"We're Not Leaving" is a compilation of powerful first-person narratives told from the vantage point of World Trade Center disaster workers-police officers, firefighters, construction workers, and other volunteers at the site. While the effects of 9/11 on these everyday heroes and heroines are indelible, and in some cases have been devastating, at the heart of their deeply personal stories-their harrowing escapes from the falling Towers, the egregious environment they worked in for months, the alarming health effects they continue to deal with-is their witness to their personal strength and renewal in the ten years since. These stories, shared by ordinary people who responded to disaster and devastation in extraordinary ways, remind us of America's strength and inspire us to recognize and ultimately believe in our shared values of courage, duty, patriotism, self-sacrifice, and devotion, which guide us in dark times.

This memoir of “a happy childhood in rural Missouri just before the digital revolution [is] a sweet record of a time and a place that was not Always On.” —St. Louis Post-Dispatch Spanning one year of the author’s life—1984—I Will Not Leave You Comfortless is the intimate memoir of a young boy coming to consciousness in small-town Missouri. The year will bring ten-year-old Jeremy first loves, first losses, and a break from the innocence of boyhood that will never be fully repaired. For Jeremy, the seeming security of his life on the family farm is forever shaken by the life-altering events of that pivotal year. Throughout, he recalls the deeply sensual wonders of his rural Midwestern childhood—bicycle rides in September sunlight; the horizon vanishing behind tall grasses—while stories both heart-wrenching and humorous, tragic and triumphant, Jackson weaves past, present, and future into the rich Missouri landscape. “I could smell the mulberries crushed underfoot and the sweet steam of the cinnamon roll Grandma heated in the toaster oven just for Jeremy, hear the ever-increasing volume of an approaching late-spring storm . . . The year of Jeremy Jackson’s life on which he meditates in I Will Not Leave You Comfortless marked his transition from the perfect happiness of childhood to the much more complex reality of adulthood. It records, as well, the abiding comfort that remains—family, home and love.” —Wichita Eagle “Jackson writes about Missouri as the young Hemingway wrote about Michigan: with a clear eye; with hard-edged nostalgia; and (here’s the thing) with brilliance.” —Darin Strauss, author of Half a Life

A guide for grad students and academics who want to find fulfilling careers outside higher education. With the academic job market in crisis, 'Leaving Academia' helps grad students and academics in any scholarly field find satisfying careers beyond higher education. The book offers invaluable advice to visiting and adjunct instructors ready to seek new opportunities, to scholars caught in "tenure-trap" jobs, to grad students interested in nonacademic work, and to committed academics who want to support their students and contingent colleagues more effectively. Providing clear, concrete ways to move forward at each stage of your career change, even when the going gets tough, 'Leaving Academia' is both realistic and hopeful.

The first book length anthropological study of voluntary assisted dying in Switzerland, Leaving is a narrative account of five people who ended their lives with assistance. Stavrianakis places his observations of the judgment to end life in this way within a larger inquiry about how to approach and understand the practice of assisted suicide, which he characterizes as operating in a political, legal, and medical “parazone,” adjacent to medical care and expertise. Frequently, observers too rapidly integrate assisted suicide into moral positions that reflect sociological and psychological commonplaces about individual choice and its social determinants. Leaving engages with core early twentieth-century psychoanalytic and sociological texts arguing for a contemporary approach to the phenomenon of voluntary death, seeking to learn from such conceptual repertoires, as well as to acknowledge their limits. Leaving concludes on the anthropological question of how to account for the ethics of assistance with suicide: to grasp the actuality and composition of the ethical work that goes on in the configuration of a subject, one who is making a judgment about dying, with other participants and observers, the anthropologist included.

Cuba was a playground for the wealthy in the 1950s. It was a place to bask in the sun during the day, and enjoy many fine nightclubs, restaurants, theaters, and casinos after the sun went down. Many wealthy Americans traveled to Cuba for both business and pleasure. In January of 1959, everything changed. I was a little girl in Cuba at that time. I was living a life of luxury with practically anything that my little heart desired. My family had a chauffeur and homes in the city, in the country, and at the beach. I had my own nanny. I had parents and grandparents that loved me and lived close by so that I could see them almost every day. I was truly living a fairy-tale existence. In what seemed like the blink of an eye, my world came crashing down around me. Fidel Castro took over Cuba and made devastating changes to the country - and to the lives of those who lived there. The fairy tale quickly came to an end. Many difficult decisions had to be made by my parents and by many others. The world that we knew no longer existed. We had to leave loved ones and property behind. We had to move forward to a new life in a different country, with different customs, and a different language - and there was no turning back.

Finalist for the Thurber Prize for American Humor "In this surprisingly upbeat memoir, Annabelle Gurwitch writes about the financial curveballs that can hit you in midlife . . . Somehow, Ms. Gurwitch manages to find humor in these setbacks. Ultimately, this is a story about harnessing resilience and learning how life’s disappointments can teach you about the things that matter most." —Tara Parker-Pope, The New York Times From the New York Times bestselling author of I See You Made an Effort comes a timely and hilarious chronicle of downward mobility, financial and emotional. With signature "sharp wit" (NPR), Annabelle Gurwitch gives irreverent and empathetic voice to a generation hurtling into their next chapter with no safety net and proves that our no-frills new normal doesn't mean a deficit of humor. In these essays, Gurwitch embraces homesharing, welcoming a housing-insecure young couple and a bunny rabbit into her home. The mother of a college student in recovery who sheds the gender binary, she relearns to parent, one pronoun at a time. She wades into the dating pool in a Miss Havisham-inspired line of lingerie and flunks the magic of tidying up. You're Leaving When? is for anybody who thought they had a semblance of security but wound up with a fragile economy and a blankie. Gurwitch offers stories of resilience, adaptability, low-rent redemption, and the kindness of strangers. Even in a muted Zoom.

Guilt and self-blame can be incapacitating feelings that only deliberates self-forgiveness will dispel. Forgiving Yourself identifies various types of actions that call for forgiveness, and offers a step-by-step program for eliminating self-defeating behavior so what we may learn to forgive our mistakes, heal our relationships, and get on with becoming our best selves.

Make Your Study Personal and Your Devotions Serious. You study the Bible to connect with God's heart. The NLT Study Bible gives you the tools you need to enter the world of the Bible so you can do just that. Including over 25,000 study notes plus profiles, charts, maps, timelines, book and section introductions, and approximately 300 theme notes, the NLT Study Bible will make your study personal and your devotions serious. This new large print edition features a generous 10-point font. The New Living Translation breathes life into even the most difficult-to-understand Bible passages, changing lives as the words speak directly to their hearts.