A Best Book of the Year: The Washington Post • Chicago Tribune • NPR • Vogue • Elle • Real Simple • InStyle • Good Housekeeping • Parade • Slate • Vox • Kirkus Reviews • Library Journal • BookPage Longlisted for the 2020 Booker Prize An Instant New York Times Bestseller A Reese's Book Club Pick "The most provocative page-turner of the year." --Entertainment Weekly "I urge you to read Such a Fun Age." --NPR A striking and surprising debut novel from an exhilarating new voice, Such a Fun Age is a page-turning and big-hearted story about race and privilege, set around a young black babysitter, her well-intentioned employer, and a surprising connection that threatens to undo them both. Alix Chamberlain is a woman who gets what she wants and has made a living, with her confidence-driven brand, showing other women how to do the same. So she is shocked when her babysitter, Emira Tucker, is confronted while watching the Chamberlains' toddler one night, walking the aisles of their local high-end supermarket. The store's security guard, seeing a young black woman out late with a white child, accuses Emira of kidnapping two-year-old Briar. A small crowd gathers, a bystander films everything, and Emira is furious and humiliated. Alix resolves to make things right. But Emira herself is aimless, broke, and wary of Alix's desire to help. At twenty-five, she is about to lose her health insurance and has no idea what to do with her life. When the video of Emira unearths someone from Alix's past, both women find themselves on a crash course that will upend everything they think they know about themselves, and each other. With empathy and piercing social commentary, Such a Fun Age explores the stickiness of transactional relationships, what it means to make someone "family," and the complicated reality of being a grown up. It is a searing debut for our times.

As India approaches its seventieth year of Independence, its people continue to grapple with multiple discourses: a few from the left, a considerable sum from the right and an impressive lot from the centre. This book brings together diverse views from people across a wide spectrum of life-politicians, activists, administrators, artistes, academicians-who offer their idea of India. With a contextual introduction by Nidhi Razdan, this politically charged, argumentative, candid and humorous book opens a window to our understanding of India that largely remained untold and unknown for a long time.

Named a Summer Must Read by Wall Street Journal, Elle, Harper’s Bazaar, Entertainment Weekly, Glamour, Esquire, Bustle, Town & Country, Good Housekeeping, Refinery29, and more “[Hoby] might have just written the defining New York City novel of our fraught, socially anxious, and politically tumultuous times.” —Interview “Intense and addictive.” —New York Times A powerful novel of youth, desire, and moral conflict, in which a young man is seduced by the mirage of glamour—at terrible cost. Arriving in New York City for an internship at an elite but fading magazine, Luca feels invisible: smart but not worldly, privileged but broke, and uncertain how to navigate a new era of social change. Among his peers is Zara, a young Black woman whose sharp wit and frank views on injustice create tension in the office, especially in the wake of a shock election that’s irrevocably destabilized American life. In the months that follow, as the streets of New York fill with pink-hatted protesters and the magazine faces a changing of the guard, Luca is taken under the wing of an attractive and wealthy white couple—Paula, a prominent artist, and Jason, her filmmaker husband—whose lifestyle he finds both alien and alluring. With the coming of summer, Luca is swept up in the fever dream of their marriage, accepting an invitation to join the couple and their children at their beach house, and nurturing an infatuation both frustrating and dangerous. Only after he learns of a spectacular tragedy in the city he has left behind does he begin to realize the moral consequences of his allegiances. In language at once lyrical and incisive, Virtue offers a clear-eyed, unsettling story of the allure of privilege and the costs of complacency, from a writer of astonishing acuity and vision.

Taking a long view of the three-party relationship, and its future prospects In this Asian century, scholars, officials and journalists are increasingly focused on the fate of the rivalry between China and India. They see the U.S. relationships with the two Asian giants as now intertwined, after having followed separate paths during the Cold War. In Fateful Triangle, Tanvi Madan argues that China's influence on the U.S.-India relationship is neither a recent nor a momentary phenomenon. Drawing on documents from India and the United States, she shows that American and Indian perceptions of and policy toward China significantly shaped U.S.-India relations in three crucial decades, from 1949 to 1979. Fateful Triangle updates our understanding of the diplomatic history of U.S.-India relations, highlighting China's central role in it, reassesses the origins and practice of Indian foreign policy and nonalignment, and provides historical context for the interactions between the three countries. Madan's assessment of this formative period in the triangular relationship is of more than historic interest. A key question today is whether the United States and India can, or should develop ever-closer ties as a way of countering China's desire to be the dominant power in the broader Asian region. Fateful Triangle argues that history shows such a partnership is neither inevitable nor impossible. A desire to offset China brought the two countries closer together in the past, and could do so again. A look to history, however, also shows that shared perceptions of an external threat from China are necessary, but insufficient, to bring India and the United States into a close and sustained alignment: that requires agreement on the nature and urgency of the threat, as well as how to approach the threat strategically, economically, and ideologically. With its long view, Fateful Triangle offers insights for both present and future policymakers as they tackle a fateful, and evolving, triangle that has regional and global implications.

Collects Captain America (1968) #357-364. Baron Helmut Zemo is obsessed with raising his father, Heinrich, from the dead, and he's determined to find the fragments of the powerful Bloodstone to do it! Join Captain America and Diamondback as they fight underground, in the air, in the ocean and through the jungle to stop Zemo and mercenaries Batroc, Zaran and Machete! Including fights with cannibals, sharks, snakes, mummies and the undead in one of Cap's greatest adventures ever! Plus: When Crossbones kidnaps Diamondback to Madripoor, only Cap can save her!

He Was Not Himself Because His Wife Was Not Herself, Because In Marriage You Acted And Reacted One Upon The Other, However Much You Wished It Otherwise, And Whether You Wanted To Or No. Dandekar Is A Routine-Bound Government Clerk Who Is Able To Provide His Family With A Comfortable Life. But His Ordered Existence Is Thrown Off Course When, One Day, He Comes Home From Work To Find His Wife, Sarojini, Missing. On Her Return She Gives Him An Excuse For Her Disappearance Which He Realizes Is A Lie, Further Rousing His Suspicions. Doubt And Mistrust Plague Him And He Puts His Career In Jeopardy When He Begins To Trail Sarojini In The Hope That He Might Find Her With Another Man. But When He Stumbles Across The Truth He Gets More Than He Bargained For. In A Silence Of Desire Kamala Markandaya Explores The Tension Between The East And The West Between Superstition And Science, Faith And Reason, Tradition And Progress In A Profound Manner.

Poverty is a serious problem in the United States, more so than commonly imagined, and more so than in other industrialized nations. Most Americans adhere to an individualistic perspective: they believe poverty is largely the result of people being deficient in intelligence, determination, education, and other personal traits. Poverty and Power, Fourth Edition challenges this viewpoint, arguing that poverty arises from the workings of four key structural systems—the economic, the political, the cultural, and the social—and ten obstacles to economic justice, including unaffordable housing, inaccessible health care, and racial and gender discrimination. The author argues that a renewed war on poverty can be successful, but only through a popular movement to bring about significant change in the workings of American economic, political, and cultural institutions. New to this Edition Enhanced conversation on why the cultural theory of poverty has such a strong appeal to the American public develops students’ critical thinking skills (Chapter 3) New segment on the influence of job seekers’ physical appearance on hiring decisions showing that success is not simply a matter of education, skills, and training (Chapter 4) New data on the “job availability problem” explains in detail why the monthly headline unemployment number is misleading, and new content on the 2021 upsurge of quits on the part of American workers portrays efforts on the part of ordinary people to improve their lives (Chapter 5) New content on how corporations have become increasingly assertive political players explores the dramatic increase in corporate lobbying efforts, the rise of billionaire political activists, and the creation of a powerful conservative political infrastructure in the United States (Chapter 6) Greater attention to racially segregated and resource-deprived Black communities covers the extraordinary hardships experienced by the residents of these areas, while a new section on the geographical isolation of the affluent discusses how isolation affects wealthy people’s beliefs and perceptions about poverty and what policies they deem acceptable (Chapter 8)

In 1853, Eyre Crowe, a young British artist, visited a slave auction in Richmond, Virginia. Harrowed by what he witnessed, he captured the scene in sketches that he would later develop into a series of illustrations and paintings, including the culminating painting, Slaves Waiting for Sale, Richmond, Virginia. This innovative book uses Crowe’s paintings to explore the texture of the slave trade in Richmond, Charleston, and New Orleans, the evolving iconography of abolitionist art, and the role of visual culture in the transatlantic world of abolitionism. Tracing Crowe’s trajectory from Richmond across the American South and back to London—where his paintings were exhibited just a few weeks after the start of the Civil War—Maurie D. McInnis illuminates not only how his abolitionist art was inspired and made, but also how it influenced the international public’s grasp of slavery in America. With almost 140 illustrations, Slaves Waiting for Sale brings a fresh perspective to the American slave trade and abolitionism as we enter the sesquicentennial of the Civil War.