This book examines narratives of individual religious transformation in Western European literature and culture. Religious individuals, themes, experiences and communities are widely represented in diverse literature and culture, including literary texts and visual arts and media. Taking the subject of religious transformation as an angle from which to study constructions of religion, gender and race, this book reveals through various case studies what authors, documentary makers, film makers and playwrights consider to be important (possible) shifts between the old and the new, continuities and discontinuities, and the formation of the self. The chapters demonstrate how individual religious transformations are understood to be shaped by various intersections of difference, and point at the need to consider gender as always related to and co-constructing religion and race. This transdisciplinary and intimate study provides a fresh lens through which to examine pressing questions regarding the place and future of religion, gender and race in contemporary Western Europe.

This book is an introduction to the history of the concept and the institution of (fine) art, from its ancient Southern European roots to the establishment of the modern system of the arts in eighteenth century Central Europe. It highlights the way the concept and institution of (fine) art, through colonialism and diaspora, conquered the world. Ryynänen presents globally competing frameworks from India to Japan but also describes how the art system debased local European artistic cultures (by women, members of the working class, etc) and how art with the capital A appropriated not just non-Western but also Western alternatives to art (popular culture). The book discusses alternative art forms such as sport, kitsch, and rap music as pockets of resistance and resources for future concepts of art. Ultimately, the book introduces nobrow as an alternative to high and low, a new concept that sheds light on the democratic potentials of the field of art and invites reader to rethink the nature of art.

This volume presents the first comprehensive academic study of the history and development of performance art in the former communist countries of Central, Eastern and South Eastern Europe since the 1960s. Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists. The discussions are based on primary source material-interviews with the artists themselves. It offers a comparative study of the genre of performance art in countries and cities across the region, examining the manner in which artists addressed issues such as the body, gender, politics and identity, and institutional critique.