The second in a series of exciting new flash weird fiction. This issue features both new and established authors, all writing short tales of weirdness for your pleasure! In this issue, we turn our attention to Spring and all things that go with it. A season of growth and re-birth, but for who or what, well, you'll have to read on to see!

It’s Summer and what better way to celebrate than with the latest issue of Weird Fiction Quarterly? From the same demented gang that brought you the Winter and Fall installments, bring this new Summer edition with you to the beach, and perhaps, use it as a rolled-up weapon to hit your younger sibling AFTER you’ve read it. (This last suggestion is not endorsed by the Weird Fiction Quarterly Staff. We never advocate violence. Never. -The Editor)

Now in FULL COLOR! Weird Fiction Quarterly returns for its fourth installment, rounding out the seasonal cycle with a special double-sized volume featuring two themes: Fall and Halloween! Within these pages, you will harvest twice as many 500-word stories from your favorite authors while gazing terrified upon morbid illustrations by Sarah Walker, Nora Peevy, and Andy Joynes. The bewitching cover painting by Robert H. Knox makes this issue a cherishable autumnal keepsake. And if that weren’t enough, this issue features a bagful of spectral poetry by K.A. (The Pumpkin King) Opperman, Adam Bolivar, and Maxwell I. Gold.

Weird Fiction Quarterly continues the tradition of bringing you the finest in 500 word flash-fiction! (We dare you to find better!) In this, our fifth anthology, we bring you 41 wintry tales of weird wonder guaranteed to make you want to pull up a chair before a warm fire and wrap yourself in blanket and cat, because these stories are cold and will chill you to the bone. You won’t have time to do that, though. This is, after all, Weird Fiction Quarterly. You can never be prepared for what might happen. In here the eternal night is dark and frigid and filled with monsters. Let’s get cold.

It’s time to kick your shoes off and put your talons up on the dashboard! This is Weird Fiction Quarterly’s Summer Road Trip! The old jalopy is gassed up, the tires and oil checked, and the trunk is loaded with an ice chest, plenty of towels, and maybe even a body or two as fifty authors take turns driving to some incredibly out of the way places, the like of which you’ve never seen this side of your nightmares! We have a massive itinerary including stops on other planes, faraway lands that you didn’t realize existed, haunted graveyards, and even the zoo! You don’t want to miss this massive multifarious trip!

The first in a series of exciting new flash weird fiction. This issue features both new and established authors, all writing short tales of weirdness for your pleasure! In this issue, we turn our attention to Winter and all things that go with it. Expect stories that feature ice, snow, cold and maybe even a certain jolly chap.

Weird Fiction Quarterly does Folk Horror! Once again we bring you the finest in our now-signature 500 word flash fiction and exquisite poetry contributions, featuring over 60 writers from all around the globe and a dubious burlap sackful of color illustrations by our own Sarah Walker! Visit a strange, quaint village where the yearly festival is Everything. Call on the cunning woman or the witch doctor for a cure that might cost your very soul. Go deep into the woods in search of what may be a monster—or some forgotten god that Must be Appeased. Find a famous cryptid or two in (very) unexpected places! However you think of Folk Horror, hold onto your garland of flowers, because, as with every issue of Weird Fiction Quarterly, there is no possible way to prepare yourself for what could pop up in these pages. Portals open and close; trees are not what they seem. Tales from different countries and cultures intermingle. From the wilds you hear the reel of bewitching pipes. Whether or not you follow them, folks, things around these parts are about to get really weird!

The Spring 2023 issue of the New Croton Review contains 80 works of fiction, nonfiction, poetry, visual art, and photography; from 54 people from all over the US. It's an outstanding collection of creative work, so check it out today!

Three classic novelettes of reincarnation, evolution and revolution by a pioneer of female science fiction writers. A Certain Soldier (1927) – A story of reincarnation and ancient Rome A novelette of six chapters The Miracle of the Lily (1928) – Insects were, and still are, mankind’s greatest enemies, and will remain so for many years to come. Chapter I – The Passing of a Kingdom Chapter II – Man or Insect? Chapter III – Lucanus the Last Chapter IV – Efficiency Maximum Chapter V – The Year 3928 Chapter VI – The Miracle Chapter VII – Ex Terreno The Ape Cycle (1930) – No more will man rule . . . From the ranks of his servants the apes, springs a new leader . . . . Chapter I Chapter II – The New Servants Chapter III – A Tragedy Chapter IV – A Moral Issue Chapter V – From Brawn to Brain Chapter VI – The Missing Link Chapter VII – Open Revolt Chapter VIII – A Rescue Chapter IX – The Conference

Can cinema reveal its audience's most subversive thinking? Do films have the potential to project their viewers' innermost thoughts making them apparent on the screen? This book argues that cinema has precisely this power, to unveil to the spectator their own hidden thoughts. It examines case studies from various cultures in conversation with Spain, a country whose enduring masterpieces in self-reflexive or meta-art provide insight into the special dynamic between viewer and screen. Framed around critical readings of Miguel de Cervantes' Don Quixote, Diego Velázquez' Las meninas and Luis Buñuel's Un chien andalou, this book examines contemporary films by Víctor Erice, Carlos Saura, Bigas Luna, Alejandro Amenábar, Lucrecia Martel, Krzysztof Kieslowski, David Lynch, Pedro Almodóvar, Spike Jonze, Andrzej Zulawski, Fernando Pérez, Alfred Hitchcock, Wes Craven and David Cronenberg to illustrate how self-reflexivity in film unbridles the mental repression of film spectators. It proposes cinema as an uncanny duplication of the workings of the brain – a doppelgänger to human thought.