Mallorie starts with a small role in the local theater's production of the Werewolf of Warwick. But she stumbles into the lead role because of Vicky's inability to play the part. Will Mallorie regret taking the lead role from Vicky or will she be a star?

The first definitive work on werewolfery incorporates an extensive range of historical documentation and folklore. Written in a Gothic style by a venerable author of occult studies, it's rich in fascinating examples and anecdotes and offers compelling fare for lovers of the esoteric.

Endore's classic werewolf novel - now back in paperback for the first time in over forty years - helped define a genre and set a new standard in horror fiction The werewolf is one of the great iconic figures of horror in folklore, legend, film, and literature. And connoisseurs of horror fiction know that The Werewolf of Paris is a cornerstone work, a masterpiece of the genre that deservedly ranks with Mary Shelley's Frankenstein, Bram Stoker's Dracula, and Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde. Endore's classic novel has not only withstood the test of time since it was first published in 1933, but it boldly used and portrayed elements of sexual compulsion in ways that had never been seen before, at least not in horror literature. In this gripping work of historical fiction, Endore's werewolf, an outcast named Bertrand Caillet, travels across pre-Revolutionary France seeking to calm the beast within. Stunning in its sexual frankness and eerie, fog-enshrouded visions, this novel was decidedly influential for the generations of horror and science fiction authors who came afterward.

Beware the Full Moon! Take a hair-raising tour of werewolf legends. Meet shape-shifters, dogmen, and all variety of human and lupine mixes in this blood curling story collection from two distinguished paranormal researchers! From today's lycanthropic creatures found in pop culture such as Dracula, Twilight and An American Werewolf in London to the earliest mentions in folklore of the shape-shifting legend, Werewolf Stories: Shape-Shifters, Lycanthropes, and Man-Beasts is an eye-opening tour through the ages of all things werewolf. Along the way, readers land at the doorstep of creatures like serial killer Fritz Haarmann, tiger people and their thirst for human blood, Romulus and Remus, the legendary founders of Rome, shapeshifters of all kinds and sizes, and even a spell to repel werewolves. This fascinating tome provides 140,000 years of blood-pounding evidence of strange and obsessional behavior. It tells of stories of becoming a werewolf and the intricacies of slaying the beast. A true homage to the creature, it includes full moon of topics such as … Fenrir, the wolf child of the giantess Angrboda and the god Loki, from the Old Norse myth of Ragnarok Notorious serial killers, including Peter Stumpp and Michael Lupo, who thought themselves to be—and modeled their crimes on—werewolves Coyote people, tricksters, and were-animals of Navajo legend The Basque butchers of Louisiana and the loup-garou Diana, the goddess of the wilderness and the hunt, and her pack of hunting dogs, who once ruled all the dark forests of Europe Leopard creature-men and the deadly cult whose members expressed their were-leopard lust for human blood and flesh that has been in existence in West Africa for several hundred years The “werewolf of the Dordogne,” Francis Leroy, and his uncontrollable bloodlust during the full moon The secret terrorist group Organization Werewolf, established in 1923, and its possible allegiance to Adolf Hitler Ghouls from Arabic folklore, the demonic Djinns that hover near burial grounds and sustain themselves on human flesh stolen from graves Tasmania’s thylacine and sightings of the “probably extinct” creature and its remarkable—and frightening—jaw capacity Alaska’s Kushtaka and other stories of the Bigfoot man-beast Puerto Rico’s chupacabra and its powerful goat-like legs, three-clawed feet, and penchant for sucking blood The Doñas de Fuera of Sicily, small fairies who looked human, aside from their paw-like feet, and were cruel and dangerous when crossed Enkidu, perhaps our earliest written record of a man-beast that appears on a Babylonian fragment circa 2000 BCE and tells the story of King Gilgamesh and his werewolf-like friend in The Epic of Gilgamesh And many more stories and histories of werewolves, night-stalkers, lycanthropes, and man-beasts Noted cryptozoologists and paranormal researchers Nick Redfern and Brad Steiger share personal stories and encounters with werewolves in Werewolf Stories. They take a deep dive into the legends, the history, the pop-culture take on the man-beast. It's a wild and weird road-trip into the mystery-filled domain of the disturbingly real world of shape-shifters and werewolves!

The ambition of this book is to resituate the problem of 'world literature', considered as a revived category of theoretical enquiry, by pursuing the literary-cultural implications of the theory of combined and uneven development. This theory has a long pedigree in the social sciences, where it continues to stimulate debate. But its implications for cultural analysis have received less attention, even though the theory might be said to draw attention to a central -perhaps the central - arc or trajectory of modern(ist) production in literature and the other arts worldwide. It is in the conjuncture of combined and uneven development, on the one hand, and the recently interrogated and expanded categories of 'world literature' and 'modernism', on the other, that this book looks for its specific contours. In the two theoretical chapters that frame the book, the authors argue for a single, but radically uneven world-system; a singular modernity, combined and uneven; and a literature that variously registers this combined unevenness in both its form and content to reveal itself as, properly speaking, world-literature. In the four substantive chapters that then follow, the authors explore a selection of modern-era fictions in which the potential of their method of comparativism seems to be most dramatically highlighted. They treat the novel paradigmatically, not exemplarily, as a literary form in which combined and uneven development is manifested with particular salience, due in no small part to its fundamental association with the rise of capitalism and its status in peripheral and semi-peripheral societies as a 'modernising' import. The peculiar plasticity and hybridity of the novel form enables it to incorporate not only multiple literary levels, genres and modes, but also other non-literary and archaic cultural forms - so that, for example, realist elements might be mixed with more experimental modes of narration, or older literary devices might be reactivated in juxtaposition with more contemporary frames.

What would you do if you discovered you weren't completely human? Garrick is happy with his life. Working for the Agency, he tracks down rogue werewolves and gives them the choice between registration and imprisonment. Until he meets Amy. She is something different, something he has never encountered before and he wants to know more. For Amy, life is uncomplicated and she has her entire future mapped out. Until she meets Garrick and finds herself questioning everything she knows about her life and the world she thought she understood. Amy believes Garrick is insane when he claims that not only do werewolves exists, but that she is one. Until he proves it to her. Discovering that she is the first known human/werewolf half-breed, is only the start of her problems. Does Amy have werewolf powers she can tap into? Can she transform into a wolf? Does she even want to? And what does this mean for her planned future? She finds the answers to these questions in ways she never dreamed possible and is left wishing she had never found out the truth. When they discover that a group of rogue werewolves want everyone connected with the Agency dead, she finds out how much worse things can get.

Jump into an eerie Victorian-style mystery with an off-kilter, charming twist in the next knockout collaboration from Mike Mignola and Warwick Johnson-Cadwell! Monster hunters extraordinaire Professor Meinhardt, Mr. Knox, and Ms. Van Sloan have teamed up to slay spooks and investigate the uncanny before, but now they'll tackle a question that's haunted them for years: What happened to their friend and vampire slayer extraordinaire, James Falconspeare? Rendered in Johnson-Cadwell's signature loose, expressive style, and with gorgeous cover from Mignola and colorist Dave Stewart, this book will be a treat for fans of Mr. Higgins Comes Home and Our Encounters with Evil as well as folks new to the world Johnson-Cadwell and Mignola have created.

Our understanding of lycanthropy is limited by our association of it with contemporary portrayals of werewolves in horror films and gothic fiction. No rational person today believes that a human being can literally be metamorphosed into a wolf; therefore, in the absence of an historical context, the study of werewolves can appear to be a wayward pursuit of the perversely irrational and the sensational. This Reader provides the historical context Drawing on primary sources, it is a comprehensive survey of all aspects of lycanthropy, with a focus on the medieval and Renaissance periods. Lycanthropes were on trial in the courtrooms of Europe, and on examination in medical offices and mental hospitals; they were the objects of communal fear and pity, and the subjects of sermons and philosophical treatises. In the Introduction to the Reader, Charlotte Otten shows that the study of lycanthropy uncovers basic issues in human life the significance of violence and criminality, the role of the demonic in aberrant behavior, and ultimately the nature of good and evil The implications for modern life are immediately apparent. The Reader is divided into six sections ( 1) Medical Cases, Diagnoses, Descriptions; (2) Trial Records, Historical Accounts, Sightings; (3) Philosophical and Theological Approaches to Metamorphosis; ( 4) Critical Essays on Lycanthropy (Anthropology, History, and Medicine); (5) Myths and Legends; and (6) Allegory . Each section has an introduction that summarizes and interprets the materials.

When Darkness Reigns and the Full Moon Glows, Terror Emerges to Stalk the Unsuspecting… From lycanthropic creatures found on television and film such as Teen Wolf, Twilight, and True Blood to the earliest folklore of shape-shifting creatures, The Werewolf Book: The Encyclopedia of Shapeshifting Beings is an eye-opening, blood-pounding tour through the ages of monsters with the most amazing camouflage capabilities—they hide among us! Along the way, you’ll land at the doorstep of creatures like hirsute mass-murderer Albert Fish, and Fritz Haarman, who slaughtered and ate his victims—selling the leftovers as steaks and roasts in his butcher shop—as well as visits to mythical shamans, sirens, and skin walkers. Covering 140,000 years of legend, mythology, and fact, The Werewolf Book provides hair-raising evidence of strange and obsessional behavior through the centuries. Learn the basics of becoming a werewolf and the intricacies of slaying the beast. A true homage to werewolves and other full moon beasts, it includes topics such as … • Bear, tiger, coyote, and other shape-shifting people • Classic and modern werewolf movies • Gargoyles, totem poles, and Internet depictions • Serial killers and sadistic rulers • Sorcery, spells, and talismans • Television shows, songs, and computer games Werewolf hunters and fans of all ages will appreciate the detailed section on slaying the beast, while potential victims will find the information on detecting and warding away the occasional wayward wolfman more to their immediate liking—if not need. With over 120 illustrations and photos this ultimate lycanthrope compendium is richly illustrated. The Werewolf Book's helpful bibliography and extensive index add to its usefulness.

Mortal enemies… …bound by a kiss When his spirit is separated from his body, werewolf Zane Wilder is invisible to everyone—except Vivianne Marchetta. A vampire who has good reason to loathe all lycans, Vivianne is eager to be rid of her shifter shadow. But the spell that should sever the connection between this mismatched pair only deepens their bond. Can they trust each other enough to survive this transformation, or will it destroy them both?