“THE WAR OF JOKES AND RIDDLES” part four! War is hell. Unless it’s in Gotham City, where it’s so much worse. The clash between The Joker and the Riddler continues to escalate, with the rest of the city’s villains picking sides and joining in. In the midst of the battle, Batman must try to save whoever he can while knowing he will forever be haunted by those he can’t.

Gert is more jaded than ever when she discovers the secret behind the mystery man offering her a mission he doesn't think she can refuse. Eisner Award-winning writer SKOTTIE YOUNG (MIDDLEWEST, TWIG, THE ME YOU LOVE IN THE DARK) and artist BRETT BEAN (Marvel's Rocket & Groot) continue the triumphant return of I HATE FAIRYLAND!

Emphasising the contradictions of fandom, Matt Hills outlines how media fans have been conceptualised in cultural theory. Drawing on case studies of specific fan groups, from Elvis impersonators to X-Philes and Trekkers, Hills discusses a range of approaches to fandom, from the Frankfurt School to psychoanalytic readings, and asks whether the development of new media creates the possibility of new forms of fandom. Fan Cultures also explores the notion of "fan cults" or followings, considering how media fans perform the distinctions of 'cult' status.

This groundbreaking reference work presents more than 100 articles by 98 high-profile interdisciplinary scholars, covering all aspects of girls' roles in American society, past and present. In this comprehensive, readable, two volume encyclopedia, experts from a variety of disciplines contribute pieces to the puzzle of what it means—and what it has meant over the last 400 years—to be a girl in America. The portrait that emerges reveals deep differences in girls' experiences depending on socioeconomic context, religious and ethnic traditions, family life, schools, institutions, and the messages of consumer and popular culture. Girls have been commodified, idealized, trivialized, eroticized, and shaped by the powerful forces of popular culture, from Little Women to Barbie. Yet girls are also powerful co-creators of the culture that shapes them, often cleverly subverting it to their own purposes. From Pocahantas to punk rockers, girls have been an integral, if overlooked and undervalued, part of American culture.