Hidden and long-forgotten stories of frontier San Antonio

The sequel to Losers, Inc. and You're a Brave Man, Julius Zimmerman As seventh grade begins, Lizzie Archer knows she can't endure another year of being derided as the class nerd. Maybe she can't stop being smart -- does she want to? -- but at least she doesn't have to look so different. Out of her Emily Dickinson dresses and into Gap jeans she goes, and the effect is amazing. The girls talk to her; the boys tease her. But her braininess remains an obstacle to her popularity, and Lizzie wants so to be liked, especially by Ethan Winfield. To her teacher's amazement, Lizzie begins to make mistakes in math. Ethan is horrified -- he's her math partner -- but no one is more unhappy, or confused, than Lizzie. Will she ever find herself? Through her sparkling Lizzie Archer, Claudia Mills extends a hand to girls, gently encouraging them to be all that they can and to feel confident that like will befriend like.

The stories of three former Colorado ranch owners and their unconventional living arrangement opens a window on life in the West throughout the last century.

Follows the development of a rural Illinois community from its origins near the beginning of the nineteenth century, looks at community activity, and tells the stories of ordinary pioneers

The West found in Linda Hasselstrom's poems is neither the mythical Old West nor the New West of ranchettes and trophy homes. Hasselstrom's aria is set to the rhythms of the authentic West, laced with lyrical realism, and distilled to the sharp crispness of a plains morning. Here you'll find the night heron whose "slender beak descends, a sudden hammer on a silver spine." You'll "give yourself sunsets]]in shades of pink and gold" while "long tatters curl eastward like discarded ribbons."

When Rita Williams was four, her mother died in a Denver boarding house. This death delivered Rita into the care of her aunt Daisy, the last surviving African American widow of a Union soldier and a maverick who had spirited her sharecropping family out of the lynching South and reinvented them as ranch hands and hunting guides out West. But one by one they slipped away, to death or to an easier existence elsewhere, leaving Rita as Daisy's last hope to right the racial wrongs of the past and to make good on a lifetime of thwarted ambition. If the Creek Don't Rise tells how Rita found her way out from under this crippling legacy and, instead of becoming "a perfect credit to her race," discovered how to become herself. Set amid the harsh splendor of the Colorado Rockies, this is a gorgeous, ruthless, and unique account of the lies families live-and the moments of truth and beauty that save us.

'Set in 1864 Colorado Territory, based on the actual occurrences leading up to the Sand Creek Massacre of Cheyenne and Arapahoe "friendly Indians," led by John Chivington. The main character in this novel is fictional, but much of the novel is based on actual historical people and events. John Buzzard deals with the historical people, issues, and events with a clear eye, the wisdom of hindsight, the informed perspective of a researcher. He brings history to life and reminds us not to allow fear, distrust, and anger to escalate to the place where we would ever again experience such a day as That Day by the Creek!" --