Weaving with high-twist yarns and contrasting materials creates lively textures that are transformed by washing. Ann Richards explains the processes and potential of this approach, and provides a broad introduction to designing with high-twist yarns.

Weaving: Structure and Substance looks at weave design from several different perspectives, showing how resources, ideas and practical experience can come together in a creative process of designing through making. Emphasizing the potential of woven textiles throughout, Ann Richards follows the success of her sister title Weaving Textiles that Shape Themselves and explores the tactile properties that emerge from the interaction of material and structure. The book is organized into four parts that look at the natural world as inspiration, the design resources of material and weave structure, the fabric qualities as starting points for design, and the practical issues of designing through making. With over 280 lavish photos, this book will be an invaluable resource for textile designers and enthusiasts looking for inspiration and practical advice.

The Quechua people of southern Peru are both agriculturalists and herders who maintain large herds of alpacas and llamas. But they are also weavers, and it is through weaving that their cultural traditions are passed down over the generations. Owing to the region's isolation, the textile symbols, forms of clothing, and technical processes remain strongly linked to the people's environment and their ancestors. Heckman's photographs convey the warmth and vitality of the Quechua people and illustrate how the land is intricately woven into their lives and their beliefs. Quechua weavers in the mountainous regions near Cuzco, Peru, produce certain textile forms and designs not found elsewhere in the Andes. Their textiles are a legacy of their Andean ancestors. Andrea Heckman has devoted more than twenty years to documenting and analyzing the ways Andean beliefs persist over time in visual symbols embedded in textiles and portrayed in rituals. Her primary focus is the area around the sacred peak of Ausangate, in southern Peru, some eighty-five miles southeast of the former Inca capital of Cuzco. The core of this book is an ethnographic account of the textiles and their place in daily life that considers how the form and content of Quechua patterns and designs pass stories down and preserve traditions as well as how the ritual use of textiles sustain a sense of community and a connection to the past. Heckman concludes by assessing the influences of the global economy on indigenous Quechua, who maintain their own worldview within the larger fabric of twentieth-century cultural values and hence have survived everything from Latin American militarism to a tidal wave of post-modern change.

Understanding the techniques for joining fabrics together in a way that considers durability, strength, leak-tightness, comfort in wear and the aesthetics of the joints is critical to the production of successful, structurally secure fabric products. Joining textiles: Principles and applications is an authoritative guide to the key theories and methods used to join fabrics efficiently.Part one provides a clear overview of sewing technology. The mechanics of stitching, sewing and problems related to sewn textiles are discussed, along with mechanisms of sewing machines and intelligent sewing systems. Part two goes on to explore adhesive bonding of textiles, including principles, methods and applications, along with a review of bonding requirements in coating and laminating of textiles. Welding technologies are the focus of part three. Heat sealing, ultrasonic and dielectric textile welding are covered, as are laser seaming of fabrics and the properties and performance of welded or bonded seams. Finally, part four reviews applications of joining textiles such as seams in non-iron shirts and car seat coverings, joining of wearable electronic components and technical textiles, and the joining techniques involved in industrial and medical products including nonwoven materials.With its distinguished editors and international team of expert contributors, Joining textiles is an important reference work for textile product manufacturers, designers and technologists, fibre scientists, textile engineers and academics working in this area. - Provides an authoritative guide to the key theories and methods used to efficiently join fabrics - Discusses the mechanics of stitching and sewing and problems related to sewn textiles, alongside mechanisms of sewing machines, and intelligent sewing systems - Explores adhesive bonding of textiles, including principles, methods and applications, along with a review of bonding requirements in coating and laminating of textiles

A comprehensive book on the kinds of textiles the Shakers used, how they were produced, and their cultural and economic importance to the communities.

With a rising population and the increasing range of textiles for medical products, the need to understand and improve medical textiles is gaining in importance. The Handbook of medical textiles provides an overview of the different types of medical textiles currently available as well as specific information on more specialised topics and applications.In part one, the types and properties of medical textiles are discussed, with chapters covering topics including reusable textiles, textiles for implants and textiles with cosmetic effects. Part two focuses on the interaction of textiles with the skin, examining key issues such as contact sensations, allergies and mechanical irritation. Chapters in part three provide information on the latest developments in textiles for hygiene and infection control, while part four provides a range of applications and case studies, including improvements in medical occupational clothing, medical filters and superabsorbent fibres.With its expert editor and contributions from some of the world's leading authorities, the Handbook of medical textiles is a standard reference for designers and manufacturers of medical textile products, as well as for biomaterials scientists and medical professionals. - Explores the different types of medical textiles currently available as well as specific information on more specialised areas and applications - Chapters cover topics such as reusable textiles, textiles for implants and interaction of textiles with the skin - Is a standard reference for designers and manufacturers of medical textile products, as well as for biomaterials scientists and medical professionals

Known for their intricate textiles, the Q'ero are a traditional Quechua-speaking Peruvian highland people. Their weavings are full of symbolic elements and motifs that encode specific cultural information and their textiles are the repositories for knowledge that has been passed down through generations. Based on ethnographic fieldwork undertaken between 1979 and 1991, A Woven Book of Knowledge examines and compares regional weaving styles and discusses the general texture of highland life. The author's long involvement with members of the Q'ero community has provided unique opportunities for insight into their ideas about weaving, iconography, and spatial and temporal concepts. But A Woven Book of Knowledge is more than an ethnographic study. If the warp of the book is the academic rigor of anthropology and linguistics, the weft is Silverman's love for the textiles themselves and for the Q'ero people. It is a result of a passion that has kept her in Cuzco for years, dedicating her career to the study of the local textile tradition.

This survey of textile fundamentals and methods, written by the foremost textile artist of the 20th century, covers hand weaving and the loom, fundamental construction and draft notation, modified and composite weaves, early techniques of thread interlacing, interrelation of fiber and construction, tactile sensibility, and design. 9 color illustrations. 112 black-and-white plates.

Collapse cloth--cloth that, when removed from the loom and washed, takes on an entirely different appearance as the threads draw up and create puckers. Combinations of various weaving techniques are presented alongside photos and diagrams, providing clear instructions for sewing scarves, wraps, tops, and harem-style pants made from this fluid and unusual cloth. Additional chapters describe in detail how to warp the loom and add special effects such as double weave, supplementary warps, spaced cloth, overshot, and deflected double weave. Tips for those who want to spin their own yarn for collapse projects are also included.