Joe Kubert sealed his reputation as one of the greatest American comic-book cartoonists of all time with the four-color adventures of Sgt. Rock of Easy Company, Enemy Ace, and Tarzan, all done for DC Comics during the 1960s and 1970s (themselves already the subject of archival editions)... but he had been working in comics since the 1940s. In fact, young Kubert produced an exciting, significant body of work as a freelance artist for a variety of comic book publishers in the postwar era, in a glorious variety of non-super hero genres: horror, crime, science fiction, western, romance, humor, and more. For the first time, 33 of the best of these stories have been collected in one full-color volume, with a special emphasis on horror and crime.

WEIRD HORRORS #3If you dare - take these adventures into darkness! The 1950's were the heyday of horror, when nothing was too macabre, too scary, or too intense. The comics were ready and willing to warp the minds of our youth, and bring sleepless nights to millions of boys and girls willing to give up a dime for the right to be scared.....to death! Now you can enjoy again - or, for the first time - some of the best in classic horror comics with these public domain reprints from Golden Age Reprints and UP History and Hobby . This book contains the full issue of WEIRD HORRORS #3. Be sure to check out our entire line of full-color comic reprints!The classic comic reprints from GOLDEN AGE REPRINTS and UP History and Hobby are reproduced from actual comics, and sometimes reflect the imperfection of books that are decades old. These books are constantly updated with the best version available - if you are EVER unhappy with the experience or quality of a book, return the book to us to exchange for another title or the upgrade as new files become available. For our complete classic comics library catalog contact [email protected] OR VISIT OUR WEB STORE AT www.goldenagereprints.com

Strange Terrors was a pre-comic code horror comic series. Popular but short lived, this series was published by St. John publications who at one time was a giant of the comic book industry. St. John Publications was an American publisher of magazines and comic books. During its short existence (1947-58), St. John's comic books established several industry firsts. Founded by Archer St. John (1904-55), the firm was located in Manhattan at 545 Fifth Avenue. After the St. John comic books came to an end in 1958, the company continued to publish its magazine line into the next decade. This book has been image enhanced to give the reader a comic as it was, freshly published more then fifty years ago and contains stories from two complete issues.

WEIRD HORRORS is full of all those factors which makehorror comics popular - ghosts, vampires, the undead,rotting corpses, atomic bombs, drugs, torture and a littlebit of irony to make it all seem not quite so bad. Theearly 1950s were the last years for the comic horrorgenre to stretch its creative wings, before the ComicsCode changed all that - and Weird Horrors was ahead of itstime in story and art. It's almost impossible to believethat these stories, which are fresh and cutting-edge today,are over 65 years old! Classic Comics Library brings youall 9 issues, individual and together in CCL #770!These books are reprinted from the best availableimages, and the books will be updated as new copies areuncovered. Sometimes the early and rarer books reflectthe age and the condition of the originals. Our books areNOT digitally remastered; they are taken from scans ofactual comics. Many people enjoy these authenticcharacteristics. If you are not entirely happy, pleasecontact us for exchange or refund at any time!Get the complete catalog by [email protected] get a discount code by liking us onFacebook.com/classiccomicslibrary

Eerie Publications' horror magazines brought blood and bad taste to America's newsstands from 1965 through 1975. Here's the sordid background behind this mysterious comics publisher, featuring astonishingly red reproductions of many covers and the most spectacularly creepy art.

Meticulously detailed indexes to the Eerie Publications horror comics, the dreadful bad-boys of black and white horror mags! THERE ARE NO STORIES REPRINTED HERE!!! Just hard-core, pure information.

Welcome to the new pulp! Weird Horror magazine is a new venue for fiction, articles, reviews, illustration, and commentary. This is the magazine of weird tales that you've been craving. A modern, inclusive, diverse array of pulp fiction and commentary. Long live the new pulp! Our inaugural issue features contributions from David Bowman, Shikhar Dixit, Steve Duffy, Inna Effress, Tom Goldstein, Orrin Grey, Vince Haig, Nathaniel Winter-Hebert, Sam Heimer, John Langan, Suzan Palumbo, Ian Rogers, Naben Ruthnum, Lysette Stevenson, Simon Strantzas, and Steve Toase. FICTION: Shikhar Dixit; Steve Duffy; Inna Effress; John Langan; Suzan Palumbo; Ian Rogers; Naben Ruthnum; and Steve Toase. NON-FICTION: Tom Goldstein; Orrin Grey; Lysette Stevenson; and Simon Strantzas. ART: David Bowman; and Sam Heimer; and Nathaniel Winter-Hebert. DESIGN: Vince Haig; and Nathaniel Winter-Hebert

All towns have secrets. But none like Netherwell Bay...'Sis, I'm in trouble. Real trouble. And I need help.' After receiving a worrying message from her estranged brother, Beth Davis sets out to find and help him, ending up in the strange, coastal town of Netherwell Bay. There, she begins to witness terrifying and unexplainable things, and reports of ritualistic murders have the town panicked. A sinister cult soon makes its presence known, and the dark history of Netherwell Bay is unveiled. Beth then finds herself in a race against time to stop a doorway to Hell from opening... permanently. The Netherwell Horror is a Lovecraftian mystery that quickly descends into madness, sickening violence, and chaos. Fans of Silent Hill will love this nightmarish tale, but those of a squeamish disposition need not apply...

From Faust (1926) to The Babadook (2014), books have been featured in horror films as warnings, gateways, prisons and manifestations of the monstrous. Ancient grimoires such as the Necronomicon serve as timeless vessels of knowledge beyond human comprehension, while runes, summoning diaries, and spell books offer their readers access to the powers of the supernatural--but at what cost? This collection of new essays examines nearly a century of genre horror in which on-screen texts drive and shape their narratives, sometimes unnoticed. The contributors explore American films like The Evil Dead (1981), The Prophecy (1995) and It Follows (2014), as well as such international films as Eric Valette's Malefique (2002), Paco Cabeza's The Appeared (2007) and Lucio Fulci's The Beyond (1981).

Henry Clay Lewis (1825–1850) was one of the leading southern humorists of the nineteenth century. Born in South Carolina, he grew up in Yazoo City, Mississippi, and attended medical school in Louisville, Kentucky. After graduation Dr. Lewis practiced in a backwoods Louisiana community on the Tensas River, where he treated masters and their slaves on plantations as well as hunters and squatters in the swamps. Odd Leaves from the Life of a Louisiana Swamp Doctor is a series of sketches that follow the outlandish misadventures of Dr. Madison Tensas—Lewis’ literary persona. Many of these stories were first published in New York’s Spirit of the Times. Using dialect, comic imagery, folklore, picaresque autobiography, and the form of the mock oral tale, Lewis presents a vigorous—even grotesque—vision of the southern backwoods, where life was often violent and brutal, sometimes shockingly funny, and always wildly different from the polished society of townsmen and wealthy planters. In an expansive new Introduction, Edwin T. Arnold places Lewis’ writing in the context of the times, discussing its role in the development of southwestern humor as a literary genre. Arnold emphasizes Lewis’ contribution to southern letters through the author’s psychological use of the narrating persona and the complex correlation between setting and theme.