gibbs “Nobody Better, Better Than Nobody” by Ian Frazier “The Mountains of Pi” by Richard Preston “Covering the Cops” by Calvin Trillin “Travels in Georgia” by John McPhee “The Man Who Walks on Air” by Calvin Tomkins “A House on Gramercy Park” by Geoffrey Hellman “How Do You Like It Now, Gentlemen?” by Lillian Ross “The Education of a Prince” by Alva Johnston “White Like Me” by Henry Louis Gates, Jr. “Wunderkind” by A. J. Liebling “Fifteen Years of The Salto Mortale” by Kenneth Tynan “The Duke in His Domain” by Truman Capote “A Pryor Love” by Hilton Als “Gone for Good” by Roger Angell “Lady with a Pencil” by Nancy Franklin “Dealing with Roseanne” by John Lahr “The Coolhunt” by Malcolm Gladwell “Man Goes to See a Doctor” by Adam Gopnik “Show Dog” by Susan Orlean “Forty-One False Starts” by Janet Malcolm “The Redemption” by Nicholas Lemann “Gore Without a Script” by Nicholas Lemann “Delta Nights” by Bill Buford

Dutch Calvinist theologian Herman Bavinck, a significant voice in the development of Protestant theology, remains relevant many years after his death. His four-volume Reformed Dogmatics is one of the most important theological works of the twentieth century. James Eglinton is widely considered to be at the forefront of contemporary interest in Bavinck's life and thought. After spending considerable time in the Netherlands researching Bavinck, Eglinton brings to light a wealth of new insights and previously unpublished documents to offer a definitive biography of this renowned Reformed thinker. The book follows the course of Bavinck's life in a period of dramatic social change, identifying him as an orthodox Calvinist challenged with finding his feet in late modern culture. Based on extensive archival research, this critical biography presents numerous significant and previously ignored or unknown aspects of Bavinck's person and life story. A black-and-white photo insert is included. This volume complements other Baker Academic offerings on Bavinck's theology and ethics, which together have sold 90,000 copies.

One of the most popular and memorable American musicians of the 20th century, Nat King Cole (1919-65) is remembered today as both a pianist and a singer, a feat rarely accomplished in the world of popular music. Now, in this complete life and times biography, author Will Friedwald offers a new take on this fascinating musician, framing him first as a bandleader and then as a star. In Cole's early phase, Friedwald explains, his primary task of keeping his trio going was just as much of a focus for him as his own playing and singing, always a collective or group performance. In the second act, Cole's collaborators were more likely to be arranger-conductors like Nelson Riddle and Gordon Jenkins, rather than his sidemen on bass and guitar. In the first act, his sidemen were equals, in the second phase, his collaborators were tasked exclusively with putting the focus on him, making him sound good, while being largely invisible themselves. Friedwald brings his full musical knowledge to bear in putting the man in the work, demonstrating how this duality appears over and over again in Cole's life and career: jazz vs. pop, solo vs. trio, piano vs. voice, wife number one (Nadine) vs. wife number two (Maria), the good songs vs. the less-than-good songs, the rhythm numbers vs. the ballads, the funny songs and novelties vs. the "serious" songs of love and loss, Cole as an advocate for the Great American Songbook vs. Cole the intrepid explorer of other options: world music, rhythm & blues, country & western. Cole was different from his contemporaries in other ways; for roughly ten years after the war, the majority of hitmakers on the pop charts were veterans of the big band experience, from Sinatra on down.

This biography of Admiral Thomas C. Hart is important not only because it is the story of a man whose central guiding force in life was the U.S. Navy, but also because it is a study of some fifty-five significant years of American history. This book, based in part on the twenty-one volume Hart diary, investigates the forces and circumstances that shaped Hart’s actions during a memorable and influential career that spanned three wars and was followed by brief service in the U.S. Senate. From his earliest days on the faculty of the U.S. Naval Academy, where he was dedicated to academic reform, to his ‘second” career in elected office, Hart could always be found amid controversy. His appointment as commander of the Asiatic fleet, a billet he wanted and was led to believe he would get, was partly the result of uneasy relationship with FDR. Here, enlivened with Hart’s naval and diplomatic experiences in the Philippines and the Netherlands East Indies, vantage points that provided him with an excellent perspective on the opening stages of the Pacific War. James Leutze provides us with Hart’s firsthand account of the Lanikai-Isabel incident, the hazardous foray ordered by Roosevelt in 1941. Although, ostensibly, the purpose of the maneuver was to garner information on the movements of the Japanese fleet, Hart clearly considered that Roosevelt’s intention was to provoke the Japanese. In descriptive detail, James Leutze relates Hart’s war experiences, both professional and private, and examines his controversial relationships with other, equally strong-minded naval leaders. Particularly burdensome at times were Hart’s difficulties with the brilliant, but egotistical and quixotic, Douglas MacArthur. Hart’s role as commander of the naval forces of the American, British, Dutch, and Australian military command is carefully analyzed by Leutze. The ABDA never became effective, and, because of Allied jealousies and internal political pressures, Hart was eventually removed from his command. Leutze shows us, with compassion, a man given heavy responsibility, and then virtually ignored by his own government. Blunt, outspoken, aloof, and occasionally referred to as “Terrible Tommy,” Admiral Thomas C. Hart was nevertheless respected and admired, an inspiration to his fellow officers. Here is the fascinating story of a man who had an enduring influence on U.S. naval and diplomatic history.

The long-awaited autobiography of Keith Richards, guitarist, songwriter, singer, and founding member of the Rolling Stones. With The Rolling Stones, Keith Richards created the songs that roused the world, and he lived the original rock and roll life. Now, at last, the man himself tells his story of life in the crossfire hurricane. Listening obsessively to Chuck Berry and Muddy Waters records, learning guitar and forming a band with Mick Jagger and Brian Jones. The Rolling Stones's first fame and the notorious drug busts that led to his enduring image as an outlaw folk hero. Creating immortal riffs like the ones in "Jumping Jack Flash" and "Honky Tonk Women." His relationship with Anita Pallenberg and the death of Brian Jones. Tax exile in France, wildfire tours of the U.S., isolation and addiction. Falling in love with Patti Hansen. Estrangement from Jagger and subsequent reconciliation. Marriage, family, solo albums and Xpensive Winos, and the road that goes on forever. With his trademark disarming honesty, Keith Richard brings us the story of a life we have all longed to know more of, unfettered, fearless, and true.

A teen idol of the 1950s who virtually invented the singer/songwriter/heartthrob combination that still tops pop music today, Paul Anka rocketed to fame with a slew of hits-from "Diana" to "Put Your Head on my Shoulder"-that earned him a place touring with the major stars of his era, including Chuck Berry, Jerry Lee Lewis, and Buddy Holly. He wrote Holly's last hit, and just missed joining the rocker on his final, fatal plane flight. Anka also stepped in front of the camera in the teen beach-party movie era, scoring the movies and romancing their starlets, including Annette Funicello. When the British invasion made his fans swoon for a new style of music-and musician--Anka made sure he wasn't conquered. A rapier-canny businessman and image-builder who took his career into his own hands-just as he had from the very beginning, swiping his mother's car at fourteen to drive himself, underage, to his first gigs in Quebec-Anka toured the world until he could return home in triumph. A charter member of the Rat Pack, he wrote the theme music for The Tonight Show as well as his friend Frank Sinatra's anthem "My Way". By the 1970s, a multi-decade string of pop chart-toppers, including "Puppy Love" and "(You're) Having My Baby", cemented his status as an icon. My Way is bursting with rich, rollicking stories of the business and the people in Anka's life: Elizabeth Taylor, Dodi Fayed, Tom Jones, Michael Jackson, Adnan Khashoggi, Little Richard, Brooke Shields, Johnny Roselli, Sammy Davis, Jr., Brigitte Bardot, Barnum & Bailey Circus acrobats, and many more. Anka is forthcoming, funny and smart as a whip about the business he's been in for almost six decades. My Way moves from New York to Vegas, from the casino stage to backstages all over the world. It's the most entertaining autobiography of the year.