Travel beyond the traditional limits of boundweave with this comprehensive guide to weft-faced pattern weaves. Beginning and experienced weavers alike will learn how to plan, predict and weave colourful, rhythmical patterns, charming folk figures, and geometric designs in fabrics that are decorative and durable. Fifty-three projects range from simple to complex weaves. Directions, patterns, and tips are provided for the plain weave, twill, point twill, rosepath, overshot, taqueté, and samitum. It also features Coptic taquete and samitum re-creations and patterns from the Tunic of Tutankhamun. Engaging and informative text accompanies diagrams, illustrated samplers, and drafts with threading, tie-up, treadling, and drawdowns. This is the definitive work on weft-faced pattern weaves and is a must-have reference and resource guide for weavers and crafters alike.

Weavers around the world have been searching for a book that explores the delightful motifs of the Scandinavian weaving technique known as krokbragd. Krokbragd: How to Design & Weave fills that niche and provides a comprehensive look at this beautiful weaving technique. In this book, Debby Greenlaw brings together the traditional aspects of krokbragd with a fresh, contemporary approach to creating stunning textiles. You will explore the structure and design of krokbragd for the floor, table, and rigid-heddle looms. In addition to traditional single krokbragd, exciting variations such as double point krokbragd and turned krokbragd are also covered. Each topic is supplemented with a project that allows the weaver to gain hands-on experience with the technique.Krokbragd: How to Design & Weave is filled with weaving tips, detailed illustrations, and step-by-step photography. Debby provides guidance on yarn and color selection, design, and finishing techniques to create and weave uniquely personal krokbragd pieces.Whether you're a weaver or a lover of Scandinavian textiles, you'll enjoy Krokbragd: How to Design and Weave. Add it to your library; you'll be delighted!

Basic steps needed to weave luxurious fabrics on a foot-treadle handloom.

New and experienced weavers alike are always on the lookout for new weave-structure patterns. The Weaver's Idea Book presents a wide variety of patterns for the simple rigid-heddle loom, accompanied by harness drafts for multishaft looms. The techniques include leno, Brooks bouquet, soumak, and embroidery on fabric. Each chapter contains weaving patterns along with swatches illustrating the techniques, accompanied by step-by-step photography. The book is arranged by structure or type of weave, from variations on plain weave to doubleweave. With traditional patterns from around the world, bands, and fabrics woven on two double heddles, The Weaver's Idea Book brings together a variety of ways to create exquisite cloth. Weaving tips and tricks help weavers at all levels achieve their textile dreams. In addition to pattern drafts, Jane offers project ideas that guide the reader through creating functional woven projects, from wearables to home decor. Weaving, especially on rigid-heddle looms, is enjoying a resurgence, and contemporary weavers are in need of a book to bridge the divide between basic books and complex text designed for advanced weavers with sophisticated tools. Celebrating the immense potential for creativity possible with the simplest of tools, The Weaver's Idea Book eBook opens new avenues for exploration on both the rigid-heddle and multishaft looms.

Illustrated guide for step-by-step beginning and advanced weaving. 424 pages; over 600 illustrations; indexed

A how-to book on Chimayo weaving consisting of information gathered from decades of weaving, research, and experience running a Chimayo weaving business.

This must-have draft book contains almost 1000 different patterns on more than 25 weave structures. Introductory chapters provide a thorough understanding of how each structure works.

Break out of blocks with split-shed weaving. This technique gives any weaver with a 4-shaft loom the ability to weave pictorial imagery using continuous wefts without the need for complicated equipment, pick-up sticks, dobby mechanisms, graphed designs, or warp thread counting. One can weave structures that include variations of twills, tied weaves, double weft-faced weaves, taqueté, samitum, Bronson, double weave, lampas, piqué, waffle and more! Every pattern is accompanied by color images with detailed enlargements. Easy-to-understand drafts include drawdowns that illustrate all possible pattern combinations, as well as tie-up and treadling diagrams for jack, direct tie-up, table, countermarch and counterbalance looms.The beginning chapters are designed to allow the weaver to create a multi-pattern sampler on a single warp. The book progression enables one to advance from one shuttle structures to two-shuttle weaves, then to multi-shuttle weaving, allowing the weaver to mix colors and create shading. The book includes simplified treadling instructions for several loom types that can be copied and attached to the loom for easy reference while weaving. There are also instructions for creating a cartoon that remains flat and that will not wrinkle when beating.Deborah Silver is an artist, author, and weaving instructor. Her weavings employ the split-shed technique, transforming traditional pattern structures into a signature method of hand-weaving. All weft yarns travel from selvedge to selvedge, differentiating this cloth from tapestry. Her past works have been inspired by the increased cross-culturalism in the world which has been facilitated by technology. Her recent art is drawn from American women's history and from memorials found in old cemeteries. Deborah's weavings have been shown in numerous local and international juried exhibitions, receiving many awards, including the Complex Weavers Award and First Place at "Complexity 2018: Innovations in Weaving". She received a Cleveland Jewish Arts and Culture Fellowship award in 2015, and an Ohio Arts Council Individual Excellence Award in 2019.Deborah continues to explore the many facets of split-shed weaving in her art, discovering new ways to combine her imagery with pattern structures.