Examines Ben Long's creation of a fresco on the wall of St. Peter's Church in Charlotte, North Carolina.

“A book about ‘the sins of the fathers.’ . . . A gritty, troubling book.”—The Honolulu Advertiser “The other Hawai’i, the one tourists never get to see.”—Ian MacMillan Ken Hideyoshi is the new guy in Halawa Correctional Institute. He’s tough looking, a hard case, observes his cellmate Cal—the mute tattoo artist of the prison, a wife murderer. SYN, a gang symbol, is tattooed on his hand, and he has a Japanese emblem inscribed on his left shoulder. He asks Cal for a tattoo on his back, in kanji script, of Musashi’s Book of the Void. While he is being worked on, he tells Cal his life story, a tale of hardship and abuse. Motherless, he was raised by a distant father, a Vietnam War veteran, in the impoverished hinterlands. In his teen years he hung out with the native Hawaiian gangs and was drawn into the Hawaiian-Korean underworld of strip bars and massage parlors. His ambition and proud samurai spirit seem, inevitably, to lead to his downfall. Chris McKinney is of Korean, Japanese, and Scottish descent. He was born in Honolulu and grew up in Kahaluu. He portrays the native Hawaiian experience from the inside, where children of mixed ethnicity grow up far from the clear water and pristine beaches of the rich visitors’ resorts.

This book documents the history of four ecclesiastical frescoes completed by artist Benjamin F. Long IV in Ashe County, North Carolina, in the 1970s and 1980s. The story of the Ashe County frescoes celebrates their setting in the Blue Ridge Mountains and testifies to Long's intensity, precision and stamina. Commissioned by the Ashe County Frescoes Foundation, the authors contextualize the artistic and the spiritual aspects of the frescoes by connecting the figures in the scenes with their sources in the Bible. Drawn from extensive interviews with the artist, this book explores the frescoes' uniqueness. Interviews with people used as models, assistants, volunteers and observers focus on the frescoes' impact on the community, and the role of the Ashe County Frescoes Foundation in the protection and preservation of these artworks.

Excerpt from Wet-Wall Tattoos: Ben Long and the Art of Fresco Polly Paddock, who is my wife as well as my colleague, brought her sharp eye and word skills to bear on the entire manuscript and made it a better read, first page to last. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

From the Potomac to the Gulf, artists were creating in the South even before it was recognized as a region. The South has contributed to America's cultural heritage with works as diverse as Benjamin Henry Latrobe's architectural plans for the nation's Capitol, the wares of the Newcomb Pottery, and Richard Clague's tonalist Louisiana bayou scenes. This comprehensive volume shows how, through the decades and centuries, the art of the South expanded from mimetic portraiture to sophisticated responses to national and international movements. The essays treat historic and current trends in the visual arts and architecture, major collections and institutions, and biographies of artists themselves. As leading experts on the region's artists and their work, editors Judith H. Bonner and Estill Curtis Pennington frame the volume's contributions with insightful overview essays on the visual arts and architecture in the American South.

Only Pepe Carvalho could use a tattoo saying "Born to Raise Hell in Hell" as evidence that the police are, once again, dead wrong In a Spain still stifled under the rule of Franco, former CIA operative--and former Communist--Pepe Carvalho has become so cynical he seems to care about nothing except food and sex. He's even taken to burning the occasional book in his Barcelona apartment, just so he can have a fire going in the fireplace when he eats some bacalhao. But when he sees the cops bungling a case he's hired to investigate--that of a body pulled out of the sea--he's roused by a sense of injustice. The cops think the murder was connected to local drug dealers and brothels, and they begin raiding bars and harassing Barcelona's women of the night. But Carvalho's gut tells him something else is going on, and the cops are wrong once again. As the cops stir up more and more trouble, and Carvalho gets more and more entwined, he's only got one clue: a tattoo on the dead man's body, one which reads: "Born to Raise Hell in Hell."

Desiree Dean, a runaway wealthy kid, accidentally sets a tattoo parlor ablaze, resulting in a mysterious explosion that leaves the Florida Gulf Coast fishing village of Cedar Key in an uproar.