An award-winning journalist overturns western stereotypes as he takes readers as he takes readers .outside the wire. of the war in Afghanistan and introduces the people whose defiant courage offers hope for the future. Far from the Taliban's grim desert strongholds, the country we visit with Terry Glavin is a surprisingly welcoming place, hidden away in alleys and narrow streets that bustle with blacksmiths, gem hawkers and spice merchants. This is the unseen Afghanistan, reawakening from decades of savagery and bloodletting. Glavin shows us how events have unfolded in Afghanistan since September 11, 2001. Travelling with fluent interpreters and Afghan human rights activists, Glavin meets people from many walks of life -- key political figures, teachers, journalists, farmers, students, burqa-shrouded women and soccer players -- and in these pages they speak for themselves. And in the life story of Afghan-Canadian writer, translator and activist Abdulrahim Parwani, he finds the story of Afghanistan's agonies over the past 30 years. Celebrated as .a critical voice in the dialogue that sustains a civil society,. Glavin is a co-founder of the Canada-Afghanistan Solidarity Committee and is increasingly seen as an expert on Canada's role in Afghanistan. He is also one of the best writers we have. Come from the Shadows mounts a passionately, marvellously readable challenge to the usual depiction of the war in Afghanistan. What, Glavin asks, has made the West incapable of hearing the voices of Afghans at the forefront of the global struggle against slavery, misogyny and tyranny? His answers are often unexpected and always illuminating.

“Absurdistan is not just a hilarious novel, but a record of a particular peak in the history of human folly. No one is more capable of dealing with the transition from the hell of socialism to the hell of capitalism in Eastern Europe than Shteyngart, the great-great grandson of one Nikolai Gogol and the funniest foreigner alive.” –Aleksandar Hemon From the critically acclaimed, bestselling author of The Russian Debutante’s Handbook comes the uproarious and poignant story of one very fat man and one very small country Meet Misha Vainberg, aka Snack Daddy, a 325-pound disaster of a human being, son of the 1,238th-richest man in Russia, proud holder of a degree in multicultural studies from Accidental College, USA (don’t even ask), and patriot of no country save the great City of New York. Poor Misha just wants to live in the South Bronx with his hot Latina girlfriend, but after his gangster father murders an Oklahoma businessman in Russia, all hopes of a U.S. visa are lost. Salvation lies in the tiny, oil-rich nation of Absurdistan, where a crooked consular officer will sell Misha a Belgian passport. But after a civil war breaks out between two competing ethnic groups and a local warlord installs hapless Misha as minister of multicultural affairs, our hero soon finds himself covered in oil, fighting for his life, falling in love, and trying to figure out if a normal life is still possible in the twenty-first century. With the enormous success of The Russian Debutante’s Handbook, Gary Shteyngart established himself as a central figure in today’s literary world—“one of the most talented and entertaining writers of his generation,” according to The New York Observer. In Absurdistan, he delivers an even funnier and wiser literary performance. Misha Vainberg is a hero for the new century, a glimmer of humanity in a world of dashed hopes.

Readers can vicariously live for a year in Eastern Europe through the eyes of an American professor working in Absurdistan. With a rare blend of humor and insight, Professor Wright shares a year of teaching at universities in Absurdistan, the name given to former Czechoslovakia by its citizens. His job was to help universities overcome the last seventy years of communist propaganda. This true story is a tongue-in-cheek look at the people, history, and geography of Eastern Europe. Become acquainted with Dr. Wright's castle, village, university, and neighbors. Learn the true meaning of Eastern European Time, and the correct way to mime kitty litter. See if you can survive the alternately hilarious and tragic daily life. In turn funny and sad, Dr. Wright combines mordant insights into the human condition with truly touching stories of local citizens. His incisive wit takes on politics, religion, language, and history, with equal opportunity barbs. He lives in an ancient stone cottage just outside the ruins of a castle destroyed by Napoleon, in a genuine quaint little village with no telephone. He rides the same trolleys as the local people. He eats the same food, and shops in the same bazaars. Astoundingly, he survives a year without TV, the internet, or even a golf course. Twenty-four photos add a rare glimpse into the lives, people, and countries of Eastern Europe. The captions alone are worth the price of the book.

Heralded as “one of his generation’s most original and exhilarating writers” by The New York Times, Gary Shteyngart has fused his literary chops and biting humor into one-of-a-kind fiction that provokes, inspires, and entertains—sometimes all at once. Throughout the two bestselling novels in this eBook bundle, Absurdistan and Super Sad True Love Story, Shteyngart is at the height of his powers: “wildly funny” (San Francisco Chronicle), “freakishly intelligent” (Elle), “ridiculously witty and painfully prescient” (Time). Don’t miss Gary Shteyngart’s highly anticipated memoir, Little Failure, an American immigrant story of a lifelong misfit who finally finds his place in the world, told with the author’s sharp powers of observation, self-deprecating humor, surprising revelations, and moving insights into the human heart. ABSURDISTAN “Exuberant, wise, hilarious . . . a long, funny, heartbreaking lament for home, whatever that means, and wherever that might be.”—Los Angeles Times Book Review Meet Misha Vainberg, son of the 1,238th-richest man in Russia and a 325-pound patriot of no country save New York City. Misha just wants to live in the South Bronx with his hot Latina girlfriend, but after his gangster father murders an Oklahoma businessman, all hopes of a U.S. visa are lost. Salvation lies in tiny, oil-rich Absurdistan, where a crooked consular officer will sell Misha a Belgian passport. Then civil war breaks out, a local warlord installs Misha as minister of multicultural affairs, and our hero finds himself fighting for his life, falling in love, and trying to figure out if a normal life is still possible in the twenty-first century. SUPER SAD TRUE LOVE STORY “Wonderful . . . [combines] the tenderness of the Chekhovian tradition with the hormonal high jinks of a Judd Apatow movie.”—Michiko Kakutani, The New York Times In the near future, America is crushed by a financial crisis, and our patient Chinese creditors may just be ready to foreclose on the whole mess. Then Lenny Abramov, son of a Russian immigrant janitor and ardent fan of “printed, bound media artifacts” (aka books), meets Eunice Park, an impossibly cute and impossibly cruel Korean American woman with a major in Images and a minor in Assertiveness. Could falling in love redeem a planet falling apart? All Lenny has to do is convince his fickle new love that there is still value in being a real human being. Praise for Gary Shteyngart “Compared with most young novelists his age . . . Shteyngart is a giant mounted on horseback. He ranges more widely, sees more sweepingly and gets where he’s going with far more aplomb.”—The New York Times Book Review “Obscenely gifted . . . [His] prose never fails to pop, and nothing escapes his satiric eye.”—Entertainment Weekly “The Joseph Heller of the information age.”—Salon “His imagination is either warped or prophetic; you choose. But his writing is brilliant.”—The Seattle Times “Not since mid-seventies Woody Allen has anyone cracked so wise and so well.”—Esquire “There is no one better at skewering social systems.”—The Wall Street Journal

Welcome to Absurdistan, a tiny planet in the middle of nowhere and the fallout of a cosmic accident in a cold and indifferent Universe. Absurdistan is home to a divided, twisted, and neurotic species torn between boredom and suffering. Supposedly, we are a great vintage of the Universe and the result of a millenary fermentation, yet neither individually nor collectively, we do not seem to have reached the maturity of a millennial civilization. The human mess knows no limits, and in our complete disregard of the ecological balance of our planet, we have initiated the sixth mass extinction on Earth. Add to that the socio-economic imbalances, wars, corruption, and the gap between the rich and poor which continue to widen. The human condition is well beyond tragic, it is "absurd."

"Starting on September 1, 2004, and ending 53 hours later, Russia experienced its most appalling act of terrorism in history, the seizure of School No. 1 in Beslan, North Ossetia. Approximately 1,200 children, parents, and teachers were taken hostage, and over 330 -nearly one of every hundred Beslan residents- were killed, hundreds more seriously wounded, and all severely traumatized. After Violence is the first book to analyze the aftermath of such large-scale violence with evidence from almost all direct victims. It explores the motivations behind individual responses to violence. When does violence fuel greater acceptance of retaliatory violence, and when does violence fuel nonviolent participation in politics? The mass hostage taking was widely predicted to provoke a spiral of retaliatory ethnic violence in the North Caucasus, where the act of terror was embedded in a larger context of ongoing conflict between Ossetians, Ingush, and Chechens. Politicians, journalists, victims, and other local residents asserted that vengeance would come. Instead, the hostage taking triggered unprecedented peaceful political activism on a scale seen nowhere else in Russia. Beslan activists challenged authorities, endured official harassment, and won a historic victory against the Russian state in the European Court of Human Rights. After Violence provides insights into this unexpected but preferable outcome. Using systematic surveys of 1,098 victims (82%) and 2,043 nearby residents, in-depth focus groups, journalistic accounts, investigative reports, NGO reports, and prior scholarly research, After Violence offers novel findings about the influence of anger, prejudice, alienation, efficacy, and other variables on post-violence behavior"--

The Many Faces of Sacha Baron Cohen explores the surprising political resonance of British comedian Sacha Baron Cohen's portrayals of Borat, Ali G, and Bruno. The book examines the political underpinnings of Baron Cohen's humor, the cultural ramifications of his ethnically charged satire, and the global implications of his various personae.

Within the past ten years, the field of contemporary American literary studies has changed significantly. Following the turn of the twenty-first century and mounting doubts about the continued explanatory power of the category of “postmodernism,” new organizations have emerged, book series have been launched, journals have been created, and new methodologies, periodizations, and thematics have redefined the field. Postmodern/Postwar—and After aims to be a field-defining book—a sourcebook for the new and emerging critical terrain—that explores the postmodern/postwar period and what comes after. The first section of essays returns to the category of the “post-modern” and argues for the usefulness of key concepts and themes from postmodernism to the study of contemporary literature, or reevaluates postmodernism in light of recent developments in the field and historical and economic changes in the late twentieth and early twenty-first centuries. These essays take the contemporary abandonments of postmodernism as an occasion to assess the current states of postmodernity. After that, the essays move to address the critical shift away from postmodernism as a description of the present, and toward a new sense of postmodernism as just one category among many that scholars can use to describe the recent past. The final section looks forward and explores the question of what comes after the postwar/postmodern. Taken together, these essays from leading and emerging scholars on the state of twenty-first-century literary studies provide a number of frameworks for approaching contemporary literature as influenced by, yet distinct from, postmodernism. The result is an indispensable guide that seeks to represent and understand the major overhauling of postwar American literary studies that is currently underway.