From the bestselling author of Welcome to Forever (“Full of heart and emotion!”—Lori Wilde) comes a sweet, sexy novel about breaking all the rules. In Seaside, North Carolina, the boys on the base are heroes—but that doesn’t mean they’re always well-behaved. As a preacher’s daughter, Valerie Hunt only dates the very respectable, very boring men who meet her father’s strict standards. In private, however, she leads a double life as a romance writer of steamy stories about the least respectable sorts of men. Valerie has always kept her hottest fantasies separate from her real life, but when she nearly runs a hot-blooded biker off the road, the lines begin to blur. Even though Valerie almost killed him, Griffin Black can’t be angry after he learns the reason for her distracted driving: an unruly puppy belonging to her ailing friend. As a member of the military police K-9 unit, Griffin insists on training the dog himself. But he soon wonders how he’s ever going to stay disciplined around the most alluring, down-to-earth, and totally unattainable woman he’s ever met. Valerie is the ultimate good girl. And Griffin is going to need all his old tricks to unleash her wild side. Praise for Welcoming the Bad Boy “Hot and sweet and adorable and steamy and sexy all at the same time . . . This story captured my heart and left me enamored.”—Books and Spoons Blog “A wonderful series that will have you swoon, laugh, maybe even shed a tear or two at some points, and warm your heart all the way down to your toes (watch out for a bit of heat here and there, too!). . . . The men of Seaside will sweep you off your feet.”—Roberta’s Dream World “Readers (and dog lovers!) who like their romance on the sweet and light side will love this one.”—Girl Plus Books “The read was light, fast, sweet, and hit the spot.”—The Book Junkie “With Welcoming the Bad Boy, you are getting a lot more than a bad boy romance or even a military romance. . . . I love absolutely everything about this book.”—Cara’s Book Boudoir “Enjoy the fun and try not to fall for Griffin . . . it appears he’s already taken.”—Reviews from the Heart Includes an excerpt from another Loveswept title.

A classic memoir that's gripping, funny, and ultimately unforgettable from the bestselling former National Ambassador of Books for Young People. A strong choice for summer reading—an engaging and powerful autobiographical exploration of growing up a so-called "bad boy" in Harlem in the 1940s. As a boy, Myers was quick-tempered and physically strong, always ready for a fight. He also read voraciously—he would check out books from the library and carry them home, hidden in brown paper bags in order to avoid other boys' teasing. He aspired to be a writer (and he eventually succeeded). But as his hope for a successful future diminished, the values he had been taught at home, in school, and in his community seemed worthless, and he turned to the streets and to his books for comfort. Don’t miss this memoir by New York Times bestselling author Walter Dean Myers, one of the most important voices of our time.

Pick a card. Any card. With this trademark phrase, along with a wink, a winning grin and a handful of entertaining card tricks, Mr. Mercury Ecks has come to town. Windmill, Indiana, to be exact. And while the citizens of this 1950s Midwest farm town are naturally wary of strangers, they soon fall prey to the drifters principal charm. For Mr. Ecks knows things . . . Things about the people in town: Things that can help them: Help solve their problems. Relieve their fears. Remove their obstacles. And all he asks in return for sharing what he knows is a fee, a small fee. Or so at seems at first. But the small fee turns out to be much larger. Too late do the towns citizens learn Mr. Ecks secret purpose: The destruction of lives. The destruction of communities. The destruction of Windmill itself. For Laura Connerson, newly returned to Windmill, Mr. Ecks gift of mind-reading is especially tempting: Her young daughter has recently gone missing, and the stranger seems to know something about it. Or more specifically, seems to know something hidden in Lauras mind about it: Some bit of evidence, lost in the depths of her memory. A memory, a clue, waiting to be retrieved by him. For a price. The grinning, prancing drifter offers to help Laura probe her memory for the clue to her daughters disappearance. But what he asks in exchange for his service is more than she is willing to pay. Unless she can beat him at his own evil mind games . . . I am going to penetrate you, Laura. First your mind. Then the rest of you. Welcome to Windmill is the first book in a series about quaint but luckless Windmill, Indiana: A town that misfortune seems to favor, but whose citizens nevertheless manage to survive, and even thrive. Three years after Mr. Mercury Ecks disastrous visit, another stranger, Nathan Devlin, arrives with an old chest full of curious objects for sale . . . Curious and, some would say, magical. But once purchased, these seemingly-innocent curios begin to work more than magic on the good citizens of the town . . . And trinkets that seem quaint at first turn dangerous. What is behind their power? And why has this stranger brought them? In Rabbits Foot, a mans bitterness and confusion over an old heartbreak wreaks new havoc on Windmill . . . Until an ordinary rabbits foot reveals the truth of Nathans lost love Julia . . . And leads the two aged lovers to each other for a final reconciliation. Yet three years later, another stranger, Norma Swann by name, sets up shop in Windmill: A tea shop, to be exact, called Sweet Dreams. The citizens of Windmill, by now weary of strangers bearing strange gifts, try to avoid her shop with its tempting assortment of tea, cookies, candles, and bright knickknacks. Norma, however, will not be ignored: She has a special Gift, and she plans to share it. For Norma can send dreams to you in your sleep. Be nice to her, buy her tea, chat with her, and you will get good dreams, happy dreams, sweet dreams. But if you should happen to offend her . . . Well, prepare to be driven sleeplessly, horribly mad. Read all about Mercury, Nathan, Norma and the people of Windmill, Indiana Where bad things happen to a good town. Write to the author at [email protected] Cover photograph by Judy Butz. Cover design by Bill Ferguson, Judy Butz and Anne Shepherd.

The employees of Bad Boy Inc. aren’t heroes. They are problem specialists, who always get the job done—for a price. Includes previously released titles : Assassin Next Door ~ Killing people is easy. Domestication, on the other hand, terrifies him. The one thing he is sure of, is he’s ready to kill anyone who gets in the way of love. Pint-sized Protector ~ An assignment to babysit a rich dude isn’t Kacy’s idea of a fun mission. Especially since the guy's bodyguard thinks she’s too tiny to pack a punch. Time to prove him wrong. Deadly Match ~ A retired assassin can’t find love, and hires a dating service to solve his problem only to himself intrigued by the owner, especially when his first date with her ends with bullets flying.

Alice Cooper is an American rock singer, songwriter and musician whose career spans more than four decades. With a stage show that features guillotines, electric chairs, fake blood, boa constrictors and baby dolls, Cooper has pioneered a grandly theatrical and violent brand of hard rock designed to shock. Drawing from exclusive and unpublished interviews with a variety of names and faces from throughout Alice’s career, the book follows Cooper’s tale from his life growing up as a preacher’s son in Arizona, through the early years of struggle in Phoenix and then Los Angeles, and then onto the rollercoaster ride that has been the years since then. Includes interviews with original bandmates Michael Bruce and the late Glenn Buxton, drummer Neal Smith, the late Frank Zappa, manager Shep Gordon and producer Bob Ezrin. Includes tributes and recollections from many of the artists who call Alice an influence - from the Damned and the Cramps, to White Zombie and Gwar. Session players and songwriters who have made their own contributions to the Alice story recall their days spent with this Prince of Hell-raisers. The result is a story that alternately thrills, shocks, surprises and delights. Includes full discography and bibliography.

Welcome to the Family, Jessie is about this boy named Michael, but people call him Mike. He has two brothers named Matthew and Daniel. Daniel is his oldest brother, and Matthew is his second-oldest brother. He has a dad that he says is strict with him and doesn't love him the same way he loves his other two brothers, but really, his dad just knows his little boy is growing up way too fast. They have friends that are part of their gang too that they call family. Which are John, David, Mark, Clark, Bradley, George, and Alex, who were his brothers he'd known all their life and grew up with. In the story, it tells you about who they are and what's going on with them now and what happened to them in the past throughout the book. In the book, Mike also explains how his brother Dan is lonely and needs to get a girlfriend. Till out of the blue a girl named Jessie Smith catches his heart. So Mike and his best friend, Alex, think of a plan to get them together. Although the plan didn't exactly work, Dan and Jessie still went on a date. But after you come across the end of the book, you might have a different point of view about your family.

Wes Craven's A Nightmare on Elm Street is one of the most inventive American films of the 1980s. Its sleeper success bred a series of film sequels and a syndicated television program while its villain, Freddy Krueger, became a Hollywood horror icon for the ages. In the four decades since its release, Craven's creation and subsequent franchise has become firmly established as a pop culture institution and a celebrated symbol of American cinema. This book takes readers on an engrossing journey through the history, production and themes of the Nightmare on Elm Street film series and its spin-off TV show, Freddy's Nightmares. It reveals new stories about the franchise's history and dives into some of the themes and ideas that tend to be overlooked. The book has a foreword by production designer Mick Strawn and exclusive interviews with cast and crew, including legendary Freddy Krueger actor Robert Englund; directors Jack Sholder, Chuck Russell, Mick Garris, Tom McLoughlin, Lisa Gottlieb, and William Malone; cinematographers Jacques Haitkin, Roy H. Wagner, and Steven Fierberg; and many more.

In Welcome to the Dreamhouse feminist media studies pioneer Lynn Spigel takes on Barbie collectors, African American media coverage of the early NASA space launches, and television’s changing role in the family home and its links to the broader visual culture of modern art. Exploring postwar U.S. media in the context of the period’s reigning ideals about home and family life, Spigel looks at a range of commercial objects and phenomena, from television and toys to comic books and magazines. The volume considers not only how the media portrayed suburban family life, but also how both middle-class ideals and a perceived division between private and public worlds helped to shape the visual forms, storytelling practices, and reception of postwar media and consumer culture. Spigel also explores those aspects of suburban culture that media typically render invisible. She looks at the often unspoken assumptions about class, nation, ethnicity, race, and sexual orientation that underscored both media images (like those of 1960s space missions) and social policies of the mass-produced suburb. Issues of memory and nostalgia are central in the final section as Spigel considers how contemporary girls use television reruns as a source for women’s history and then analyzes the current nostalgia for baby boom era family ideals that runs through contemporary images of new household media technologies. Containing some of Spigel’s well-known essays on television’s cultural history as well as new essays on a range of topics dealing with popular visual culture, Welcome to the Dreamhouse is important reading for students and scholars of media and communications studies, popular culture, American studies, women’s studies, and sociology.