On crime and violence in the United States

A controversial examination of the influence and presence of the Norse god Odin in contemporary history and culture • Documents Odin’s role in the rise of Nazi Germany, the 1960s counterculture revolution, nationalist and ecological political movements, and the occult revival • Examines the spiritual influence of Odin in relation to Jesus Christ • Profiles key individuals instrumental in the rise of the modern pagan renaissance Exploring the influence of the Norse god Odin in the modern world, Richard Rudgley reveals Odin’s central role in the pagan revival and how this has fueled a wide range of cultural movements and phenomena, including Nazi Germany, the 1960s counterculture revolution, the Lord of the Rings, the ecology movement, and the occult underground. Rudgley argues that it is Odin and not Jesus Christ who is the single most important spiritual influence in modern Western civilization. He analyzes the Odin archetype--first revealed by Carl Jung’s famous essay on Wotan--in the context of pagan religious history and explains the ancient idea of the Web--a cosmic field of energies that encompasses time, space, and the hidden potentials of humanity—the pagan equivalent to the Tao of Eastern tradition. The author examines the importance of the concept of wyrd, which corresponds to “fate” or “destiny,” exploring techniques to read destiny such as the Runes as well as the existence of yoga in prehistoric and pagan Europe, which later produced the Norse Utiseta, an ancient system of meditation. Rudgley documents how the Odin archetype came into play in Nazi Germany with the rise of Hitler and the pagan counterculture of the 1960s. He examines how the concept of subterranean and mythic realms, such as the Hollow Earth, Thule, and Agartha, and mysterious energies like Vril were manifested in both occult and profane ways and investigates key occult figures like Madame Blavatsky, Guido von List, and Karl Wiligut. He provides pagan analyses of Tolkien and the Lord of the Rings and documents the impact the Odin archetype has had on nationalist and fascist groups in America and Europe. Examining pagan groups in Europe and America that use the Norse template, Rudgley reveals true paganism as holistic and intimately connected with the forces at work in the life of the planet. Showing how this “green” paganism can be beneficial for dealing with the adverse consequences of globalization and the ongoing ecological crisis, he explains how, when repressed, the Odin archetype is responsible for regressive tendencies and even mass-psychosis--a reflection of the unprecedented chaos of Ragnarok--but if embraced, the Odin archetype makes it possible for like-minded traditions to work together in the service of life.

This volume offers an interdisciplinary study of how different cultures have sought to transform individuals into warriors. War changes people, however a less explored question is how different societies want people to change as they are turned into warriors. When societies go to war they recognize that a boundary is being crossed. The participants are expected to do things that are otherwise prohibited, or at least governed by different rules. This edited volume analyses how different cultures have conceptualized the transformations of an individual passing from a peacetime to a wartime existence to become an active warrior. Despite their differences, all societies grapple with the same question: how much of the individual’s peace-self should be and can be retained in the state of war? The book explores cases such as the Nordic berserkers, the Japanese samurai, and European knights, as well as modern soldiers in Germany, Liberia, and Sweden. It shows that archaic and modern societies are more similar than we usually think: both kinds of societies use myths, symbols, and rituals to create warriors. Thus, this volume seeks to redefine theories of modernization and secularization. It shows that military organizations need to take myths, symbols, and rituals seriously in order to create effective units. This book will be of much interest to students of military studies, war studies, sociology, religion, and international relations in general.

This book brings together contributions from anthropologists and folklorists on werewolf legends from all over Europe. Ranging from broad overviews to specific case studies, their chapters highlight the similarities and differences between werewolf narratives in different areas and attempt to explain them. The result of interaction between elite and popular culture, local and external influences, and nature and culture that lasted several centuries or even more, nineteenth- to twenty-first-century werewolf legends represent a kaleidoscope of the darker sides of human life.

When Lyleia Naiad was head-hunted by Brimstone, Inc., for her job as Executive Assistant to a high-powered billionaire demigod, she was given one directive—do NOT fall in love with Castor Dioskouri. Doesn’t matter if he’s the son of Zeus and can electrify a room with a single glance. As an ex-nymph, she possesses a unique ability—a gift from the goddesses to protect nymphs from the randy gods—to resist her boss's charms. Or so she thought. He insists she accompany him to an alpha wolf shifter mating ceremony, an event where the pheromones fly, and so do clothes...and inhibitions. Goddesses save her, because Castor has stolen into Lyleia’s heart, and she’s not so sure she can hold out much longer... This novella was previously self published but has undergone a complete re-edit. Scenes were added, things were changed, but the kissing still remains! Each book in the Brimstone, Inc. series is STANDALONE: * The Demigod Complex * Shift Out of Luck * Bait N' Witch * Try as I Smite

The werewolf is an increasingly popular subject of academic study, and several monographs have been published in recent years. Of these, the closest in format and subject matter (e.g. the contemporary werewolf in popular fiction) are as follows: Chantal Bourgault Du Coudray, The Curse of the Werewolf: Fantasy, Horror, and the Beast Within (New York: I.B. Tauris & Co Ltd, 2006) Brent A. Stypczynski, The Modern Literary Werewolf: A Critical Study of the Mutable Motif (Jefferson, NC and London: McFarland, 2013) Kimberly McMahon-Coleman and Rosalyn Weaver, Werewolves and Other Shapeshifters in Popular Culture (Jefferson NC: McFarland, 2012)

Myth and magic collide in this award-winning, action romance where gods manipulate humans into war, and one witch uses her magic, wits, and unfailing humor to conquer them. Vervain stumbles into the secret world of the Gods when she discovers their plans for humanity. With magic, determination, and pure, dumb luck, Vervain fights back; she begins to hunt the Gods. But not all gods are evil, and Vervain is about to discover one more secret; the Gods are at war. There are rebel gods fighting for the human race, and Vervain is about to become their greatest weapon. Praise for The Godhunter Series: "Smart, sexy, sassy and sweet this story holds adventure and romance, with a well written and witty take on mythology. Read this now!” ~Kevin Sitze "Vervain, her Gods and her men, they breathe in a way that I am unable to describe!" ~Diana Rumbold "They are so good, they should be savored, but instead I binged on them like a kid on Halloween." ~Constand Reader

In recent years, shapeshifting characters in literature, film and television have been on the rise. This has followed the increased use of such characters as metaphors, with novelists and critics identifying specific meanings and topics behind them. This book aims to unravel the shapeshifting trope. Rather than pursue a case-based study, the works are grouped around specific themes--adolescence, gender, sexuality, race, disability, addiction, and spirituality--that are explored through the metaphor of shapeshifting. Because of the transformative possibilities of this metaphor and its flexibility, the shapeshifter has the potential to change how we see our world. With coverage of iconic fantasy texts and a focus on current works, the book engages with the shapeshifting figure in popular culture from the United States, Canada, the United Kingdom, and Australia. Instructors considering this book for use in a course may request an examination copy here.

Half-man-half-myth, the werewolf has over the years infiltrated popular culture in many strange and varied shapes, from Gothic horror to the 'body horror' films of the 1980s and today's graphic novels. Yet despite enormous critical interest in myths and in monsters, from vampires to cyborgs, the figure of the werewolf has been strangely overlooked. Embodying our primal fears - of anguished masculinity, of 'the beast within' - the werewolf, argues Bourgault du Coudray, has revealed in its various lupine guises radically shifting attitudes to the human psyche. Tracing the werewolf's 'use' by anthropologists and criminologists and shifting interpretations of the figure - from the 'scientific' to the mythological and psychological - Bourgault du Coudray also sees the werewolf in Freud's 'wolf-man' case and the sinister use of wolf imagery in Nazism. "The Curse of the Werewolf" looks finally at the werewolf's revival in contemporary fantasy, finding in this supposedly conservative genre a fascinating new model of the human's relationship to nature. It is a required reading for students of fantasy, myth and monsters. No self-respecting werewolf should be without it.

Becoming-animal is a key concept for Deleuze and Guattari; the ambiguous idea of the animal as human and nonhuman life infiltrates all of Deleuze's work. These 16 essays apply Deleuze's work to analysing television, film, music, art, drunkenness, mourning, virtual technology, protest, activism, animal rights and abolition. Each chapter questions the premise of the animal and critiques the centrality of the human. This collection creates new questions about what the age of the Anthropocene means by 'animal' and analyses and explores examples of the unclear boundaries between human and animal.