Representing over 20 years of research, West Virginia Glass Towns documents 460 hot glass manufacturers in the Mountain State, and spanning about 200 years of historic glass production. From bottles to window glass, art glass to practical tableware, it was all made here. Using hundreds of photographs, fire insurance maps, period archival material, advertisements, catalogs and much more, West Virginia Glass Towns tells the rich legacy of West Virginia glass in images and pictures. Here are the faces of men and women who made the glass, the factories, site maps, and a wide variety of other illustrations. Included are small one-person art glass studios and massive international corporations like Owens-Illinois and Corning. If hot glass was made in West Virginia it is represented here. Arranged alphabetically by city, each town begins with a short introductory overview, followed by a chronological listing of factories, dates and products produced, and then a rich diversity of images. It is a priceless tool for students of history and glass, as well as those desiring to understand the complex tapestry of the states past.

Over twenty West Virginia glass companies, including AlleyTM, BeaumontTM, FentonTM, FostoriaTM, MonongahTM, MorgantownTM, Seneca GlassTM, and West Virginia Glass SpecialtyTM, are featured. More than 500 color photographs display items produced from the 1920s through the 1940s. Advertisements, individual essays about each company, and current values in the captions are provided.

One of the central questions facing scholars of Appalachia concerns how a region so rich in natural resources could end up a symbol of poverty. Typical culprits include absentee landowners, reactionary coal operators, stubborn mountaineers, and greedy politicians. In a deft combination of labor and business history, Glass Towns complicates these answers by examining the glass industry s potential to improve West Virginia s political economy by establishing a base of value-added manufacturing to complement the state s abundance of coal, oil, timber, and natural gas. Through case studies of glass production hubs in Clarksburg, Moundsville, and Fairmont (producing window, tableware, and bottle glass, respectively), Ken Fones-Wolf looks closely at the impact of industry on local populations and immigrant craftsmen. He also examines patterns of global industrial restructuring, the ways workers reshaped workplace culture and political action, and employer strategies for responding to global competition, unreliable markets, and growing labor costs at the end of the nineteenth century. "

One of the most comprehensive books in the collecting field. Heavily illustrated with color images, historical documents, and catalog pages, it will satisfy both the collector and the glass historian. Each pattern is illustrated, most with beautiful color photos, and all are carefully described. A guide to current values is included. It offers the first chronological overview of the company's growth. An easy identification guide compiles every known pattern.

Over 190 illustrations from L.G. Wright Glass Company catalogs display the vast array of glassware items sold by this New Martinsville, West Virginia, company from c. 1937 to 1999. Among the wares displayed are Early American Pattern Glass goblets, animal covered dishes, Opalescent, Carnival, Cased, Custard, Moon & Star, and Art glass, pressed patterns, and novelties. The captions for the catalog pages include original pattern names, line or piece numbers, and current market values.

A fascinating compendium of the hand-made, mold-blown glassware produced in Morgantown, West Virginia, displayed in over 860 color photographs. The striking colors, etchings, cuttings, and cased filament stems make Morgantown glass distinctive and appealing. Descriptions of specific techniques are given by employees.

A triumphant tale of a young woman and her difficult childhood, The Glass Castle is a remarkable memoir of resilience, redemption, and a revelatory look into a family at once deeply dysfunctional and wonderfully vibrant. Jeannette Walls was the second of four children raised by anti-institutional parents in a household of extremes.

Illustrated with over 690 brilliant color and black and white photos, the engaging text takes readers through the Mid-century Modern glass made in America. The book is divided into two sections, the first on glass manufacturers and the second on glass decorators and designers. Glass manufacturers covered include Bischoff, Blenko, Cambridge, Duncan & Miller, Erickson, Fenton, Fostoria, A.H. Heisey, Morgantown, Paden City, Seneca, and many more. Glass decorators and designers include Stan Fistick, Fred Press, Gay Fad, Ben Seibel, Russel Wright, and Eva Zeisel, among others. Cold glass decorations displayed include painting, decals, cutting, etching, and all other surface decoration. The beautiful wares, in a range of colors and crystal, covered include giftware, stemware, and tableware. Among the giftware items are beautiful vases, candy dishes, smoking items, and all other items not intended for tabletop use. Textured tumblers are also found among the drinkware explored. This book is a must for anyone who appreciates beautiful glass.

This is a manual for collectors, sellers and the curious with over 630 full-color photos of Culver glassware patterns, including those of 132 patterns identified by original pattern name – most with known years of production. The manual also includes common hardware sold with Culver glassware and barware sets, tips for the care and maintenance of Culver glassware, advice on shipping glass, unknown names and dates of verified Culver patterns featuring animals, glass jewel-studs, holiday themes, maritime themes, people & places, plants, fruits & vegetables and miscellaneous others. The manual also has information about Culver glassware shapes/pieces and types of Culver beverage glasses. Vintage Culver advertizing and sales-catalog print images are found throughout.

Magic in the Mountains is the story of Kelsey Murphy, the extraordinary woman who revolutionized the creation of cameo glass. Her willingness to marry fine art to manufacturing gave her the incomparable advantage of using fourteen tanks of colorful glass as her palette. The cased blanks produced at Pilgrim Glass Corporation have never been equaled anywhere else in the world. But this is more than simply Kelsey's story. It is the story of her family and her teachers. The story of the talent and skill of those people she pulled into her wake, including fellow artist and machinist Robert Bomkamp and Pilgrim Glass Corporation CEO Alfred E. Knobler. It is the story of all the forces that gathered in Ceredo, West Virginia, the small town and its people who believed in the magic of cameo glass and possessed the resources and willpower to make it happen.