American painter Edward Hopper once said, "Maybe I am not very human--what I wanted to do was to paint sunlight on the side of a house." Indeed, Hopper's canvases delineate a new physics of Modern public space, in which the zones between people are not charged with responsiveness (affection, animosity, attraction) but with absolute indifference. Whether alone or grouped, Hopper's solitary figures bespeak Modern metropolitan conditions with a clarity that is deepened by his very specific ability to capture architecture, interior space and, of course, light. The legacy of this vision, coupled with Hopper's unique vocabulary, can be seen in the work of numerous artists today, who are also featured here. Among them are Ed Ruscha, Jim Jarmusch, Todd Haynes, Richard Prince, Rachel Whiteread, Jeff Wall, Markus Schinwald, Philip Lorca diCorcia, David Claerbout, Mark Lewis and Tim Eitel.

In the second volume of the acclaimed "Gas, Food, Lodging" trilogy, authors John Jakle, Keith Sculle, and Jefferson Rogers take an informative, entertaining, and comprehensive look at the history of the motel. From the introduction of roadside tent camps and motor cabins in the 1910s to the wonderfully kitschy motels of the 1950s that line older roads and today's comfortable but anonymous chains that lure drivers off the interstate, Americans and their cars have found places to stay on their travels. Motels were more than just places to sleep, however. They were the places where many Americans saw their first color television, used their first coffee maker, and walked on their first shag carpet. Illustrated with more than 230 photographs, postcards, maps, and drawings, The Motel in America details the development of the motel as a commercial enterprise, its imaginative architectural expressions, and its evolution within the place-product-packaging concept along America's highways. As an integral part of America's landscape and culture, the motel finally receives the in-depth attention it deserves.

- A guide to funky, retro, and off-the-beaten-path motels around the United States from the author of ROAD TRIP AMERICA.- Featured motels include one where the windows face a working drive-in theater, making your bed the best seat in the house, and another where each room is an individual teepee.- Learn the inspiring stories of owners maintaining impossible-to-duplicate motels in the face of cookie cutter chains.

Winner, 2012 Sally Hacker Prize, Society for the History of Technology Hotel Dreams is a deeply researched and entertaining account of how the hotel's material world of machines and marble integrated into and shaped the society it served. Molly W. Berger offers a compelling history of the American hotel and how it captured the public's imagination as it came to represent the complex—and often contentious—relationship among luxury, economic development, and the ideals of a democratic society. Berger profiles the country's most prestigious hotels, including Boston's 1829 Tremont, San Francisco's world-famous Palace, and Chicago's enormous Stevens. The fascinating stories behind their design, construction, and marketing reveal in rich detail how these buildings became cultural symbols that shaped the urban landscape.

An encyclopedia with a twist, The Route 66 Encyclopedia presents alphabetical entries on Route 66 history, landmarks, personalities, and culture, from Bobby Troup’s anthem “Route 66� to The Grapes of Wrath to the Wigwam Motel, illustrated with over 1,000 old and new, color and black-and-white photos and memorabilia.You'll learn about Jack Rittenhouse and Will Rogers as well as the contributions of lesser-known figures like Arthur Nelson and Angel Delgadillo. With references to the old (including the history of the U Drop Inn Café in Texas) and new (including a section about the recent Cars movie), The Route 66 Encyclopedia provides a sweeping look at a highway that has become more than just a road. These pages cover the history of Route 66 and the people who played a role in its transformation from highway to icon between 1926 and the present, but like the highway itself, this work does not fit within the traditional confines of generalities or terminology. Yes, this is an encyclopedia, a reference book for all things Route 66. However, it is also a time capsule, a travel guide, a history book, a memorial, a testimonial, and a chronicle of almost a century of societal evolution.

Steve Fitch is among America's most well-known chroniclers of the American West since the days of Easy Rider. He has been photographing examples of the West's changing vernacular landscape and vanishing roadside landmarks for more than 40 years. In his new book, he presents both the ancient and the modern by way of petroglyphs, neon motel signs and hand-painted business signs, drive-in movie theater screens, and radio and cell towers. All of them are now endangered because of the advent of the Interstate Highway System and corporate franchises.In this fascinating and comprehensive account, we are able to join in Fitch's expansive journey, truly an odyssey, as represented in the book's 120 unforgettable photographs, all sequenced to mimic the open road--both during day and night. Fitch explains the project in his informative introduction, in which, interestingly, he suggests that the petroglyphs of the ancient Pueblo people have endured far better and longer than anything made during the last sixty years. Curator Toby Jurovics, in his insightful concluding essay, positions Fitch's work in relation to that of the practitioners of the photographic style known as the "New Topographics" and Fitch's own view of photography as a visual form of cultural anthropology. Vanishing Vernacular: Western Landmarks is sure to become a modern-day classic, a book that will be all the more revered as America and Americans move farther away from the highways of the past. That economy and roadside culture are vanishing like endangered species, but Fitch was along for the ride. In sharing that past, he has been witness to his own form of historic preservation.

Indian Americans own about half of all the motels in the United States. Even more remarkable, most of these motel owners come from the same region in India and—although they are not all related—seventy percent of them share the surname of Patel. Most of these motel owners arrived in the United States with few resources and, broadly speaking, they are self-employed, self-sufficient immigrants who have become successful—they live the American dream. However, framing this group as embodying the American dream has profound implications. It perpetuates the idea of American exceptionalism—that this nation creates opportunities for newcomers unattainable elsewhere—and also downplays the inequalities of race, gender, culture, and globalization immigrants continue to face. Despite their dominance in the motel industry, Indian American moteliers are concentrated in lower- and mid-budget markets. Life Behind the Lobby explains Indian Americans' simultaneous accomplishments and marginalization and takes a close look at their own role in sustaining that duality.

Family continues to be a wellspring of inspiration and learning for Blanco. His third book of poetry, Looking for The Gulf Motel is a genealogy of the heart, exploring how his family's emotional legacy has shaped—and continues shaping—his perspectives. The collection is presented in three movements, each one chronicling his understanding of a particular facet of life from childhood into adulthood. As a child born into the milieu of his Cuban exiled familia, the first movement delves into early questions of cultural identity and their evolution into his unrelenting sense of displacement and quest for the elusive meaning of home. The second begins with poems peering back into family again, examining the blurred lines of gender, the frailty of his father-son relationship, and the intersection of his cultural and sexual identities as a Cuban-American gay man living in rural Maine. In the last movement, poems focused on his mother's life shaped by exile, his father's death, and the passing of a generation of relatives, all provide lessons about his own impermanence in the world and the permanence of loss. Looking for the Gulf Motel is looking for the beauty of that which we cannot hold onto, be it country, family, or love.