Analyzes how location-shot crime films of the 1970s reflected and influenced understandings of urban crisis. The early 1970s were a moment of transformation for both the American city and its cinema. As intensified suburbanization, racial division, deindustrialization, and decaying infrastructure cast the future of the city in doubt, detective films, blaxploitation, police procedurals, and heist films confronted spectators with contemporary scenes from urban streets. Welcome to Fear City argues that the location-shot crime films of the 1970s were part of a larger cultural ambivalence felt toward urban life, evident in popular magazines, architectural discourse, urban sociology, and visual culture. Yet they also helped to reinvigorate the city as a site of variegated experience and a positively disordered public life—in stark contrast to the socially homogenous and spatially ordered suburbs. Discussing the design of parking garages and street lighting, the dynamics of mugging, panoramas of ruin, and the optics of undercover police operations in such films as Klute, The French Connection, Detroit 9000, Death Wish, and The Taking of Pelham One Two Three, Nathan Holmes demonstrates that crime genres did not simply mirror urban settings and social realities, but actively produced and circulated new ideas about the shifting surfaces of public culture. “Rejecting the easy abstractions and postmodern playfulness of noir and neo-noir criticism, Holmes places 1970s crime films, as he says, ‘in relation to the urban context that was their location, setting, and subject.’ He does this brilliantly, convincingly, and uniquely.” — David Desser, former editor, Cinema Journal

New York City, summer of '77—in a city on the edge and obsessed with a serial killer, Sylvie Stroud is dealing with an entirely different kind of evil when she awakens a dark magic hellbent on consuming her. Seventeen-year-old Sylvie Stroud can see the past of any building just by touching it. Her powers have always been reliable, until one day she sees the memory of a teenage girl’s murder without touching anything at all. There's a lot of violence in New York City, especially in 1977, but this is different. When the vision keeps repeating, Sylvie begins to investigate. But doing so accidentally awakens an old, parasitic magic lurking just beneath the surface of her beleaguered city. Now all it wants is Sylvie, and it will go through everyone Sylvie loves to have her. This page-turning horror novel, complete with 22 black and white graphic novel pages throughout, is perfect for fans of Stephanie Perkins and Kendare Blake.

In this frank memoir—a story of duty, family, justice, politics, and resilience—Andrew Cuomo, New York State's fifty-sixth governor, reflects on his rise, fall, and rise again in politics, and the tough (but necessary) lessons he has learned along the way. Born to first-generation American parents in the working-class neighborhood of Queens, New York, Andrew M. Cuomo grew up in a family anchored by a shared belief in community, hard and honest work, and helping others. His father, Mario, led by example, as a tireless advocate for local residents, instilling in his son a passion for public service. From stapling up posters as a sixteen-year-old during his father's first political campaign to managing at twenty-five Mario's successful 1982 bid for New York State governor, Andrew Cuomo witnessed at a young age the power of politics to effect change for the common good. These experiences, reinforced by deeply held personal values, guided him, from novice campaign manager to visionary reform crusader to Clinton cabinet member—at thirty-nine—to groundbreaking governor of his home state. Laying out his unique approach to challenging the status quo, All Things Possible is not a traditional political memoir, but rather one man's revelatory reflection on a life defined by a commitment to public service, and the hard-won truths gleaned from both his struggles and his successes. In recounting his uphill battles to redefine the way America deals with homelessness, rehabilitate the legislative process in Albany, and bring marriage equality to New York, Cuomo presents an inspiring blueprint for greater political cooperation and efficacy. He also unflinchingly examines his failed 2002 gubernatorial bid, which heralded a dark period of political and personal turmoil, to illustrate why failure is inextricably bound up with success, why we should never forget where we come from, and the importance of balancing personal and professional commitments. And he proves, through all that he's achieved since his victory in the 2010 election, that our biggest triumphs lie not in never falling, but in rising every time we fall. With 16-pages of color and black and white photos

In the late 1970s, a Jeff Koons art exhibit featured mounted vacuum cleaners lit by fluorescent tube lighting and identified by their product names: New Hoover Quik Broom, New Hoover Celebrity IV. Raymond Carver published short stories such as "Are These Actual Miles?" that cataloged the furniture, portable air conditioners, and children's bicycles in a family home. Some years later the garbage barge Mobro 4000 turned into an international scandal as it spent months at sea, unable to dump its trash as it was refused by port after port. Tim Jelfs's The Argument about Things in the 1980s considers all this and more in a broad study of the literature and culture of the "long 1980s." It contributes to of-the-moment scholarly debate about material culture, high finance, and ecological degradation, shedding new light on the complex relationship between neoliberalism and cultural life.

From the creators of the wildly popular Welcome to Night Vale podcast comes an imaginative mystery of appearances and disappearances that is also a poignant look at the ways in which we all struggle to find ourselves...no matter where we live. "Hypnotic and darkly funny. . . . Belongs to a particular strain of American gothic that encompasses The Twilight Zone, Stephen King and Twin Peaks, with a bit of Tremors thrown in."--The Guardian Located in a nameless desert somewhere in the great American Southwest, Night Vale is a small town where ghosts, angels, aliens, and government conspiracies are all commonplace parts of everyday life. It is here that the lives of two women, with two mysteries, will converge. Nineteen-year-old Night Vale pawn shop owner Jackie Fierro is given a paper marked "KING CITY" by a mysterious man in a tan jacket holding a deer skin suitcase. Everything about him and his paper unsettles her, especially the fact that she can't seem to get the paper to leave her hand, and that no one who meets this man can remember anything about him. Jackie is determined to uncover the mystery of King City and the man in the tan jacket before she herself unravels. Night Vale PTA treasurer Diane Crayton's son, Josh, is moody and also a shape shifter. And lately Diane's started to see her son's father everywhere she goes, looking the same as the day he left years earlier, when they were both teenagers. Josh, looking different every time Diane sees him, shows a stronger and stronger interest in his estranged father, leading to a disaster Diane can see coming, even as she is helpless to prevent it. Diane's search to reconnect with her son and Jackie's search for her former routine life collide as they find themselves coming back to two words: "KING CITY". It is King City that holds the key to both of their mysteries, and their futures...if they can ever find it.