Welsh Ballads of the French Revolution provides for the first time an edition, with parallel English translations, of Welsh-language ballads composed in reaction to the momentous events of the Revolution in France and the two decades of war which followed. Ballad writers were first spurred to respond in 1793, when the French monarchs were executed, France declared war upon Britain, and paranoia regarding the possible threat of internal revolt in Britain reached a crisis point. As the decade proceeded, ballads were sung in thanks for the victory of British forces and local people against an invasion of Pembrokeshire by French troops, and in reaction to key naval battles and to the extensive mobilization of militia and volunteer forces. Scholars working on the British response to the Revolution have showed increasing interest in exploring the contents of ballads and songs. The ballad in particular is seen as a vital source of information, since it represents ordinary people's awareness of the developments of the period. Balladry is also subject to continued research within Welsh scholarship, and this volume, with its focus on a clearly defined historical period and its revelation of new voices within the canon of Welsh ballad writers, will drive this field of study forwards. Regional reactions to the Revolution within the British Isles are also now seen as crucially important, but Wales, partly because of the inaccessibility of material composed in the Welsh language, has repeatedly been omitted from the general picture. This volume aids in rectifying this situation, ensuring (by use of translation, copious contextualizing notes, and a lengthy introduction) that both the ballad genre and Welsh reactions receive the attention they deserve from the wider scholarly community.

This anthology of Welsh poetry and English translations presents some of Wales's radical and reactionary responses to the French Revolution and its cultural legacy, 1789-1805.

The serial literature current in Wales between 1789 and 1802 is the most important public repository of radical, loyalist and patriotic Welsh responses to the French Revolution and the Revolutionary Wars. This anthology presents a selection of poetry and prose published in the annual Welsh almanacs, the English provincial newspapers published close to Wales’s border and the three radical Welsh periodicals of the mid-1790s, together with translations of the Welsh texts. An extended introduction sketches out the printing culture of Wales, analyses its public discourse and interprets the Welsh voices in their British political context.

Singing together is a tried and true method of establishing and maintaining a group’s identity. Identity, Intertextuality, and Performance in Early Modern Song Culture for the first time explores comparatively the dynamic process of group formation through the production and appropriation of songs in various European countries and regions. Drawing on oral, handwritten and printed sources, with examples ranging from 1450 to 1850, the authors investigate intertextual patterns, borrowing of melodies, and performance practices as these manifested themselves in a broad spectrum of genres including ballads, popular songs, hymns and political songs. The volume intends to be a point of departure for further comparative studies in European song culture. Contributors are: Ingrid Åkesson, Mary-Ann Constantine, Patricia Fumerton, Louis Peter Grijp, Éva Guillorel, Franz-Josef Holznagel, Tine de Koninck, Christopher Marsh, Hubert Meeus, Nelleke Moser, Dieuwke van der Poel, Sophie Reinders, David Robb, Clara Strijbosch, and Anne Marieke van der Wal.

A collection of essays exploring the impact on Welsh culture of one of the most exciting periods in history, the decades surrounding the French Revolution of 1789.

In recent years, the assumption that traditional songs originated from a primarily oral tradition has been challenged by research into ’street literature’ - that is, the cheap printed broadsides and chapbooks that poured from the presses of jobbing printers from the late sixteenth century until the beginning of the twentieth. Not only are some traditional singers known to have learned songs from printed sources, but most of the songs were composed by professional writers and reached the populace in printed form. Street Ballads in Nineteenth-Century Britain, Ireland, and North America engages with the long-running debate over the origin of traditional songs by examining street literature’s interaction with, and influence on, oral traditions.

Pamphleteering was a vital component of the popular political discussion opened up by the French Revolution of 1789, but while the English pamphlet wars have been exhaustively explored, Welsh pamphlet literature has been ignored. During the fifteen years following the French Revolution of 1789, over 100 Welsh pamphlets and sermons engaged in a public discourse which discussed the larger issues raised by the Revolution and the war against the French Republic. This pioneering volume seeks to capture the excitement of the period by demonstrating how radicals and loyalists, Dissenters, Methodists and Churchmen, pacifists and warmongers engaged in a lively argument in their published works. An in-depth essay reviews and interprets texts written by artisans, Dissenting ministers, country curates and Anglican bishops, who all used religion as politics; promoted war or peace; argued over republicanism and loyalism, and utilized the law as a stage for political ideas. All texts are fully translated and thus made accessible to an English-speaking audience for the first time.

Based on extensive research, The Naval History of Wales tells a compelling story that spans nearly 2,000 years, from the Romans to the present. Many Welsh men and women have served in the Royal Navy and the navies of other countries. Welshmen played major parts in voyages of exploration, in the navy's suppression of the slave trade, and in naval warfare from the Viking era to the Spanish Armada, in the American Civil War, both world wars and the Falklands War. Comprehensive, enlightening, and provocative, The Naval History of Wales also explodes many myths about Welsh history, naval historian J.D. Davies arguing that most Welshmen in the sailing navy were volunteers and that, relative to the size of national populations, proportionately more Welsh seamen than English fought at Trafalgar. Written in vivid detail, this volume is one that no maritime or Welsh historian can do without.

This collection of essays addresses the role of literature in radical politics. Topics covered include the legacy of Robert Burns, broadside literature in Munster and radical literature in Wales.

This new selection of Anglophone Welsh poetry presents a range of literary responses to the French Revolution and the ensuing wars with France, a period in which Wales and its history became prime imaginative territory for poets of all political sympathies.